Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
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Gwyneth Paltrow Takes the Stand in Skiing Trial

Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)
Gwyneth Paltrow appears in court where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs, in Park City, Utah, USA, 24 March 2023. (EPA)

Actress Gwyneth Paltrow took the stand in her US trial over a skiing accident Friday, telling a Utah courtroom that the man suing her had crashed into her from behind and was at fault for the collision.

The "Shakespeare in Love" actress is being sued for damages by retired optometrist Terry Sanderson over a skiing accident seven years ago, which his lawyers blame on Paltrow and say caused him damages worth $3.3 million.

Paltrow has in turn countersued, for a token $1 plus legal expenses, and had her chance to speak on the trial's fourth day at a courthouse in the Rocky Mountain resort town of Park City.

"Mr. Sanderson categorically hit me on that ski slope, and that is the truth," said Paltrow, under cross-examination by Sanderson's lawyer.

"When he slid between my skis, I absolutely froze," she recalled.

Asked by Sanderson's lawyer if immediately following the incident she had screamed "You skied directly into my effing back," Paltrow replied: "Yes I did. I apologize for my bad language."

At question in the trial is which of the skiers was further downslope when the crash occurred. Both claim they were hit from behind.

Paltrow told the court that she had briefly feared she was being sexually assaulted.

"I was skiing, and two skis came between my skis, forcing my legs apart, and then there was a body pressing against me, and there was a very strange grunting noise" she said.

"So my brain was trying to make sense of what was happening. I thought, 'Is this a practical joke? Is someone doing something perverted?'"

At the time of the crash, Oscar-winning actress Paltrow was on vacation with her now-husband Brad Falchuk, and Moses and Apple -- her two children with her ex, Coldplay singer Chris Martin.

All three are expected to testify at the trial, where Sanderson's lawyers claim Paltrow fled the scene of the crash.

On Friday, Paltrow acknowledged she left the scene, but said she had been told she could do so by her ski instructor Eric Christiansen, who remained there.

"Mr. Christiansen stayed and filled out the report, made sure Mr. Sanderson was okay, and said to me, 'you can go ahead,'" she said.

"He knew also that my daughter was at the bottom waiting for me," added Paltrow.

The trial began in Park City, in the western state of Utah, on Tuesday.

In his opening statement, Lawrence Buhler, representing Sanderson, said Paltrow had been skiing in a "dangerous" and "reckless" manner, and had caused his client "four broken ribs and permanent brain damage."

On Friday, she repeatedly denied those claims.

"I was gently skiing and he kind of gently skied right into me," she said.

Under questioning, Paltrow acknowledged she did not inquire about Sanderson's injuries or health after the crash.

"I think you have to keep in mind when you're the victim of a crash, your psychology is not necessarily thinking about the person who perpetrated it," she said.

Sanderson is set to take the stand later in the trial.

In his own opening statement, Paltrow's lawyer Steven Owens said Sanderson is "obsessed" with the lawsuit, and that the case was a "meritless claim of false allegation."

In addition to her Oscar-winning acting career, Paltrow has forged a second career marketing wellness products on her Goop website.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.