U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
TT
20

U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)

U2 is familiar with rocking out in major sporting arenas and stadiums, but the legendary band will soon hit the stage to create a new immersive concert experience inside a high-tech, globe-shaped venue in Las Vegas.

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. The rock band’s special five-night run of shows will be held until Oct. 8 at The Venetian’s Sphere with a state-of-the-art audio and visual system designed for each concertgoer.

“This is a venue designed for entertainment, not sports,” said U2 guitarist The Edge in a recent interview. He first learned about the cutting-edge venue after lead singer Bono sent him a link about the concept. He said the screen is 20 times bigger than the one during the band’s Joshua Tree tour in 2019 — the last time U2 performed live in a concert setting.

“Sports is a simple formula. You want to see the action,” he continued. “But no one really sits down when they’re designing one of these sports arenas and thinks about sound. That’s way, way down on their list of priorities. But in this venue, it’s one of the first things they thought about.”

The massive spherical venue will have 17,500 seats with a scalable capacity of nearly 20,000 guests. Along with high resolution LED screens that wrap halfway around the audience, the venue is also equipped with thousands of speakers that will deliver a “crystal-clear” multi-layered audio system for every seat inside.

As a musician, The Edge said the venue’s concept is an “amazing thought” in helping performers like U2 capture the full essence of their sound. He said their shows will offer an opportunity to “literally transport people to some other space and time” and open a variety of “creative possibilities.”

“What we’re able to do — because of the design and the fidelity of the sound — is introduce not just the best sounding rock ‘n’ roll band of all time in an indoor venue,” he said. “But also, radical intimacy where you can actually deliver a vocal or a simple music arrangement that’s really delicate. The people will be able to hear perfectly. Whereas if you’re trying that in an arena or a stadium, it would just be impossible.”

During the band’s rehearsals, The Edge has already seen a significant difference from the sphere venue compared to an arena or stadium — which normally “imposes on your sound.” He said their music preparations haven’t changed much, but they are starting to try to understand how to use the immersive sound as a creative tool.

The Edge believes the band’s performances at Sphere could be a “quantum leap forward” in terms of the sensory impacts of a live concert.

“It’s technology that has never been available,” he said. “We can literally in sonic terms, but also in visual terms, have our audience not kind of be looking at the show, but be in the middle of the show and in the middle of the sound. It’s sound all around you. … I’m already starting to think about the mixes and our songs and think about how this spatial audio could come into its own in terms of just where we place different parts of our sound.”

The Edge said U2 is pumped to return to the stage for the first time in four years, especially after the pandemic. The band’s upcoming show will mark the first time performing without drummer Larry Mullen Jr., who is recovery from back surgery. In Mullen's absence, Bram van den Berg will fill in as drummer.

“We’re so excited,” he said. “We’ve been on lockdown. I’ve been in the recording studio for the last 18 months doing the acoustic collection, ‘Songs of Surrender.’ I can’t wait to get out there and be a part of something huge like this.”



'Weapons' Horror Film Scores Box Office Victory

Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
TT
20

'Weapons' Horror Film Scores Box Office Victory

Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Zach Cregger arrives at the premiere of "Weapons" on Thursday, July 31, 2025, at The United Theater on Broadway in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

It’s August, and horror and humor came to play.

In a month that’s long been known to let edgier movies thrive, Zach Cregger’s highly anticipated horror film “Weapons” did not disappoint, topping the box office during its debut weekend with $42.5 million domestically from 3,202 theaters. It made $70 million internationally.

The film’s success also handed its distributor, Warner Bros. Pictures, the seventh No. 1 opening of the year, and became the studio’s sixth film in a row to debut with over $40 million domestically.

“Freakier Friday,” Disney’s chaotic sequel to the 2003 classic, “Freaky Friday,” took the second spot during its premiere weekend, earning $29 million in 3,975 North American theaters. Lindsay Lohan and Jamie Lee Curtis return, this time for a double body-swapping between the mother-daughter duo and Lohan’s teen daughter and soon-to-be stepdaughter.

Viral marketing tactics, coupled with strong social media word-of-mouth, boded well for both films’ success, said Paul Dergarabedian, senior media analyst for the data firm Comscore.

“The top two films could not be more different, and that’s what makes this weekend so appealing for moviegoers,” Dergarabedian said. “Both are perfectly tailored for their audiences to react in real time over the weekend to these films and then post on social media.”

“Weapons” transports audiences to the small town of Maybrook, where 17 kids up and leave their homes at 2:17 a.m., leaving bewildered parents in their wake. The town is left to navigate the lingering effects of trauma through horror, paranoia and a touch of existential humor.

The film is Cregger’s follow-up to his solo directorial debut with the 2022 genre-bending horror, “Barbarian.” That critically-acclaimed film had a slower start and smaller budget, but still topped the charts during its premiere with $10 million domestically and made a splash in the genre.

“Weapons” generated a lot of buzz for its strong reviews (95% on Rotten Tomatoes).
“The internet’s exploding right now between Friday and today. You just see that people are having a great time with it,” said Jeffrey Goldstein, president of global distribution for Warner Bros. “It starts with an exceptional movie, an exceptional marketing campaign, and the date was exceptional too.”

The success of the comedy-horror double premiere meant “The Fantastic Four: First Steps” surrendered its two-week run in the top spot and landed in the third position, bringing in $15.5 million domestically. The superhero movie enjoyed a strong $118 million debut, but stumbled in its second weekend.

“The Bad Guys 2,” which got a healthy start at the No. 2 spot during its premiere weekend, came in fourth place, earning $10.4 million domestically. “The Naked Gun” had a similar fate, reaching the fifth position with $8.4 million in North American theaters.

“Jurassic World Rebirth,” which came in seventh this week, is expected to hit $800 million globally by Monday, according to NBC Universal, following a successful run in theaters.

Warner Bros. started off slow this year, but made a comeback with the box-office hit, “A Minecraft Movie,” which opened with $157 million domestically. Since then, movies like “Sinners,” “Superman” and now, “Weapons,” have found success.

The studio set “a blueprint to how to create a perfect summer lineup,” Dergarabedian said.

“Weapons ”also joins a stream of successful horror movies this year, its opening numbers coming in just behind “Final Destination: Bloodlines” and “Sinners.”