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Jack Nicholson Returns to Courtside for Lakers’ Playoff Game

Actor Jack Nicholson attends Game 6 of a first-round NBA basketball playoff series between the Los Angeles Lakers and the Memphis Grizzlies on Friday, April 28, 2023, in Los Angeles. (AP)
Actor Jack Nicholson attends Game 6 of a first-round NBA basketball playoff series between the Los Angeles Lakers and the Memphis Grizzlies on Friday, April 28, 2023, in Los Angeles. (AP)
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Jack Nicholson Returns to Courtside for Lakers’ Playoff Game

Actor Jack Nicholson attends Game 6 of a first-round NBA basketball playoff series between the Los Angeles Lakers and the Memphis Grizzlies on Friday, April 28, 2023, in Los Angeles. (AP)
Actor Jack Nicholson attends Game 6 of a first-round NBA basketball playoff series between the Los Angeles Lakers and the Memphis Grizzlies on Friday, April 28, 2023, in Los Angeles. (AP)

Jack is back.

Los Angeles Lakers superfan Jack Nicholson was watching at courtside for the first time in nearly two years Friday night when his team hosted the Memphis Grizzlies in Game 6 of their first-round playoff series.

The 86-year-old Nicholson hadn’t been in his usual seats in the Lakers’ downtown arena since last season’s opening game in October 2021, but the three-time Academy Award-winning actor returned to his famed spot near the opposing bench with his son.

Nicholson was a fixture in the last half-century of Lakers history, cheering on the team through several eras of success after getting his season tickets in 1970. He was the most prominent face in the Lakers’ gallery of celebrity fans, his sunglasses and famous grin ever-present at courtside — and occasionally on the court if he was particularly displeased by an official’s call.

Nicholson cheered while the Showtime Lakers racked up championships and captured Hollywood’s imagination, and he remained an avid fan while they won five more titles in the Kobe Bryant era. He famously adjusted his shooting schedules and personal meetings to keep himself free to catch every big Lakers game.

Nicholson rarely attended games after fans returned to the Lakers’ building following the start of the COVID-19 pandemic, but the chance to watch the Lakers attempt to win a playoff series at home for the first time since 2013 was irresistible to their No. 1 fan.

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Entertainment

‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.