Forecast: Digital Video Viewing to Top Traditional TV in US

A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. (Reuters)
A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. (Reuters)
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Forecast: Digital Video Viewing to Top Traditional TV in US

A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. (Reuters)
A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. (Reuters)

For the first time ever, US adults will spend more time this year watching digital video on platforms such as Netflix, TikTok and YouTube than viewing traditional television, Insider Intelligence forecast on Wednesday.

In the historic first, the market tracker expects "linear TV" to account for less than half of daily viewing, dropping to under three hours while average daily digital video watching climbs to 52.3 percent with 3 hours and 11 minutes.

"This milestone is driven by people spending more and more time watching video on their biggest and smallest screens, whether it's an immersive drama on a connected TV or a viral clip on a smartphone," Insider Intelligence principal analyst Paul Verna said in a release.

"Given teens' preferences for social and streaming video over TV, we can expect these trends to continue to shift in favor of digital."

Netflix and YouTube are "neck and neck" leaders when it comes to digital video audience attention, with US adults tuning in for about 33 minutes daily on average at each platform, according to Insider Intelligence.

Live sporting events becoming available on video streaming platforms is also helping power the shift away from traditional television, as is the popularity of shared video clips on apps, the market tracker said.

TikTok is a key driver with the average amount of time spent there daily by US adults climbing sharply, according to Insider Intelligence.

"TikTok versus Netflix will be a major trend to watch this year," said Insider Intelligence principal analyst Jasmine Enberg.

"The lines between social and entertainment have blurred, and TikTok is now coming for the bigger-screen video players."

TikTok CEO Shou Zi Chew will testify in March before US lawmakers in Washington, where the Chinese social media app faces accusations that it is beholden to the Communist Party in Beijing.

TikTok, whose parent company ByteDance is Chinese, is fighting for survival in the United States with rising calls from mainly Republican lawmakers that the company should be outright banned because of its alleged links to Beijing.

Insider Intelligence noted that while Twitter is not primarily a video platform, overall time spent on the platform by US adults is expected to drop this year and next year as its ranks of users decline.

"The problem is that Twitter's efforts to encourage more original videos, from Vine to Fleets, have so far been unsuccessful," Enberg said.

"Twitter owner Elon Musk's attempts to bring more video to the app, including potentially incentivizing YouTube creators to post to Twitter, will be futile at improving time spent among all US adults unless he also manages to stave off a user decline."



In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
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In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP

In an innovative show directed by Slovenian artist and space enthusiast Dragan Zivadinov, a crew of actors is putting on the same play once a decade over 50 years.

And if they die before the half-century run of performances ends? They are replaced by satellite-like devices that the director says will eventually be launched into space.

"If you ask me who will be the audience of these emancipated, auto-poetic devices -- it will be the Sun!" Zivadinov, 65, told AFP after the latest staging in the remote Slovenian town of Vitanje last month.

The first performance in the series took place on April 20, 1995, in the capital Ljubljana; the second was in Star City, a town outside Moscow that has prepared generations of Soviet and Russian cosmonauts. And the last one will be in 2045.

This time, 12 actors, most of them in their sixties, took part, wearing futuristic monochrome coveralls and dancing along a spaceship-like cross-shaped stage made of monitors.

Two so-called "umbots" -- artistic satellite-like devices emitting sounds -- replaced actors who have died since 1995.

'Makes you think'

Hundreds turned up to watch the play, "Love and Sovereignty", a tragedy set in the early 17th century by Croatian playwright Vladimir Stojsavljevic. It deals with power and art and features English playwright William Shakespeare as a character.

"It is an interesting experience, makes you think," Eneja Stemberger, who studies acting in Ljubljana, told AFP after watching the packed show.

Tickets offered for free online quickly ran out, but the organizers allowed even those who came without tickets to watch the show, standing or sitting on the floor.

German art consultant Darius Bork told AFP that he had already seen the play 10 years ago, describing Zivadinov's work as "absolutely fantastic".

Zivadinov became internationally recognized in the 1980s as one of the founders of Slovenia's avant-garde movement Neue Slowenische Kunst (New Slovenian Art), which criticized totalitarian regimes in then-Communist Yugoslavia.

At the end of the century, Zivadinov turned to develop "post-gravity art".

He also helped set up a space research center in Vitanje, named after the early space travel theorist Herman Potocnik, who went by the pseudonym of Noordung and whose work inspired Stanley Kubrick's film "2001: A Space Odyssey".

The Center Noordung hosted this year's and the 2015 performance.

The "Noordung: 1995-2025-2045" project's final performance will feature only "umbots" and so be "liberated from human influence", Zivadinov said.

At the end of the project, the "umbots" -- containing digitalized information, including the actors' DNA -- will be propelled into space to "culturize" it, he added, without detailing how he would do that.

"They will all be launched simultaneously, each one into a different direction, deep into space," he said.