With ‘Air,’ Affleck Tells Lesser-Known Michael Jordan Story

Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
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With ‘Air,’ Affleck Tells Lesser-Known Michael Jordan Story

Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)
Actor, writer and director Ben Affleck addresses the media regarding his new Michael Jordon movie "Air" at an NBA basketball All-Star event Friday, Feb. 17, 2023, in Salt Lake City. (AP)

Ben Affleck was 12 years old in 1984 and growing up in the Boston area. The Celtics were NBA champions. The Red Sox and Patriots were respectable. The Bruins got swept in the first round of the playoffs.

And that also was when Nike was betting much of its future on Michael Jordan.

Part of that tale will be told in the upcoming film “Air,” which Affleck directed and stars in alongside Matt Damon, Viola Davis, Jason Bateman and more. Affleck plays Nike co-founder Phil Knight, and Damon plays then-Nike executive Sonny Vaccaro — who was tasked with finding a way of saving what was then the company’s fledgling basketball division.

Affleck did it with one key character absent: Jordan is not shown in the movie.

“What I wanted to try to accomplish was to have Michael Jordan have the effect in the story that he has in the world, which is that obviously the vast majority of people don’t know and have never met Michael Jordan — and yet they know about him, and they know what he means and they might talk about him,” Affleck said.

“So, in a way, he’s like a presence that’s felt and discussed and everybody else around him is there. But you never see his face.”

Nike wound up signing Jordan — who had yet to play an NBA game — to a $2.5 million, five-year deal.

It was a huge gamble.

Spoiler alert, with apologies to the movie that gets released April 5: It worked out.

Jordan Brand generated $4.7 billion in revenue in 2021, the Jumpman logo is iconic, Nike has become one of the world’s most powerful and recognizable companies, and Jordan won six NBA championships, became a billionaire, and now owns the Charlotte Hornets.

And since most viewers will already know all those things, Affleck took on the challenge of telling lesser-known parts of the story.

“The movie has to do realistic, it has to do authentic, and it has to surprise the audience,” Affleck said. “Because if what happens is something that the audience can predict, even if they like it, they go along with it, it’s ordinary, it’s boring. It’s just not what I want to do.”

The trailer, released last week, is up to 6 million views. Affleck was at All-Star weekend to help promote Friday’s celebrity game, and ads for the film were shown on the jumbo scoreboards over the court.

Affleck said he has met with Jordan about the movie.

“Somebody asked me what you’re doing from Boston and making a movie about the Chicago guy,” Affleck said in an interview with a number of media outlets. “Michael Jordan sort of transcends, I think, rivalry.”



In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
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In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP

In an innovative show directed by Slovenian artist and space enthusiast Dragan Zivadinov, a crew of actors is putting on the same play once a decade over 50 years.

And if they die before the half-century run of performances ends? They are replaced by satellite-like devices that the director says will eventually be launched into space.

"If you ask me who will be the audience of these emancipated, auto-poetic devices -- it will be the Sun!" Zivadinov, 65, told AFP after the latest staging in the remote Slovenian town of Vitanje last month.

The first performance in the series took place on April 20, 1995, in the capital Ljubljana; the second was in Star City, a town outside Moscow that has prepared generations of Soviet and Russian cosmonauts. And the last one will be in 2045.

This time, 12 actors, most of them in their sixties, took part, wearing futuristic monochrome coveralls and dancing along a spaceship-like cross-shaped stage made of monitors.

Two so-called "umbots" -- artistic satellite-like devices emitting sounds -- replaced actors who have died since 1995.

'Makes you think'

Hundreds turned up to watch the play, "Love and Sovereignty", a tragedy set in the early 17th century by Croatian playwright Vladimir Stojsavljevic. It deals with power and art and features English playwright William Shakespeare as a character.

"It is an interesting experience, makes you think," Eneja Stemberger, who studies acting in Ljubljana, told AFP after watching the packed show.

Tickets offered for free online quickly ran out, but the organizers allowed even those who came without tickets to watch the show, standing or sitting on the floor.

German art consultant Darius Bork told AFP that he had already seen the play 10 years ago, describing Zivadinov's work as "absolutely fantastic".

Zivadinov became internationally recognized in the 1980s as one of the founders of Slovenia's avant-garde movement Neue Slowenische Kunst (New Slovenian Art), which criticized totalitarian regimes in then-Communist Yugoslavia.

At the end of the century, Zivadinov turned to develop "post-gravity art".

He also helped set up a space research center in Vitanje, named after the early space travel theorist Herman Potocnik, who went by the pseudonym of Noordung and whose work inspired Stanley Kubrick's film "2001: A Space Odyssey".

The Center Noordung hosted this year's and the 2015 performance.

The "Noordung: 1995-2025-2045" project's final performance will feature only "umbots" and so be "liberated from human influence", Zivadinov said.

At the end of the project, the "umbots" -- containing digitalized information, including the actors' DNA -- will be propelled into space to "culturize" it, he added, without detailing how he would do that.

"They will all be launched simultaneously, each one into a different direction, deep into space," he said.