The Year of Beyonce? Music's Elite Head to the Grammys

Beyonce, shown here attending the 2016 MTV Video Music Awards, has the most chances at Grammy gold this year. Angela Weiss / AFP/File
Beyonce, shown here attending the 2016 MTV Video Music Awards, has the most chances at Grammy gold this year. Angela Weiss / AFP/File
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The Year of Beyonce? Music's Elite Head to the Grammys

Beyonce, shown here attending the 2016 MTV Video Music Awards, has the most chances at Grammy gold this year. Angela Weiss / AFP/File
Beyonce, shown here attending the 2016 MTV Video Music Awards, has the most chances at Grammy gold this year. Angela Weiss / AFP/File

The brightest stars in pop music will vie for the industry's top awards at the Grammys in Los Angeles on Sunday, with a Beyonce-Adele rematch set to take center stage.

Kendrick Lamar, Harry Styles and Taylor Swift are also among the frontrunners at the gala primed to be the most star-studded in recent memory, AFP said.

The performance-heavy ceremony will include songs from major contenders Styles, Bad Bunny, Lizzo and Mary J. Blige at the 65th annual show, hosted once again by comedian Trevor Noah.

Beyonce leads the pack with nine chances at Grammy gold, followed by rapper Lamar with eight. Adele and fellow balladeer Brandi Carlile scored seven nods each.

Music's biggest night follows a year of blockbuster albums, including Beyonce's "Renaissance" -- a pulsating collecting of club tracks -- and Adele's introspective ode to the ugly cry, "30."

Those records will face off in the most prestigious categories, six years after the British artist shut out Queen Bey's culture-shaking "Lemonade."

Adele's sweep in 2017 left both women in tears, with the crooner calling Beyonce her "idol" and telling the audience her fellow megastar's paradigm-shifting record should have won.

That contest fueled perennial criticism that the Academy consistently fails to pay Black artists their due.

This year, Billboard predicts the Beyhive will rejoice over a best album win for their Queen, while the industry tracker thinks Adele has the top shot at best record -- the award for overall performance of a song -- for her single "Easy On Me."

But as the shock upsets of Grammys past prove, it's really anyone's game.

Either way, with this year's new nominations, Beyonce continues to forge a history-making path: she moved into a tie with her husband, Jay-Z, as the most nominated artists ever with 88 each.

Already the woman with the most Grammys, Beyonce could overtake classical conductor Georg Solti for the most wins by any artist, with four victories on Sunday; she's tied for second place with music power player Quincy Jones.

- Swift top songwriter? -
Bad Bunny, indisputably the world's biggest commercial artist, has three Grammy chances off his major drop "Un Verano Sin Ti," which is in the running for Album of the Year.

It's the first time an all Spanish-language album has a chance at that coveted award, and it's the first time the Puerto Rican reggaeton megastar has landed a solo nomination in the major Grammy categories.

Styles, Lizzo and Doja Cat all figure among the top nominees, while pop juggernaut Swift could finally win the Song of the Year prize that has evaded her for years.

The superstar -- who has been making good on a vow to re-record her first six albums to gain control of her rights to them -- has a chance at the prestigious award celebrating songwriters for her 10-minute version of "All Too Well."

The original song came out in 2012 on Swift's album "Red," but qualified for inclusion because the expanded version contained more than 50 percent new material.

- TikTok newbies -
After several Grammy years with clear Best New Artist frontrunners -- Olivia Rodrigo, Megan Thee Stallion and Billie Eilish -- Sunday's race is wide open.

The category has grown increasingly eclectic and reflective of the internet age's impact on popular music, and many of the nominees including Brazil's Anitta, Eurovision rockers Maneskin and rapper Latto have all found viral fame on TikTok.

South Korea's boy band sensation BTS -- who last year declared they were taking a hiatus -- meanwhile is hoping for a first elusive Grammy.

The Academy -- comprised of music-makers including artists, composers and engineers -- also shortlisted a coterie of the industry's enduring stars, with Bonnie Raitt, Willie Nelson and ABBA each garnering a handful of nominations.

After wowing audiences with a show-stopping performance at the 2019 Grammys, the big-voiced Carlile will take the stage once more as she competes in the top categories as well as for roots and Americana honors.

Asked on a recent red carpet about her slate of nominations, Carlile said she was "ecstatic."

"Those kinds of accolades are life-affirming," she told AFP.

"Especially because the Grammys is my peers, it means other musicians think I did a good job this year.

"That's why it feels so good."



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”