Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
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Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)

Actress Gwyneth Paltrow took the stand in her US trial over a skiing accident Friday, telling a Utah courtroom that the man suing her had crashed into her from behind and was at fault for the collision.

The "Shakespeare in Love" actress is being sued for damages by retired optometrist Terry Sanderson over a skiing accident seven years ago, which his lawyers blame on Paltrow and say caused him damages worth $3.3 million.

Paltrow has in turn countersued, for a token $1 plus legal expenses, and had her chance to speak on the trial's fourth day at a courthouse in the Rocky Mountain resort town of Park City.

"Mr. Sanderson categorically hit me on that ski slope, and that is the truth," said Paltrow, under cross-examination by Sanderson's lawyer.

"When he slid between my skis, I absolutely froze," she recalled.

Asked by Sanderson's lawyer if immediately following the incident she had screamed "You skied directly into my effing back," Paltrow replied: "Yes I did. I apologize for my bad language."

At question in the trial is which of the skiers was further downslope when the crash occurred. Both claim they were hit from behind.

Paltrow told the court that she had briefly feared she was being sexually assaulted.

"I was skiing, and two skis came between my skis, forcing my legs apart, and then there was a body pressing against me, and there was a very strange grunting noise" she said.

"So my brain was trying to make sense of what was happening. I thought, 'Is this a practical joke? Is someone doing something perverted?'"

At the time of the crash, Oscar-winning actress Paltrow was on vacation with her now-husband Brad Falchuk, and Moses and Apple -- her two children with her ex, Coldplay singer Chris Martin.

All three are expected to testify at the trial, where Sanderson's lawyers claim Paltrow fled the scene of the crash.

On Friday, Paltrow acknowledged she left the scene, but said she had been told she could do so by her ski instructor Eric Christiansen, who remained there.

"Mr. Christiansen stayed and filled out the report, made sure Mr. Sanderson was okay, and said to me, 'you can go ahead,'" she said.

"He knew also that my daughter was at the bottom waiting for me," added Paltrow.

The trial began in Park City, in the western state of Utah, on Tuesday.

In his opening statement, Lawrence Buhler, representing Sanderson, said Paltrow had been skiing in a "dangerous" and "reckless" manner, and had caused his client "four broken ribs and permanent brain damage."

On Friday, she repeatedly denied those claims.

"I was gently skiing and he kind of gently skied right into me," she said.

Under questioning, Paltrow acknowledged she did not inquire about Sanderson's injuries or health after the crash.

"I think you have to keep in mind when you're the victim of a crash, your psychology is not necessarily thinking about the person who perpetrated it," she said.

Sanderson is set to take the stand later in the trial.

In his own opening statement, Paltrow's lawyer Steven Owens said Sanderson is "obsessed" with the lawsuit, and that the case was a "meritless claim of false allegation."

In addition to her Oscar-winning acting career, Paltrow has forged a second career marketing wellness products on her Goop website.



At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
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At Sundance, the Hottest Ticket in Town Was a Rose Byrne and Conan O’Brien Psychological Thriller 

Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)
Rose Byrne attends the premiere of "If I Had Legs I'd Kick You" during the Sundance Film Festival on Friday, Jan. 24, 2025, at Library Theatre in Park City, Utah. (AP)

Rose Byrne plays a mother in the midst of a breakdown in the experiential psychological thriller “If I Had Legs I’d Kick You.”

Anticipation was high for the A24 film, which will be released sometime this year. Its premiere Friday at the Sundance Film Festival was easily the hottest ticket in town, with even ticketholders unable to get in. Those who did make it into the Library theater were treated to an intense, visceral, inventive story from filmmaker Mary Bronstein that has quickly become one of the festival’s must-sees.

Byrne plays Linda, who is barely hanging on while managing her daughter’s mysterious illness. She’s faced with crisis after crisis, big and small — from the massive, gaping hole in their apartment ceiling that forces them to move to a dingy motel, to an escalating showdown with a parking attendant at a care center. The cracks in her psychological, emotional and physical wellbeing have become too much to bear.

“I’d never seen a movie before where a mother is going through a crisis with a child but our energy is not with the child’s struggle, it’s with the mother’s,” Bronstein said at the premiere. “If you’re a caretaker, you shouldn’t be bothering with yourself at all. It should all be about the person you’re taking care of, right? And that is a particular kind of emotional burnout state that I was really interested in exploring.”

Byrne and Bronstein went deep in the preparation phase, having long discussions about Linda with the goal of making her as real as possible before the quick, 27-day shoot. Byrne said she was obsessed with figuring out who Linda was before the crisis. The film was in part inspired by Bronstein’s experience with her own daughter, but she didn’t want to elaborate on the specifics.

“That’s her story to tell,” Bronstein said.

Part of Linda’s story involves her therapist, played by Conan O’Brien, who joked that he didn’t realize he was in a movie.

“I’m not looking out for movie scripts or anything. But when I got a call from A24 that they wanted me to read something, I’m not stupid,” O’Brien said. “I showed it to my wife, who is one of the smartest people I know, and she read through it and she said, ‘I didn’t know they made movies like this anymore.’”

He was particularly in awe of his director and co-star, saying he felt like a fraud standing beside them.

“It was an amazing experience, one of the best experiences of my life, just to be with them and watch them work,” O’Brien said. “I don’t know how (Byrne) did that and not check into a hospital afterwards, because I haven’t seen any actor, man or woman, sustain that level for an entire movie.”

“I feel like I have to go to a hospital now, because this was the first time I watched it,” he added. “I’m a mess.”

A$AP Rocky also co-stars, as a man Linda meets at the motel, but was not in Park City for the premiere. He is currently on trial, charged with firing a gun at a former friend.

The film is full of ambiguity, metaphor and just plain artistic expression that Bronstein hesitated to explain, from the name itself to the hole in the ceiling, which takes on a somewhat supernatural quality.

“When we have nothing left to give, we have an emptiness inside of us,” Bronstein said. “And that emptiness is actually not empty: It’s filled with all the darkness and self-hate and doubt and fear and dread and regret and everything. ... That to me is what the hole is.”

Some of it, she said, she doesn’t even fully understand. The point is the experience, and critics and Sundance audiences are already fully on board.

Bronstein, a bit of a cult figure in the film world, made her directorial debut in 2008 at the SXSW festival with “Yeast,” which featured a pre-fame Greta Gerwig and was hailed by New Yorker critic Richard Brody as a “mumblecore classic.”

“If I Had Legs I’d Kick You” is only her second feature.

“This is the first time that anybody else has paid for me to make art,” Bronstein said. “I’m proud to say that this is the film that came directly from my head to the screen.”