Grab Your Fancy Duds for Met Gala Mania with Karl Lagerfeld

Vogue editor Anna Wintour attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on May 6, 2019, in New York. (AP)
Vogue editor Anna Wintour attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on May 6, 2019, in New York. (AP)
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Grab Your Fancy Duds for Met Gala Mania with Karl Lagerfeld

Vogue editor Anna Wintour attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on May 6, 2019, in New York. (AP)
Vogue editor Anna Wintour attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on May 6, 2019, in New York. (AP)

It's the first Monday in May: Welcome to Met Gala mania.

With a livestream available when the evening gets underway, the world's most fashionable fundraiser takes on one of the world's most prolific — and controversial — designers, the late Karl Lagerfeld, as the starry party's theme.

So how would the man of the hour, who died in 2019, feel about all the hullabaloo? Lagerfeld was a student of history, to be sure, but his eyes were forever on the future.

"Karl never wanted to have a retrospective when he was alive. He felt that it was funereal. He made the point that (Cristóbal) Balenciaga and (Coco) Chanel never had them when they were alive," said William Middleton, who wrote the biography "Paradise Now: The Extraordinary Life of Karl Lagerfeld."

So what about now?

"He believed very much in fashion history, so he’s a part of fashion history now. I don't think he would have had a problem with it," Middleton surmised.

Others aren't so sure.

Caroline Lebar worked with Lagerfeld for 35 years, rising to senior vice president of image and communications for his eponymous brand. Lagerfeld loved the Met, but he always said: "'I'm not an artist, I'm a fashion maker,'" Lebar said on the company's site.

"He didn’t think his work belonged in a museum. Anna Wintour also mentioned this when she made the announcement about the theme," Lebar explained.

The invitation-only gala earned $17.4 million last year for the Metropolitan Museum of Art's Costume Institute, a self-funding department with a budget dependent on the A-list affair. The price of attending went up this year to $300,000 for a table and $50,000 for a single ticket.

Companies and brands buy tables and host many of the roughly 400 guests expected this year from fashion, film, music, theater, sports, tech and social media. They were asked to dress "in honor of Karl" by gala mastermind Wintour, a close Lagerfeld friend who first signed on to the event in 1995 and took over the helm in 1999.

Fashion publicist Eleanor Lambert thought up the Met Gala back in 1948 as a fundraiser for the newly founded Costume Institute. It was a dinner held elsewhere. The idea is to celebrate the opening of the institute's big exhibition each year, this time called "Karl Lagerfeld: A Line of Beauty."

American fashion was last year's vibe. It followed gilded glamour and white tie. Camp was the theme in 2019, producing what is considered one of the wackiest displays of dress by the celebrity crowd.

Katy Perry wore a chandelier, then slipped into a hamburger outfit. Lady Gaga did a four-layer strip tease on the Met's Grand Staircase and Jared Leto carried a stage version of his own head.

Dressing to the Lagerfeld theme could be a breeze for guests with stylists able to source the best vintage pieces from the fashion houses where he worked: Chanel, Fendi, Chloé, Jean Patou, Balmain, his own brand and more.

This year’s five hosts include Wintour, as usual, along with Michaela Coel, longtime Chanel ambassador Penélope Cruz, recently retired tennis superstar Roger Federer and Dua Lipa.



Chanel Stuns with Color, and Kylie Jenner, in Paris Couture Show

A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
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Chanel Stuns with Color, and Kylie Jenner, in Paris Couture Show

A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)

Snaking traffic, screaming crowds, and a crush of photographers descended on the Grand Palais on Tuesday as Chanel unveiled its latest show before Matthieu Blazy’s debut as creative director in the fall. Kylie Jenner led a constellation of stars, seated atop two giant interlocking C’s raised like a bridge — perhaps a metaphor for the house’s transition to its bold new chapter.

Critics expecting an underwhelming, designer-less show were swiftly proven wrong. Chanel’s studio punched above its weight, delivering a collection of striking hues and diverse designs showcasing its couture ateliers’ unrivaled artistry.

The theme — Coco, the colorist

For a designer famous for revolutionizing fashion with the use of black, this collection went against the grain. Gabrielle “Coco” Chanel’s lesser-known talent as a colorist took center stage, with joyful pastels, bold tones, midnight blue, and classic black following a complete cycle from day to night — something like a “greatest hits” collection on the eve of the reboot.

Whimsy, drama, and buttons

The runway pieces struck a balance between whimsy and drama. Beyond the house's bread-and-butter tweed skirt suits, leg-of-mutton sleeves brought historical grandeur, evoking a sense of Victorian elegance. Sequins and paillettes shimmered under the bright Grand Palais light. Silk trains in bold red injected a sense of drama. Playful neckties hinted at a 1970s influence.

A standout piece was a satin pastel yellow gown with delicate buttons running down the front, exuding the glamour of old Hollywood while maintaining a fresh feel.

But the devil at Chanel couture is in the detail — the buttons.

Buttons in rock crystal, metal, and rhinestone ones adorned jackets, skirts, and dresses, adding a quiet brilliance to the vibrant collection.

Kylie Jenner leads star-studded crowd

The audience was a testament to Chanel’s unmatched global power, boasting one of the most prestigious guestlists of Paris Fashion Week. And not just Kylie Jenner perched atop the double-C decor.

Global ambassadors Jennie, the K-pop superstar from BLACKPINK, G-Dragon, and Lily-Rose Depp sat alongside Dua Lipa, Marion Cotillard, and actresses Elsa Zylberstein and Antonia Desplat.

Among the star-studded crowd, Pamela Anderson, who's been seen at shows all week was flanked by teams of menacing security guards.

Front row buzz for Blazy

The chatter centered on the maison’s impending creative shift. Virginie Viard, who succeeded Karl Lagerfeld in 2019, parted ways with Chanel last year following tepid reviews. One guest Tuesday summed up the mood bluntly: “Even the studio show seems better than what Viard did,” capturing the widespread belief that Chanel needed fresh vision.

Blazy, who arrives with a reputation for craftsmanship and innovation, was most recently the creative director at Bottega Veneta.

He reportedly inherits a maison in robust financial health, providing a solid foundation for his ambitious vision.

Despite the mixed reception, under Viard's tenure, Chanel saw record sales, with revenue reaching a reported $19.7 billion in 2023, including a 23% increase in ready-to-wear sales.

What the brand says — on their 110th anniversary

As Chanel couture celebrates its 110th anniversary, the house released a special film giving an insider’s look at its iconic Rue Cambon headquarters. Featuring Vanessa Paradis, Marion Cotillard and Naomi Campbell, the film delves into the intricacies of couture craftsmanship.

“At Chanel, we take a minimum of 25-30 measurements,” one seamstress revealed, showcasing how some garments require thousands of hours of meticulous handcrafting. Through intimate interviews with “les petites mains,” the film highlighted the dedication that defines Chanel as a benchmark of couture excellence.