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Killer of Rapper Nipsey Hussle Jailed for at Least 60 Years

(FILES) In this file photo taken on February 07, 2019 Nipsey Hussle performs onstage at the Warner Music Pre-Grammy Party at the NoMad Hotel in Los Angeles. PHOTO: GETTY IMAGES/ AFP)
(FILES) In this file photo taken on February 07, 2019 Nipsey Hussle performs onstage at the Warner Music Pre-Grammy Party at the NoMad Hotel in Los Angeles. PHOTO: GETTY IMAGES/ AFP)
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Killer of Rapper Nipsey Hussle Jailed for at Least 60 Years

(FILES) In this file photo taken on February 07, 2019 Nipsey Hussle performs onstage at the Warner Music Pre-Grammy Party at the NoMad Hotel in Los Angeles. PHOTO: GETTY IMAGES/ AFP)
(FILES) In this file photo taken on February 07, 2019 Nipsey Hussle performs onstage at the Warner Music Pre-Grammy Party at the NoMad Hotel in Los Angeles. PHOTO: GETTY IMAGES/ AFP)

The man who shot dead Grammy-winning rapper Nipsey Hussle on a Los Angeles street in 2019 was jailed for at least 60 years on Wednesday.

Eric Holder had not denied killing Hussle -- a fast-rising star whose death sent shockwaves through the music world -- but his lawyers argued it was an impulsive crime that took place in the "heat of passion."

But a jury last year found Holder had acted with premeditation as he fired at Hussle at least 10 times following a dispute between the two men over claims the assailant was "snitching" to the police, AFP said.

Los Angeles County Superior Court Judge H. Clay Jacke sentenced Holder to a minimum of 25 years for the killing, with an additional 25 years because a gun was used in the crime.

Holder was given another 10 years for shooting and wounding two other men who were nearby.

The violent killing of Hussle, a former gang member, in front of a clothing store he owned triggered widespread grief in his native Los Angeles and among his superstar peers, who hailed his musical talents and community activism.

Raised in the city's Crenshaw district, Hussle, who was 33 when he died, had transformed the block he used to hustle on into a retail, job-creating hub for his Marathon Clothing company.

But he remained linked to the gang-ridden world he grew up in.

Holder, a 32-year-old gang member, and Hussle were both members of the same "Rollin 60s" Crips faction.

During the trial, prosecutor John McKinney said Hussle had told Holder there were rumors Holder had been "snitching," before Holder left the parking lot where the two were talking.

When he returned a short time later, Holder "pulls out not one but two guns and starts shooting" in an "explosion of violence."

The killing was captured on video.

In his closing argument, McKinney called the killing "cold-blooded" and "calculated," saying Holder had "quite a bit of time for premeditation and deliberation."

But Holder's attorney told jurors the killing was "an act of impulse and rashness" which should have been charged as manslaughter.

Aaron Jansen said his client, who he said suffered from mental illness, had already received death threats and that "his life in prison is going to be hell for as long as it lasts."

The judge said he would recommend Holder be housed in a facility that can address his mental health needs.

- 'He saw hope' -
The month after his 2019 killing, thousands of people gathered for a service in Hussle's honor, with Stevie Wonder and Snoop Dogg among those paying tribute, and former president Barack Obama penning a letter that was read during the service.

"While most folks look at the Crenshaw neighborhood where he grew up and see only gangs, bullets and despair, Nipsey saw potential," wrote Obama.

"He saw hope. He saw a community that, even through its flaws, taught him to always keep going."

Hussle -- real name Ermias Asghedom -- was posthumously honored with two Grammy Awards in 2020 for best rap performance for "Racks in the Middle" and best rap/sung performance for "Higher."

In August, on what would have been his 37th birthday, he was granted a star on Hollywood's Walk of Fame.

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Movie Review: A Weird ‘Superman’ Is Better than a Boring One

Cast member David Corenswet attends a premiere for the film "Superman" at the TCL Chinese theater in Los Angeles, California, US, July 7, 2025. (Reuters)
Cast member David Corenswet attends a premiere for the film "Superman" at the TCL Chinese theater in Los Angeles, California, US, July 7, 2025. (Reuters)
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Movie Review: A Weird ‘Superman’ Is Better than a Boring One

Cast member David Corenswet attends a premiere for the film "Superman" at the TCL Chinese theater in Los Angeles, California, US, July 7, 2025. (Reuters)
Cast member David Corenswet attends a premiere for the film "Superman" at the TCL Chinese theater in Los Angeles, California, US, July 7, 2025. (Reuters)

It’s a bird, it’s a plane, it’s a ... a purple and orange shape-shifting chemical compound?

Writer-director James Gunn’s “Superman” was always going to be a strange chemistry of filmmaker and material. Gunn, the mind behind “Guardians of the Galaxy” and “The Suicide Squad,” has reliably drifted toward a B-movie superhero realm populated (usually over-populated) with the lesser-known freaks, oddities and grotesquerie of back-issue comics.

