‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
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‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)

Audiences said let’s go to the movie theater for “The Super Mario Bros. Movie” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.

With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).

Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films.

“This partnership between Nintendo and Illumination is just incredible and led to this extraordinary performance,” said Jim Orr, Universal’s president of domestic distribution.

The PG-rated “Mario” is an origin story of Brooklyn plumbers Mario, voiced by Chris Pratt, and Luigi (Charlie Day), who fall into a pipe and come out in another world full of Nintendo’s most famous characters, from Bowser (Jack Black) to Princess Peach (Anya Taylor-Joy).

Critics were largely mixed. “Mario” currently has a 56% on Rotten Tomatoes. But audiences were more favorable, giving it an A CinemaScore.

Orr said that theater owners were surprised by just how broad the audiences were and reported seeing some ticket buyers decked out in character costumes for the movie. According to exit polls, 59% of the audience was male and 45% were between the ages of 18 and 34.

“$377 million worldwide is just astounding and a testament to how important outside of the home activities are for families,” said Paul Dergarabedian, the senior media analyst for Comscore. “Kids and their parents collectively were able to go out, have an outside the home event for the whole family at a relatively bargain price compared to a trip or a sporting event.”

Also, Dergarabedian noted, there is a long runway before “Guardians of the Galaxy Vol. 3” opens on May 5.

“This was a perfect release date,” Dergarabedian said.

“Mario” wasn’t the only movie based on a brand that opened in theaters this week. Ben Affleck’s “Air,” about the origins of Nike’s Air Jordan and how the corporation signed Michael Jordan, also debuted in 3,507 theaters Wednesday.

The film, which marks Amazon Studios first global theatrical release, has grossed an estimated $20.2 million since opening Wednesday in North America, with $14.5 million coming from the weekend to give it a fourth place start.

With an R-rating, “Air,” starring Matt Damon, Viola Davis and Affleck, was a bit of adult-targeted counter programming to the “Mario” juggernaut. Reviews were glowing (95% on Rotten Tomatoes) for the film which debuted as a surprise screening at the South by Southwest Film Festival last month, helping to bolster buzz. Audiences were 55% male and 39% over the age of 45. “’Air’ found its audience. It’s a solid gross,” Dergarabedian said. “This one is in it for the long haul.”

“Air” is the first film from Affleck and Damon’s new company Artists Equity which was formed last year in partnership with RedBird Capital.

Second place went to “John Wick Chapter 4” which made $14.6 million in its third weekend, bringing its total grosses to $147.1 million. Close behind was “Dungeons & Dragons: Honor Among Thieves” which placed third with $14.5 million in its second weekend, while “Scream VI” rounded out the top 5 with $3.3 million.

In limited release, Kelly Reichardt’s art-centric “Showing Up,” with Michelle Williams and Hong Chau, also bowed on four screens, grossing $66,932.

“This is such an important weekend for theaters, a home stretch heading into the summer movie season, and this is a perfect scenario,” Dergarabedian said. “It’s game on for movie theaters when a lot of people thought it was game over.”



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."