Hollywood Stars Spend Oscars Eve at Annual Chanel Dinner

Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
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Hollywood Stars Spend Oscars Eve at Annual Chanel Dinner

Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

The night before the Oscars many of Hollywood’s biggest stars were not early to bed before the show. They were instead chatting the night away, martinis and champagne in hand, at the storied Polo Lounge in The Beverly Hills Hotel for the annual Chanel and Charles Finch dinner, an invite that's even harder to get than a seat at the Academy Awards.

The patio where the likes of Clark Gable and Darryl Zanuck once dined was filled with the industry’s brightest talents, many of whom were dressed head to toe in Chanel, including Kristen Stewart, Marion Cotillard, Nicole Kidman and Camila Morrone.
On the red carpet, Kidman and Stewart ran to one another to catch up, hugging and posing for photographers.

“It's been so long,” Kidman said.

Cotillard would join in moments later. Later on the patio, Kidman, emerging from a conversation with Idris Elba, could be seen embracing Ariana DeBose as Tessa Thompson spoke with best actress nominee Andrea Riseborough.

“I’m sure you must be tired,” Thompson said.

Elsewhere there was a meeting of Spider-Mans as Andrew Garfield approached Tobey Maguire, who was sipping one of the spot’s iconic martinis.

“You! You!” Maguire said, as Garfield went in for a hug. They then turned to speak to “The Whale” director Darren Aronofsky.

Several feet behind them, Jonathan Majors was deep in conversation with Riz Ahmed, while best supporting actress nominee Kerry Condon tried and failed to get a drink from the bar that had closed down in an attempt to coax the chatty celebrities into the dining room.

Inside, they were treated to a surprise performance by “The White Lotus” actor Beatrice Grannò.

Other attendees included Michael B. Jordan, Danielle Deadwyler, Hugh Grant, Brie Larson, Sigourney Weaver, Vicky Krieps, Minnie Driver, Patty Jenkins, Sarah Polley, Lily James, David O. Russell, Jerry Bruckheimer, Sofia Boutella and Ted Sarandos.

Morrone, star of “Daisy Jones & The Six,” has been going to the event for several years and said it’s one of her favorites.

“It’s like a really glamorous sleepover,” Morrone said. “I just love it here. I love to see all of the people who work in the entertainment industry who are being honored tomorrow. You’re in a room with like really artistic and incredible humans, so you just soak it all in. And I’ve won some pretty incredible Chanel pieces over the past few years here.”

For actor Whitney Peak, who is the new new face of Chanel’s Coco Mademoiselle fragrance, the event was a chance to speak to some of her favorite filmmakers.

“There’s been such great movies this year and so many people who are responsible for making those films are in the room today,” Peak said. “Daniel Kwan is going to be here and I’m like, how do I tell him that I’ve been a fan of him since the Lil Jon music video?”

Chanel and cinema have been intertwined since the fashion house’s earliest days. In 1930, Samuel Goldwyn invited Gabrielle Chanel to Hollywood to dress film stars including Gloria Swanson. On her arrival back in Paris, Chanel collaborated with French filmmakers like Jean Renoir and dressed many of the new wave actresses such as Jeanne Moreau and Romy Schneider.

More recently, Chanel has supported independent productions including Leos Carax’s “Annette” and Mia Hansen-Løve’s “Bergman Island.” Chanel provided the funding for Olivier Assayas’s 35mm camera for “The Clouds of Sils Maria” and has for more than a decade supported programs for emerging filmmakers and cinematic preservation and restorations.

Not every attendee planned to make the trek down the champagne carpet at the Oscars Sunday, but one person who will certainly be there is filmmaker Ava DuVernay, who is on the Academy’s Board of Governors.

“I’m looking forward to seeing a calm, normal Oscars,” DuVernay said. “I was there last year and it was a little traumatizing. I just want it to be chill and uneventful. That would be nice.”



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.