‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
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‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)

Audiences said let’s go to the movie theater for “The Super Mario Bros. Movie” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.

With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).

Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films.

“This partnership between Nintendo and Illumination is just incredible and led to this extraordinary performance,” said Jim Orr, Universal’s president of domestic distribution.

The PG-rated “Mario” is an origin story of Brooklyn plumbers Mario, voiced by Chris Pratt, and Luigi (Charlie Day), who fall into a pipe and come out in another world full of Nintendo’s most famous characters, from Bowser (Jack Black) to Princess Peach (Anya Taylor-Joy).

Critics were largely mixed. “Mario” currently has a 56% on Rotten Tomatoes. But audiences were more favorable, giving it an A CinemaScore.

Orr said that theater owners were surprised by just how broad the audiences were and reported seeing some ticket buyers decked out in character costumes for the movie. According to exit polls, 59% of the audience was male and 45% were between the ages of 18 and 34.

“$377 million worldwide is just astounding and a testament to how important outside of the home activities are for families,” said Paul Dergarabedian, the senior media analyst for Comscore. “Kids and their parents collectively were able to go out, have an outside the home event for the whole family at a relatively bargain price compared to a trip or a sporting event.”

Also, Dergarabedian noted, there is a long runway before “Guardians of the Galaxy Vol. 3” opens on May 5.

“This was a perfect release date,” Dergarabedian said.

“Mario” wasn’t the only movie based on a brand that opened in theaters this week. Ben Affleck’s “Air,” about the origins of Nike’s Air Jordan and how the corporation signed Michael Jordan, also debuted in 3,507 theaters Wednesday.

The film, which marks Amazon Studios first global theatrical release, has grossed an estimated $20.2 million since opening Wednesday in North America, with $14.5 million coming from the weekend to give it a fourth place start.

With an R-rating, “Air,” starring Matt Damon, Viola Davis and Affleck, was a bit of adult-targeted counter programming to the “Mario” juggernaut. Reviews were glowing (95% on Rotten Tomatoes) for the film which debuted as a surprise screening at the South by Southwest Film Festival last month, helping to bolster buzz. Audiences were 55% male and 39% over the age of 45. “’Air’ found its audience. It’s a solid gross,” Dergarabedian said. “This one is in it for the long haul.”

“Air” is the first film from Affleck and Damon’s new company Artists Equity which was formed last year in partnership with RedBird Capital.

Second place went to “John Wick Chapter 4” which made $14.6 million in its third weekend, bringing its total grosses to $147.1 million. Close behind was “Dungeons & Dragons: Honor Among Thieves” which placed third with $14.5 million in its second weekend, while “Scream VI” rounded out the top 5 with $3.3 million.

In limited release, Kelly Reichardt’s art-centric “Showing Up,” with Michelle Williams and Hong Chau, also bowed on four screens, grossing $66,932.

“This is such an important weekend for theaters, a home stretch heading into the summer movie season, and this is a perfect scenario,” Dergarabedian said. “It’s game on for movie theaters when a lot of people thought it was game over.”



Dark Comedy ‘A Different Man’ Surprisingly Triumphs at Gotham Awards

 Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
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Dark Comedy ‘A Different Man’ Surprisingly Triumphs at Gotham Awards

 Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)

In a surprise that stunned the audience of Hollywood’s first big awards-season bash, "A Different Man," a dark comedy about doppelgängers, deformity and authenticity in acting, won best feature film at the 34th Gotham Awards on Monday night.

Much can be unpredictable at the Gotham Awards, which uses small juries of insiders and film industry veterans to pick nominees and winners. But as the "A Different Man" ensemble, including Sebastian Stan and Adam Pearson, took the stage, writer-director Aaron Schimberg was in obvious disbelief.

"I don’t think I'm the only person in this room who’s totally stunned," said Schimberg. "Considering the other nominees, I thought it would be hubris to prepare a speech."

At a starry Gothams that drew Zendaya, Timothée Chalamet and Angelina Jolie, most were expecting triumph for Sean Baker’s "Anora," a comedy about a sex worker who marries the son of a Russian oligarch. It came in the lead nominee, the Cannes Palme d’Or winner, and maybe a top best-picture contender at the Oscars, but went home empty-handed.

