U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
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U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)

U2 is familiar with rocking out in major sporting arenas and stadiums, but the legendary band will soon hit the stage to create a new immersive concert experience inside a high-tech, globe-shaped venue in Las Vegas.

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. The rock band’s special five-night run of shows will be held until Oct. 8 at The Venetian’s Sphere with a state-of-the-art audio and visual system designed for each concertgoer.

“This is a venue designed for entertainment, not sports,” said U2 guitarist The Edge in a recent interview. He first learned about the cutting-edge venue after lead singer Bono sent him a link about the concept. He said the screen is 20 times bigger than the one during the band’s Joshua Tree tour in 2019 — the last time U2 performed live in a concert setting.

“Sports is a simple formula. You want to see the action,” he continued. “But no one really sits down when they’re designing one of these sports arenas and thinks about sound. That’s way, way down on their list of priorities. But in this venue, it’s one of the first things they thought about.”

The massive spherical venue will have 17,500 seats with a scalable capacity of nearly 20,000 guests. Along with high resolution LED screens that wrap halfway around the audience, the venue is also equipped with thousands of speakers that will deliver a “crystal-clear” multi-layered audio system for every seat inside.

As a musician, The Edge said the venue’s concept is an “amazing thought” in helping performers like U2 capture the full essence of their sound. He said their shows will offer an opportunity to “literally transport people to some other space and time” and open a variety of “creative possibilities.”

“What we’re able to do — because of the design and the fidelity of the sound — is introduce not just the best sounding rock ‘n’ roll band of all time in an indoor venue,” he said. “But also, radical intimacy where you can actually deliver a vocal or a simple music arrangement that’s really delicate. The people will be able to hear perfectly. Whereas if you’re trying that in an arena or a stadium, it would just be impossible.”

During the band’s rehearsals, The Edge has already seen a significant difference from the sphere venue compared to an arena or stadium — which normally “imposes on your sound.” He said their music preparations haven’t changed much, but they are starting to try to understand how to use the immersive sound as a creative tool.

The Edge believes the band’s performances at Sphere could be a “quantum leap forward” in terms of the sensory impacts of a live concert.

“It’s technology that has never been available,” he said. “We can literally in sonic terms, but also in visual terms, have our audience not kind of be looking at the show, but be in the middle of the show and in the middle of the sound. It’s sound all around you. … I’m already starting to think about the mixes and our songs and think about how this spatial audio could come into its own in terms of just where we place different parts of our sound.”

The Edge said U2 is pumped to return to the stage for the first time in four years, especially after the pandemic. The band’s upcoming show will mark the first time performing without drummer Larry Mullen Jr., who is recovery from back surgery. In Mullen's absence, Bram van den Berg will fill in as drummer.

“We’re so excited,” he said. “We’ve been on lockdown. I’ve been in the recording studio for the last 18 months doing the acoustic collection, ‘Songs of Surrender.’ I can’t wait to get out there and be a part of something huge like this.”



Beyonce Delivers a Rousing Kickoff to Her 'Cowboy Carter' Tour

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
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Beyonce Delivers a Rousing Kickoff to Her 'Cowboy Carter' Tour

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File

Singer Beyonce launched her "Cowboy Carter" stadium tour on Monday, rolling through "Texas Hold 'Em" and other country-inspired hits and sharing the stage with her two daughters.

Beyonce opened the nearly three-hour show at SoFi Stadium near Los Angeles with "American Requiem," appearing in an all-white cowboy outfit with long fringe on the sleeves as dancers in red performed around her, Reuters said.

For her cover of Dolly Parton classic "Jolene," Beyonce sat on a lighted horseshoe that floated above the crowd. She rode a gold mechanical bull for "Tyrant" and flew through the air in a red car while holding an American flag for "16 Carriages."

Beyonce's 13-year-old daughter, Blue Ivy Carter, joined the backup dancers for several songs, including "Ya Ya" and "America Has a Problem." She strutted down a long runway to lead a dance to "Deja Vu," flipping her hair as she turned to walk back.

Seven-year-old Rumi Carter appeared on stage while Beyonce performed the lullaby "Protector." She waved both hands to the crowd and turned around to give her mom a hug.

"Cowboy Carter" earned Beyonce her first album of the year Grammy in February. It was viewed by experts and fans as a reclamation and homage to an overlooked legacy of Black Americans within country music and culture.

"I want to thank all of those who came before me that allowed me to be on this stage today," Beyonce said at Monday's show. "I want to thank you my fans for allowing me to make this album. Thank you for giving me the creative liberty to challenge myself."

Beyonce also performed hits including "Formation,Cuff It" and "Crazy in Love" from previous albums.

The tour, called the Cowboy Carter and the Rodeo Chitlin' Circuit Tour, is scheduled to run through July in the US and Europe.

Many fans went all in on the cowboy theme, wearing Western hats, cowboy boots and rhinestone-studded denim. Beyonce thanked the crowd before ending with the song "Amen."

"I feel so overwhelmed," Beyonce said.