‘Laverne & Shirley’ Actor Cindy Williams Dies at 75

In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
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‘Laverne & Shirley’ Actor Cindy Williams Dies at 75

In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)
In this file photo taken on April 14, 2012 Actress Cindy Williams attends the 10th Annual TV Land Awards at the Lexington Avenue Armory in New York City. (AFP)

Cindy Williams, who was among the most recognizable stars in America in the 1970s and 1980s for her role as Shirley opposite Penny Marshall's Laverne on the beloved sitcom "Laverne & Shirley," has died, her family said Monday.

Williams died in Los Angeles at age 75 on Wednesday after a brief illness, her children, Zak and Emily Hudson, said in a statement released through family spokeswoman Liza Cranis.

"The passing of our kind, hilarious mother, Cindy Williams, has brought us insurmountable sadness that could never truly be expressed," the statement said. "Knowing and loving her has been our joy and privilege. She was one of a kind, beautiful, generous and possessed a brilliant sense of humor and a glittering spirit that everyone loved."

Williams worked with some of Hollywood's most elite directors in a film career that preceded her full-time move to television, appearing in George Cukor's 1972 "Travels With My Aunt," George Lucas' 1973 "American Graffiti" and Francis Ford Coppola's "The Conversation" from 1974.

But she was by far best known for "Laverne & Shirley," the "Happy Days" spinoff that ran on ABC from 1976 to 1983 that in its prime was among the most popular shows on TV.

Williams played the straitlaced Shirley Feeney to Marshall's more libertine Laverne DeFazio on the show about a pair of blue-collar roommates who toiled on the assembly line of a Milwaukee brewery in the 1950s and 1960s.

"They were beloved characters," Williams told The Associated Press in 2002.

DeFazio was quick-tempered and defensive; Feeney was naive and trusting. The actors drew upon their own lives for plot inspiration.

"We’d make up a list at the start of each season of what talents we had," Marshall told the AP in 2002. "Cindy could touch her tongue to her nose and we used it in the show. I did tap dance."

Williams told The Associated Press in 2013 that she and Marshall had "very different personalities" but tales of the two clashing during the making of the show were "a bit overblown."

The series was the rare network hit about working-class characters, with its self-empowering opening song: "Give us any chance, we’ll take it, read us any rule, we’ll break it."

That opening would become as popular as the show itself. Williams’ and Marshall’s chant of "schlemiel, schlimazel" as they skipped along together became a cultural phenomenon and oft-invoked piece of nostalgia.

Marshall, whose brother, Garry Marshall, co-created the series, died in 2018.

Actor Rosario Dawson shared a video of the opening theme on Twitter on Tuesday.

"Singing this song with so much gratitude for both of you ladies," Dawson tweeted. "Absolute gems. United again… Rest in Paradise Cindy Williams."

The show also starred Michael McKean and David Lander as Laverne and Shirley's oddball hangers-on Lenny and Squiggy. Lander died in 2020.

McKean paid tribute to Williams on Twitter with a memory from the production.

"Backstage, Season 1: I’m offstage waiting for a cue. The script’s been a tough one, so we’re giving it 110% and the audience is having a great time," McKean tweeted. "Cindy scoots by me to make her entrance and with a glorious grin, says: ‘Show’s cookin’!’ Amen. Thank you, Cindy."

As ratings dropped in the sixth season, the characters moved from Milwaukee to Burbank, California, trading their brewery jobs for work at a department store.

In 1982, Williams became pregnant and wanted her working hours curtailed. When her demands weren’t met, she walked off the set, and filed a lawsuit against its production company. She appeared infrequently during the final season.

Williams was born one of two sisters in the Van Nuys area of Los Angeles in 1947. Her family moved to Dallas soon after she was born, but returned to Los Angeles, where she would take up acting while attending Birmingham High School and a major in theater arts at LA City College.

Her acting career began with small roles in television starting in 1969, with appearances on "Room 222," "Nanny and the Professor" and "Love, American Style."