Instead, the night belonged to the A24 release "A Different Man," which stars Stan as a man with facial deformities who's healed of them. He's then upstaged by the character played by Pearson, who genuinely has neurofibromatosis, a condition that covers much of his face with benign skin tumors.

The Gothams aren’t an Oscar bellwether, though several of its recent top winners – including last year's winner "Past Lives," as well as "Everything Everywhere All at Once" and "Nomadland" – have gone on to be nominated for best picture at the Academy Awards, with "Everything Everywhere" and "Nomadland" winning.

Whether any of the winners Monday night — "Sing Sing" and "Nickel Boys" were also victorious — will use the early wins as a springboard for more trophies remains to be seen. But the Gothams, a black-tie affair held at Cipriani Wall Street in downtown Manhattan, tend to give some sense of the flavor of the upcoming gauntlet of award-season ceremonies.

How prominent politics, and the upcoming inauguration of President-elect Donald Trump, might be in this year’s Oscar race is one of the biggest questions as the season ramps up. On Monday, Trump's name was never uttered on stage (though Stan is in the awards mix for playing him in "The Apprentice"), nor were there any overtly political statements. But several winners seemed to allude to the shifting political climate.

"Let's keep doing the work that really matters and makes a difference," said Colman Domingo, who won best lead performance. "That's what we can do right now. That can be the light in the darkness."

Domingo won for his starring role in "Sing Sing," the indie drama about a real prison program called Rehabilitation Through the Arts, which helps incarcerated people heal through theater productions. Clarence Maclin, one of the formerly incarcerated men who co-star in the film, won best supporting performance.

"If someone was going to tell me ten years ago, I was going to be here, I wouldn’t have believed it," said Maclin.

"Sing Sing," also from A24, was arguably the emotional winner of the night. The film's ensemble also accepted a tribute award. In one of the evening's most powerful speeches Sean Dino Johnson, a founding member of RTA, spoke passionately about the redemptive qualities of the arts.

"Standing here tonight we are proof that movies like ‘Sing Sing’ don’t just entertain," said Johnson. "They change lives."

RaMell Ross' "Nickel Boys," his arrestingly photographed Colson Whitehead adaptation, also won two major awards: best director for Ross and breakthrough performer for Brandon Wilson. Ross’ film, about two Black teenagers at an abusive juvenile reform school in Jim Crow-era Florida, is filmed largely from the first-person perspective of its two main characters.

For many, the Gothams are a chance to make an impression with a speech that helps solidify their awards chances. To that cause, the Gothams gave out an array of tribute awards. This year’s crop was particularly starry, including Zendaya (for "Challengers"), Jolie (for "Maria"), Chalamet and James Mangold (for "A Complete Unknown"), Denis Villeneuve (for "Dune: Part Two"), the cast of "The Piano Lesson," and Franklin Leonard, founder of the fabled unproduced screenplay platform The Black List.

Jolie, who plays the opera singer Maria Callas in "Maria," also spoke about the importance of the arts.

"It’s so important that art be taught in our schools, and so concerning that is being reduced," Jolie said.

Zendaya, honored for her performance in Luca Guadagnino's "Challengers," took a moment to thank her date. "My mom's here tonight," she said. "Shout out mom."

Chalamet read a short speech about his transformation into Bob Dylan for the upcoming "A Complete Unknown."

"Getting to study and immerse myself in the world of Bob Dylan has been the greatest education a young artist can receive," Chalamet said. "If you're already a fan of Bob Dylan, this will make perfect sense to you. If you're not familiar with his work, perhaps our film can serve as a humble gateway to one of the great poets and chroniclers of our times."

Best documentary went to "No Other Land," a film made by a Palestinian and Israeli filmmaker collective that documents Israeli occupation of a Palestinian village in West Bank over the course of years. Despite being one of the year’s most acclaimed documentaries, "No Other Land" remains without an American distributor.

Payal Kapadia’s "All We Imagine as Light," a poetic drama about three women in modern Mumbai, took the award for best international film. Though the film was the first Indian movie in competition in more than 30 years at the Cannes Film Festival, India opted not to select it for its Oscar submission.