Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
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Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)

Actress Gwyneth Paltrow took the stand in her US trial over a skiing accident Friday, telling a Utah courtroom that the man suing her had crashed into her from behind and was at fault for the collision.

The "Shakespeare in Love" actress is being sued for damages by retired optometrist Terry Sanderson over a skiing accident seven years ago, which his lawyers blame on Paltrow and say caused him damages worth $3.3 million.

Paltrow has in turn countersued, for a token $1 plus legal expenses, and had her chance to speak on the trial's fourth day at a courthouse in the Rocky Mountain resort town of Park City.

"Mr. Sanderson categorically hit me on that ski slope, and that is the truth," said Paltrow, under cross-examination by Sanderson's lawyer.

"When he slid between my skis, I absolutely froze," she recalled.

Asked by Sanderson's lawyer if immediately following the incident she had screamed "You skied directly into my effing back," Paltrow replied: "Yes I did. I apologize for my bad language."

At question in the trial is which of the skiers was further downslope when the crash occurred. Both claim they were hit from behind.

Paltrow told the court that she had briefly feared she was being sexually assaulted.

"I was skiing, and two skis came between my skis, forcing my legs apart, and then there was a body pressing against me, and there was a very strange grunting noise" she said.

"So my brain was trying to make sense of what was happening. I thought, 'Is this a practical joke? Is someone doing something perverted?'"

At the time of the crash, Oscar-winning actress Paltrow was on vacation with her now-husband Brad Falchuk, and Moses and Apple -- her two children with her ex, Coldplay singer Chris Martin.

All three are expected to testify at the trial, where Sanderson's lawyers claim Paltrow fled the scene of the crash.

On Friday, Paltrow acknowledged she left the scene, but said she had been told she could do so by her ski instructor Eric Christiansen, who remained there.

"Mr. Christiansen stayed and filled out the report, made sure Mr. Sanderson was okay, and said to me, 'you can go ahead,'" she said.

"He knew also that my daughter was at the bottom waiting for me," added Paltrow.

The trial began in Park City, in the western state of Utah, on Tuesday.

In his opening statement, Lawrence Buhler, representing Sanderson, said Paltrow had been skiing in a "dangerous" and "reckless" manner, and had caused his client "four broken ribs and permanent brain damage."

On Friday, she repeatedly denied those claims.

"I was gently skiing and he kind of gently skied right into me," she said.

Under questioning, Paltrow acknowledged she did not inquire about Sanderson's injuries or health after the crash.

"I think you have to keep in mind when you're the victim of a crash, your psychology is not necessarily thinking about the person who perpetrated it," she said.

Sanderson is set to take the stand later in the trial.

In his own opening statement, Paltrow's lawyer Steven Owens said Sanderson is "obsessed" with the lawsuit, and that the case was a "meritless claim of false allegation."

In addition to her Oscar-winning acting career, Paltrow has forged a second career marketing wellness products on her Goop website.



Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”