Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
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Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)

Michael Lerner, the Brooklyn-born character actor who played a myriad of imposing figures in his 60 years in the business, including monologuing movie mogul Jack Lipnick in “Barton Fink,” the crooked club owner Bugsy Calhoun in “Harlem Nights” and an angry publishing executive in “Elf” has died. He was 81.

His nephew, actor Sam Lerner, announced his death in an Instagram post Sunday. Sam Lerner wrote that his uncle died Saturday but did not provide further details. Neither his nor Michael Lerner’s representatives immediately responded to requests for further comment.

“He was the coolest, most confident, talented guy,” Sam Lerner wrote. “Everyone that knows him knows how insane he was — in the best way...we’re all lucky we can continue to watch his work for the rest of time. RIP Michael, enjoy your unlimited Cuban cigars, comfy chairs, and endless movie marathon.”

Born in 1941 to Romanian-Jewish parents and raised in Brooklyn's Red Hook neighborhood, Michael Lerner began acting locally as a teen and into his days at Brooklyn College, where he got the chance to play Willie Loman in “Death of a Salesman.”

His ambitions to pursue acting professionally crystalized when he received a Fulbright Scholarship and chose to study theater at the London Academy of Music and Dramatic Arts, where he lived in an apartment with Yoko Ono for a time, appearing in her short film “Smile” alongside Paul McCartney. His brother, Ken Lerner, also became an actor.

Lerner moved to Los Angeles in 1969, at the urging of an agent who saw his work at the American Conservatory Theatre in San Francisco. He started getting cast in television shows, including “M(asterisk)A(asterisk)S(asterisk)H,” “The Brady Bunch” and “The Rockford Files,” making his film debut in Paul Mazursky’s “Alex in Wonderland,” alongside Charlotte Rampling. But he considered his first significant role to be in the television movie “Ruby and Oswald” (he played Jack Ruby) with Brian Dennehy.

In 1981, he was cast in Bob Rafelson’s remake of “The Postman Always Rings Twice,” alongside Jack Nicholson, who he called one of the most generous actors he'd ever worked with, and Jessica Lange. A longtime cigar aficionado, Lerner felt out of his depths when he was asked to smoke a cigarette in a scene with Nicholson in a jail. Lerner said he held the cigarette with both hands.

He felt more comfortable playing cigar-smoking journalist and politician Pierre Salinger in “Missiles of October,” for which Jackie Kennedy once told him that he’d “out Pierre’d Pierre.”

Lerner also loved working with John Sayles on “Eight Men Out,” in which he played Arnold Rothstein, the crime boss who conspired to fix the 1919 World Series.

“Most of the time I don’t rehearse, but I do a lot of preparation. Especially for a biographical character or one of the studio heads,” he said in 2016. “I did a lot of research for Barton Fink and looked into Louis B. Mayer and all the moguls in Hollywood.”

Joel and Ethan Coen’s “Barton Fink,” released in 1991, is the film Lerner is most remembered for.

“I had auditioned for Joel and Ethan before, for Miller’s Crossing. So I walked into the room, as the character, and I don’t say hello to anybody. And I sit down behind my desk and do this big speech: ‘Bart! Bart! So great to see you,’” Lerner said in 2016. “I did the monologue the way I wanted to do it and I just walked out of the room and that was it. And Joel and Ethan were just sitting in a corner just laughing and laughing and that was it.”

Lerner, who drew inspiration from Preston Sturges movies, said the Coens didn’t give him much acting direction and “were a little nervous that I was talking so fast” but that they let him do what he wanted.

The role got him his first and only Oscar nomination, but in 1992, the Academy Award for supporting actor went to Jack Palance for “City Slickers.”

The Coens called him years later to do a cameo in “A Serious Man.”

Lerner also said he was frequently recognized for his turns in Eddie Murphy’s “Harlem Nights” and “Elf,” as Fulton Greenway. He also played Cher's father in the television spinoff of “Clueless.”

In the late 90s, he was excited to get a chance to work with Woody Allen on the film “Celebrity,” but it turned into a terrible experience, he said in a 2016 interview.

Lerner also appeared in several bigger blockbusters over the years, including “Godzilla” as Mayor Ebert, “X-Men: Days of Future Past,” as Senator Brickman, and “Mirror Mirror” as Baron.

“Those are good parts but not great acting roles,” Lerner said.

And he never felt cheated by being known as a “character actor” rather than a leading man. In 1999, in an interview with Cigar Aficionado, he said, simply, “Every role is a character role.”



‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
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‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)

“Lilo & Stich” and “Mission: Impossible—The Final Reckoning” dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the US and Canada had several new films to offer this weekend as well, including Sony’s family friendly “Karate Kid: Legends” and the A24 horror movie “Bring Her Back.” According to studio estimates Sunday, it added up to a robust $145 million post-holiday weekend that’s up over 115% from the same timeframe last year.

Disney’s live-action hybrid “Lilo & Stitch” took first place again with $63 million from 4,410 locations in North America. It was enough to pass “Sinners” to become the second-highest grossing movie of the year with $280.1 million in domestic ticket sales. Globally, it's running total is $610.8 million. “Sinners,” meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally.

The eighth “Mission: Impossible” movie also repeated in second place, with $27.3 million from 3,861 locations. As with “Lilo & Stitch,” that's down 57% from its opening. With $122.6 million in domestic tickets sold, it’s performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China where it just opened), bringing its global total to $353.8 million.

Leading the newcomers was Sony’s “Karate Kid: Legends,” with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series “Cobra Kai,” which just concluded a six-season run.

Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives.

Fourth place went “Final Destination: Bloodlines,” which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally.

The weekend’s other big newcomer, “Bring Her Back” rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout “Talk to Me.” It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until “28 Years Later” opens on June 20.

A new Wes Anderson movie, “The Phoenician Scheme,” also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend.

The summer box office forecast remains promising, though there’s a long way to go to get to the $4 billion target (a pre-pandemic norm that only the “Barbenheimer” summer has surpassed). The month of May is expected to close out with $973 million – up 75% from May 2024, according to data from Comscore.