But you don’t get more mainstream than Superman. And let’s face it, unless Christopher Reeve is in the suit, the rock-jawed Man of Steel can be a bit of a bore. Much of the fun and frustration of Gunn’s movie is seeing how he stretches and strains to make Superman, you know, interesting.

In the latest revamp for the archetypal superhero, Gunn does a lot to give Superman (played with an easy charm by David Corenswet) a lift. He scraps the origin story. He gives Superman a dog. And he ropes in not just expected regulars like Lois Lane (Rachel Brosnahan) and Lex Luthor (Nicholas Hoult) but some less conventional choices — none more so than that colorful jumble of elements, Metamorpho (Anthony Carrigan).

Metamorpho, a melancholy, mutilated man whose powers were born out of tragedy, is just one of many side shows in “Superman.” But he’s the most representative of what Gunn is going for. Gunn might favor a traditional-looking hero at the center, like Chris Pratt’s Star-Lord in “Guardians of the Galaxy.” And Corenswet, complete with hair curl, looks the part, too. But Gunn’s heart is with the weirdos who soldier on.

The heavy lift of “Superman” is making the case that the perfect superhuman being with “S” on his chest is strange, too. He’s a do-gooder at a time when no one does good anymore.

Not everything works in “Superman.” For those who like their Superman classically drawn, Gunn’s film will probably seem too irreverent and messy. But for anyone who found Zack Snyder’s previous administration painfully ponderous, this “Superman,” at least, has a pulse.

It would be hard to find a more drastic 180 in franchise stewardship. Where Snyder’s films were super-serious mythical clashes of colossuses, Gunn’s “Superman” is lightly earthbound, quirky and sentimental. When this Superman flies, he even keeps his arms back, like an Olympic skeleton rider.

We begin not on Krypton or Kansas but in Antarctica, near the Fortress of Solitude. The opening titles set-up the medias res beginning. Three centuries ago, metahumans first appeared on Earth. Three minutes ago, Superman lost a battle for the first time. Lying bloodied in the snow, he whistles and his faithful super dog, Krypto, comes running.

Like some of Gunn’s other novelty gags (I’m looking at you Groot), Krypto is both a highlight and overused gag throughout. Superman is in the midst of a battle by proxy with Luthor. From atop his Luthor Corp. skyscraper headquarters, Luther gives instructions to a team sitting before computer screens while, on a headset, barking out coded battle directions to drone-assisted henchmen. “13-B!” he shouts, like a Bingo caller.

Whether this is an ideal localizing of main characters in conflict is a debate that recedes a bit when, back in Metropolis, Clark Kent returns to the Daily Planet. There’s Wendell Pierce as the editor-in-chief, Perry White, and Skyler Gisondo as Jimmy Olsen. But the character of real interest here is, of course, Lois.

She and Kent are already an item in “Superman.” When alone, Lois chides him over the journalistic ethics of interviewing himself after some daring do, and questions his flying into countries without their leaders’ approval. Brosnahan slides so comfortably into the role that I wonder if “Superman” ought to have been “Lois,” instead. Her scenes with Corenswet are the best in the film, and the movie loses its snap when she’s not around.

That’s unfortunately for a substantial amount of time. Luthor traps Superman in a pocket universe (enter Metamorpho, among others) and the eccentric members of the Justice Gang — Nathan Fillion’s Green Lantern, Edi Gathegi’s Mister Terrific and Isabela Merced’s Hawkgirl — are called upon to lend a hand. They come begrudgingly. But if there’s anyone else that comes close to stealing the movie, it’s Gathegi, who meets increasingly absurd cataclysm with wry deadpan.

The fate of the world, naturally, again turns iffy. There’s a rift in the universe, not to mention some vaguely defined trouble in Boravia and Jarhanpur. In such scenes, Gunn's juggling act is especially uneasy and you can feel the movie lurching from one thing to another. Usually, that's Krypto's cue to fly back into the movie and run amok.

Gunn, who now presides over DC Studios with producer Peter Safran, is better with internal strife than he is international politics. Superman is often called “the Kryptonian” or “the alien" by humans, and Gunn leans into his outsider status. Not for the first time, Superman’s opponents try to paint him as an untrustworthy foreigner. With a modicum of timeliness, “Superman” is an immigrant story.

Mileage will inevitably vary when it comes to Gunn’s idiosyncratic touch. He can be outlandish and sweet, often at once. In a conversation between metahumans, he will insert a donut into the scene for no real reason, and cut from a body falling through the air to an Alka-Seltzer tablet dropping into a glass. Some might call such moments glib, a not-unfair label for Gunn. But I’d say they make this pleasantly imperfect “Superman” something quite rare in the assembly line-style of superhero moviemaking today: human.