Her part in Lucas' "American Graffiti" would become a defining role. The film was a forerunner to a nostalgia boom for the 1950s and early 1960s that would follow. "Happy Days," starring her "American Graffiti" co-star Ron Howard, would premiere the following year. The characters of Laverne and Shirley made their first TV appearance as dates of Henry Winkler's Fonzie before they got their own show.

Lucas also considered her for the role of Princess Leia in "Star Wars," a role that went to Carrie Fisher.

In the past three decades, Williams made guest appearances on dozens of TV series including "7th Heaven," "8 Simple Rules" and "Law and Order: Special Victims Unit." In 2013, she and Marshall appeared in a "Laverne & Shirley" tribute episode of the Nickelodeon series "Sam and Cat."

Last year, Williams appeared in a one-woman stage show full of stories from her career, " Me, Myself and Shirley," at a theater in Palm Springs, California, near her home in Desert Hot Springs.

Williams was married to singer Bill Hudson of musical group the Hudson Brothers from 1982 until 2000. Hudson was father to her two children. He was previously married to Goldie Hawn and is also the father of actor Kate Hudson.



Affable Comedy Acting Legend Dick Van Dyke Turns 100 Years Old

Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
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Affable Comedy Acting Legend Dick Van Dyke Turns 100 Years Old

Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)
Dick Van Dyke accepts the award for outstanding guest performance in a daytime drama series for "Days of our Lives" during the 51st Daytime Emmy Awards on Friday, June 7, 2024, at the Westin Bonaventure in Los Angeles. (AP)

Comedy icon Dick Van Dyke celebrated his 100th birthday on Saturday, hitting the century mark some six decades after he sang and danced with Julie Andrews in "Mary Poppins" and starred in his self-titled sitcom.

"The funniest thing is, it’s not enough," Van Dyke said in an interview with ABC News at his Malibu, California home. "A hundred years is not enough. You want to live more, which I plan to."

As part of the celebration of Van Dyke's birthday this weekend, theaters around the country are showing a new documentary about his life, "Dick Van Dyke: 100th Celebration."

Van Dyke became one of the biggest actors of his era with "The Dick Van Dyke Show," which ran from 1961-66 on CBS; appeared with Andrews as a chimney sweep with a Cockney accent in the 1964 Disney classic "Mary Poppins" and, in his 70s, played a physician-sleuth on "Diagnosis: Murder."

Also a Broadway star, Van Dyke won a Tony Award for "Bye Bye Birdie" to go with a Grammy and four Primetime Emmys. In 1963, he starred in the film version of "Bye Bye Birdie."

Just last year, he became the oldest winner of a Daytime Emmy, for a guest role on the soap "Days of Our Lives."

In the 1970s, he found sobriety after battling alcoholism, and spoke out about it at a time when that was uncommon to do.

Now that he has hit triple digits, Van Dyke said he's gotten some perspective on how he used to play older characters.

"You know, I played old men a lot, and I always played them as angry and cantankerous," he told ABC News. "It's not really that way. I don't know any other 100-year-olds, but I can speak for myself."

He recently imparted wisdom about reaching the century mark in his book, "100 Rules for Living to 100: An Optimist’s Guide to a Happy Life." He credited his wife, 54-year-old makeup artist and producer Arlene Silver, with keeping him young.

"She gives me energy. She gives me humor, and all kinds of support," he told ABC News.

Van Dyke was born in West Plains, Missouri, in 1925, and grew up "the class clown" in Danville, Illinois, while admiring and imitating the silent film comedians.

He told ABC News he started acting when he was about 4 or 5 years old in a Christmas pageant.

"I made some kind of crack, I don't know what I said, but it broke the congregation up," he said. "And I liked the sound of that laughter."

And what's hard about being 100?

"I miss movement," he told ABC News. "I've got one game leg from I don't know what."

"I still try to dance," he said with a laugh.


Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".