‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
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‘The Super Mario Bros. Movie’ Is a Box Office Smash

Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)
Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anna Taylor-Joy, Chris Meledandri, Anya Taylor-Joy, Chris Pratt and Shigeru Miyamoto and others attend the premiere of Universal Pictures' "The Super Mario Bros." at Regal LA Live, in Los Angeles, California, US, April 1, 2023. (Reuters)

Audiences said let’s go to the movie theater for “The Super Mario Bros. Movie” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.

With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).

Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films.

“This partnership between Nintendo and Illumination is just incredible and led to this extraordinary performance,” said Jim Orr, Universal’s president of domestic distribution.

The PG-rated “Mario” is an origin story of Brooklyn plumbers Mario, voiced by Chris Pratt, and Luigi (Charlie Day), who fall into a pipe and come out in another world full of Nintendo’s most famous characters, from Bowser (Jack Black) to Princess Peach (Anya Taylor-Joy).

Critics were largely mixed. “Mario” currently has a 56% on Rotten Tomatoes. But audiences were more favorable, giving it an A CinemaScore.

Orr said that theater owners were surprised by just how broad the audiences were and reported seeing some ticket buyers decked out in character costumes for the movie. According to exit polls, 59% of the audience was male and 45% were between the ages of 18 and 34.

“$377 million worldwide is just astounding and a testament to how important outside of the home activities are for families,” said Paul Dergarabedian, the senior media analyst for Comscore. “Kids and their parents collectively were able to go out, have an outside the home event for the whole family at a relatively bargain price compared to a trip or a sporting event.”

Also, Dergarabedian noted, there is a long runway before “Guardians of the Galaxy Vol. 3” opens on May 5.

“This was a perfect release date,” Dergarabedian said.

“Mario” wasn’t the only movie based on a brand that opened in theaters this week. Ben Affleck’s “Air,” about the origins of Nike’s Air Jordan and how the corporation signed Michael Jordan, also debuted in 3,507 theaters Wednesday.

The film, which marks Amazon Studios first global theatrical release, has grossed an estimated $20.2 million since opening Wednesday in North America, with $14.5 million coming from the weekend to give it a fourth place start.

With an R-rating, “Air,” starring Matt Damon, Viola Davis and Affleck, was a bit of adult-targeted counter programming to the “Mario” juggernaut. Reviews were glowing (95% on Rotten Tomatoes) for the film which debuted as a surprise screening at the South by Southwest Film Festival last month, helping to bolster buzz. Audiences were 55% male and 39% over the age of 45. “’Air’ found its audience. It’s a solid gross,” Dergarabedian said. “This one is in it for the long haul.”

“Air” is the first film from Affleck and Damon’s new company Artists Equity which was formed last year in partnership with RedBird Capital.

Second place went to “John Wick Chapter 4” which made $14.6 million in its third weekend, bringing its total grosses to $147.1 million. Close behind was “Dungeons & Dragons: Honor Among Thieves” which placed third with $14.5 million in its second weekend, while “Scream VI” rounded out the top 5 with $3.3 million.

In limited release, Kelly Reichardt’s art-centric “Showing Up,” with Michelle Williams and Hong Chau, also bowed on four screens, grossing $66,932.

“This is such an important weekend for theaters, a home stretch heading into the summer movie season, and this is a perfect scenario,” Dergarabedian said. “It’s game on for movie theaters when a lot of people thought it was game over.”



'Daddio' Eschews Glitz for Deep Conversation between Sean Penn, Dakota Johnson

Dakota Johnson and Sean Penn. Reuters
Dakota Johnson and Sean Penn. Reuters
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'Daddio' Eschews Glitz for Deep Conversation between Sean Penn, Dakota Johnson

Dakota Johnson and Sean Penn. Reuters
Dakota Johnson and Sean Penn. Reuters

Dakota Johnson knew two-time Academy Winner Sean Penn was exactly who she wanted to star in the film “Daddio” as the male lead, but at first, she was not sure how to make it happen.
"The first and only person that I was like, 'Oh he'd be really perfect', was Sean and we kind of thought he would never do it because it's such a small movie with a first-time filmmaker and newer producers,” she said.
However, living close to Penn and occasionally hanging out gave her the chance to ask him if he would read the script for “Daddio.”
“He did it quite quickly, and that was surprising, and then we went for a walk, and he loved it (the script),” Johnson added.
Johnson acquired the "Daddio" screenplay from writer and director Christy Hall, Reuters reported. In the film, she plays a young woman who takes a cab driven by a man named Clark, played by Penn, who calls her "Girlie." The character's real name is never stated in the film.
"Girlie" takes the yellow cab back to her apartment in Manhattan after landing at John F. Kennedy Airport. She and Clark, the cab driver, have a shockingly earnest conversation about a range of topics, including relationships, loss and vulnerability.
“Daddio” arrives in theaters on Friday.
The majority of the film involves Clark and 'Girlie' talking about their lives and experiences while in the cab.
Penn believes the film defies the "razzle dazzle" that people are often told they must look for in a film.
For him, a glitzy film is not necessarily the key to crafting impressive cinema.
Instead, what struck him about "Daddio" was the quality of the script and the rawness of Johnson’s performance as "Girlie."
“She has such a beautiful vulnerability ... that never gets in the way of strength,” he said.
“It’s vulnerability in the most relevant ways,” he added.