'Saving Private Ryan' Actor Tom Sizemore Dead at 61

FILE - Actor Tom Sizemore poses in New York, April 18, 2013. Sizemore, the Saving Private Ryan actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (AP Photo/John Carucci, File)
FILE - Actor Tom Sizemore poses in New York, April 18, 2013. Sizemore, the Saving Private Ryan actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (AP Photo/John Carucci, File)
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'Saving Private Ryan' Actor Tom Sizemore Dead at 61

FILE - Actor Tom Sizemore poses in New York, April 18, 2013. Sizemore, the Saving Private Ryan actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (AP Photo/John Carucci, File)
FILE - Actor Tom Sizemore poses in New York, April 18, 2013. Sizemore, the Saving Private Ryan actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday, March 3, 2023, at age 61. (AP Photo/John Carucci, File)

Tom Sizemore, a talented but troubled actor who made a career of playing tough guys, but struggled to stay on the right side of the law, has died at the age of 61, his manager said Friday.

He suffered a brain aneurysm in February and on Friday was removed from life support, days after doctors concluded no more could be done for him, Charles Lago said.

"It is with great sadness and sorrow I have to announce that actor Thomas Edward Sizemore (‘Tom Sizemore’) aged 61 passed away peacefully in his sleep today at St Joseph’s Hospital Burbank," a statement said.

"His brother Paul and twin boys Jayden and Jagger (17) were at his side."

The actor worked with some of Hollywood's biggest names over a decades-long career, but away from the screen he led a frequently troubled life, struggling with addiction and enduring spells in jail, reported AFP.

Born in Detroit in 1961, Sizemore worked as an actor in New York in the 1980s, and first came to prominence with a role in Oliver Stone’s 1989 film "Born on the Fourth of July."

Throughout the 1990s, he appeared in movies including the star-studded "True Romance," written by Quentin Tarantino, and Stone's violent cult hit "Natural Born Killers."

But it was for his role in Steven Spielberg's 1998 World War II epic "Saving Private Ryan" that he came to wider public attention, playing the second-in-command to Tom Hanks in a small group of soldiers sent to bring home a serviceman whose three brothers had already died.

The movie received a Best Picture nomination at the Oscars and the stars, who also included Matt Damon, were nominated for outstanding cast by the Screen Actors Guild.

A few years later, he was part of an ensemble that included Ewan McGregor and Tom Hardy in Ridley Scott's "Black Hawk Down," about a botched military operation in Somalia.

His acting won frequent plaudits, and his craft was widely admired by fellow professionals.

Personal troubles
But off-screen Sizemore's life kept unravelling.

He blamed prolific drug use, including of crystal methamphetamine, heroin and cocaine, for some of his darker episodes.

In 2003 he was convicted of attacking his then-girlfriend and spent eight months in jail.

Drug possession landed him in trouble with the law several times over the following years, at least once resulting in more jail time.

In 2017 he pleaded no contest to more domestic violence charges.

Despite his personal troubles, he continued to work, appearing in TV standards including "Hawaii Five-O" and "Law & Order: Special Victims Unit."

On February 18, he collapsed at his Los Angeles home after suffering a stroke and subsequent aneurysm. He had been in intensive care since.

Lago said he would miss his "great friend."

"Tom was one of the most sincere, kind and generous human beings I have had the pleasure of knowing. His courage and determination through adversity was always an inspiration to me."

The actor's brother, who was with him when he died, said he was "deeply saddened."

"He was larger than life. He has influenced my life more than anyone I know. He was talented, loving, giving and could keep you entertained endlessly with his wit and storytelling ability. I am devastated he is gone and will miss him always.”



South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.


Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
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Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)

The folks behind the new animated “The Cat in the Hat” are pretty confident they've got the cat in the bag. It hasn't even opened yet and there are onscreen references to possible movie spinoffs for the jet-powered magical couch and The Things. As the credits roll, the titular feline even gets into the act: “Let's go sequel!”

