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New 'Lord of the Rings' Films Announced by Warner Bros

Jeff Bezos and Lauren Sanchez in London on August 30, 2022. Niklas HALLE'N AFP
Jeff Bezos and Lauren Sanchez in London on August 30, 2022. Niklas HALLE'N AFP
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New 'Lord of the Rings' Films Announced by Warner Bros

Jeff Bezos and Lauren Sanchez in London on August 30, 2022. Niklas HALLE'N AFP
Jeff Bezos and Lauren Sanchez in London on August 30, 2022. Niklas HALLE'N AFP

Multiple new "Lord of the Rings" films are on the way from Warner Bros, the Hollywood studio behind Peter Jackson's blockbuster Oscar-winning trilogy said Thursday.

David Zaslav, CEO of parent group Warner Bros. Discovery, told an earnings calls that recently appointed studio chiefs Mike De Luca and Pam Abdy had struck an agreement to make more movies based on JRR Tolkien's epic fantasy books.

"Today, I'm thrilled to announce that Mike and Pam signed a deal to make multiple Lord of the Rings movies," he said.

"'Lord of the Rings' is one of the most iconic storytelling franchises of all time, and we're so excited. Stay tuned for more to come on this front."

Zaslav did not provide further details, but Jackson said in a statement to AFP that he and his collaborators have been kept "in the loop every step of the way."

"We look forward to speaking with them further to hear their vision for the franchise moving forward," Jackson, Fran Walsh and Philippa Boyens said.

No details were provided on which storylines or timelines from Tolkien's sprawling books would provide the source material for the new films.

They will be developed by Warner subsidiary New Line Cinema, which made Jackson's original trilogy.

Rival studio Amazon last September released the first season of its own television adaptation, "The Lord of the Rings: The Rings of Power."

That series -- a prequel to the "Lord of the Rings" books -- is planned to run for five seasons, with a reported total cost of more than $1 billion.

The first season provided the Prime Video streaming platform its biggest premiere, with 25 million viewers on its first day, but received a lukewarm response from critics.

Jackson's original three "Lord of the Rings" movies grossed nearly $3 billion at theaters, and won 17 Oscars, including best picture for 2003 trilogy finale "The Return of the King."

They starred Elijah Wood, Ian McKellen, Viggo Mortensen and Cate Blanchett.

A subsequent trilogy based on Tolkien's "The Hobbit" was also a massive box office hit, despite a poor critical response.

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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)

The imagination of Tim Burton has produced ghosts and ghouls, Martians, monsters and misfits – all on display at an exhibition that is opening in London just in time for Halloween.

But you know what really scares him? Artificial intelligence.

Burton said Wednesday that seeing a website that had used AI to blend his drawings with Disney characters “really disturbed me.”

“It wasn’t an intellectual thought — it was just an internal, visceral feeling,” Burton told reporters during a preview of “The World of Tim Burton” exhibition at London’s Design Museum. “I looked at those things and I thought, ‘Some of these are pretty good.’ ... (But) it gave me a weird sort of scary feeling inside.”

Burton said he thinks AI is unstoppable, because “once you can do it, people will do it.” But he scoffed when asked if he’d use the technology in this work.

“To take over the world?” he laughed.

The exhibition reveals Burton to be an analogue artist, who started off as a child in the 1960s experimenting with paints and colored pencils in his suburban Californian home.

“I wasn’t, early on, a very verbal person,” Burton said. “Drawing was a way of expressing myself.”

Decades later, after films including “Edward Scissorhands,” “Batman,” “The Nightmare Before Christmas” and “Beetlejuice,” his ideas still begin with drawing. The exhibition includes 600 items from movie studio collections and Burton's personal archive, and traces those ideas as they advance from sketches through collaboration with set, production and costume designers on the way to the big screen.

London is the exhibition’s final stop on a decade-long tour of 14 cities in 11 countries. It has been reconfigured and expanded with 90 new objects for its run in the British capital, where Burton has lived for a quarter century.

The show includes early drawings and oddities, including a competition-winning “crush litter” sign a teenage Burton designed for Burbank garbage trucks. There’s also a recreation of Burton’s studio, down to the trays of paints and “Curse of Frankenstein” mug full of pencils.

Alongside hundreds of drawings, there are props, puppets, set designs and iconic costumes, including Johnny Depp’s “Edward Scissorhands” talons and the black latex Catwoman costume worn by Michelle Pfeiffer in “Batman.”

“We had very generous access to Tim’s archive in London, stuffed full of thousands of drawings, storyboards from stop-motion films, sketches, character notes, poems,” said exhibition curator Maria McLintock. “And how to synthesize such a wide ranging and meandering career within one exhibition was a fun challenge — but definitely a challenge.”

Seeing it has not been a wholly fun experience for Burton, who said he’s unable to look too closely at the items on display.

“It’s like seeing your dirty laundry put on the walls,” he said. “It’s quite amazing. It’s a bit overwhelming.”

Burton, whose long-awaited horror-comedy sequel “Beetlejuice Beetlejuice” opened at the Venice Film Festival in August, is currently filming the second series of Netflix’ Addams Family-themed series “Wednesday.”

These days he is a major Hollywood director whose American gothic style has spawned an adjective – “Burtoneqsue.” But he still feels like an outsider.

“Once you feel that way, it never leaves you,” he said.

“Each film I did was a struggle,” he added, noting that early films like “Pee-wee’s Big Adventure” from 1985 and “Beetlejuice” in 1988 received some negative reviews. “It seems like it was a pleasant, fine, easy journey, but each one leaves its emotional scars.”

McLintock said Burton “is a deeply emotional filmmaker."

“I think that’s what drew me to his films as a child,” she said. "He really celebrates the misunderstood outcast, the benevolent monster. So it’s been quite a weird but fun experience spending so much time in his brain and his creative process.

“His films are often called dark,” she added. “I don’t agree with that. And if they are dark, there’s a very much a kind of hope in the darkness. You always want to hang out in the darkness in his films.”