He's probably right about that, though — an inevitable franchise born on the back of whimsical, beloved IP that now gets the Marvel Cinematic Universe treatment: Put the fate of the world in the balance, insert a horrific enemy and add lots of things — in this case dozens of Things — until we just want it to end. To quote the book's glum goldfish: “No, I do not like it/Not one little bit.”

Directed by Erica Rivinoja and Alessandro Carloni, who also wrote the screenplay, “The Cat in the Hat” is what happens when lots and lots of money gets thrown at a movie with middling returns. (We're talking Taylor Swift cash, courtesy of using her “Shake It Off.”)

At least it distances itself from the live-action approach of the underperforming and creepy 2003 film starring Mike Myers, instead using stylized and varied computer animation. Bill Hader now voices the Cat, with his trademark sarcastic, demented and oily approach. The Cat is portrayed with teeth, though, and that's unsettling.

We meet the Cat after he's bombed his latest assignment. It turns out he works for a gleaming corporate conglomerate that sends out envoys to cheer up kids at their homes. There's even a human resources department and white-collar cubicles — our anarchic Cat as office drone.

Missions here are evaluated on two measures: A hopeful uptick in clients' happiness and the level of destruction left behind. The Cat is good at thing one, but bad at thing two. He faces being fired unless he succeeds at his next task — cheering up two depressed kids whose single mom recently moved them to the city.

When he appears, he's quickly pepper-sprayed by the oldest, Gabby, a marching band nerd with huge glasses and a “creative, artistic soul.” She thinks it's a home invasion and wants to call the cops. This reaction is not canon.

The Cat has to convince Gabby and her younger brother, Sebastian, to have fun, and if there's any damage, he's stolen a device from office supplies — a clocklike “gobacker” — that can undo the past. They soon lose it. “I can't believe this and I'm a talking cat,” says our hero.

Now things click into operatic levels, with a mysterious nefarious creature with gleaming eyes — a cross between a massive bat and a toothy pterodactyl — that is also hunting the device. If it finds it, the “fabric of the universe will be distorted forever.” Yeesh. What happened to: “I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny?”

The goldfish is here — Matt Berry, hijacking the movie — as an English-accented, pseudo-Shakespearean actor-y type fish named Waffles. Waffles? And there are Things galore — during the climactic battle scene — yes, there's a battle scene — there must be thousands of Things. But not one rhyme, a shame.

The animation is handled wonderfully, with three distinct styles for different worlds. (As the book would say: “My tricks are not bad.”) And the voices are perfectly cast: Giancarlo Esposito as Cat's evil boss, Bowen Yang as an intern and Paula Pell as a landlady all stand out.

The messaging is muddled. One is that you should always stand up for a friend. Another is that your parents were, shockingly, once cool. A third is that home is wherever you want it to be. And fourth is making a mess is the best part of childhood.

Making a mess of “The Cat in the Hat” didn't have to happen. It didn't have to have a possible rip in the time-space continuum. It didn't have to flood the zone with Things. And it doesn't need a sequel, please.


Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)
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Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)

American lifestyle guru Martha Stewart apologized late Sunday for an "insensitive and not funny" Halloween costume after she appeared to dress up as a homeless person.

"It's hard to admit when you've really screwed up," the billionaire, 85, wrote on Instagram after she deleted a photo of herself in ripped jeans, a torn sweater and a dirtied face.

Stewart also held a clipboard that read "I Am Hungry Help Me!!" Social media users quickly slammed her as out of touch.

"I know many people are suffering economically. Wearing a costume like I did was insensitive and not funny. I am very sorry," Stewart said in a statement.

She also acknowledged that an earlier explanation to US media, claiming she had intended to raise awareness of homelessness through her costume, "didn't go far enough."

Stewart built her success in the homemaking and lifestyle industries.

Through her cookbooks, magazines, television shows and retail housewares, Stewart became the personification of gracious living and America's most high-profile lifestyle expert.