Chanel Stuns with Color, and Kylie Jenner, in Paris Couture Show

A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
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Chanel Stuns with Color, and Kylie Jenner, in Paris Couture Show

A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)
A model presents a creation by the creative studio of fashion house Chanel as part of their Haute Couture Spring/Summer 2025 collection show in Paris, France, January 28, 2025. (Reuters)

Snaking traffic, screaming crowds, and a crush of photographers descended on the Grand Palais on Tuesday as Chanel unveiled its latest show before Matthieu Blazy’s debut as creative director in the fall. Kylie Jenner led a constellation of stars, seated atop two giant interlocking C’s raised like a bridge — perhaps a metaphor for the house’s transition to its bold new chapter.

Critics expecting an underwhelming, designer-less show were swiftly proven wrong. Chanel’s studio punched above its weight, delivering a collection of striking hues and diverse designs showcasing its couture ateliers’ unrivaled artistry.

The theme — Coco, the colorist

For a designer famous for revolutionizing fashion with the use of black, this collection went against the grain. Gabrielle “Coco” Chanel’s lesser-known talent as a colorist took center stage, with joyful pastels, bold tones, midnight blue, and classic black following a complete cycle from day to night — something like a “greatest hits” collection on the eve of the reboot.

Whimsy, drama, and buttons

The runway pieces struck a balance between whimsy and drama. Beyond the house's bread-and-butter tweed skirt suits, leg-of-mutton sleeves brought historical grandeur, evoking a sense of Victorian elegance. Sequins and paillettes shimmered under the bright Grand Palais light. Silk trains in bold red injected a sense of drama. Playful neckties hinted at a 1970s influence.

A standout piece was a satin pastel yellow gown with delicate buttons running down the front, exuding the glamour of old Hollywood while maintaining a fresh feel.

But the devil at Chanel couture is in the detail — the buttons.

Buttons in rock crystal, metal, and rhinestone ones adorned jackets, skirts, and dresses, adding a quiet brilliance to the vibrant collection.

Kylie Jenner leads star-studded crowd

The audience was a testament to Chanel’s unmatched global power, boasting one of the most prestigious guestlists of Paris Fashion Week. And not just Kylie Jenner perched atop the double-C decor.

Global ambassadors Jennie, the K-pop superstar from BLACKPINK, G-Dragon, and Lily-Rose Depp sat alongside Dua Lipa, Marion Cotillard, and actresses Elsa Zylberstein and Antonia Desplat.

Among the star-studded crowd, Pamela Anderson, who's been seen at shows all week was flanked by teams of menacing security guards.

Front row buzz for Blazy

The chatter centered on the maison’s impending creative shift. Virginie Viard, who succeeded Karl Lagerfeld in 2019, parted ways with Chanel last year following tepid reviews. One guest Tuesday summed up the mood bluntly: “Even the studio show seems better than what Viard did,” capturing the widespread belief that Chanel needed fresh vision.

Blazy, who arrives with a reputation for craftsmanship and innovation, was most recently the creative director at Bottega Veneta.

He reportedly inherits a maison in robust financial health, providing a solid foundation for his ambitious vision.

Despite the mixed reception, under Viard's tenure, Chanel saw record sales, with revenue reaching a reported $19.7 billion in 2023, including a 23% increase in ready-to-wear sales.

What the brand says — on their 110th anniversary

As Chanel couture celebrates its 110th anniversary, the house released a special film giving an insider’s look at its iconic Rue Cambon headquarters. Featuring Vanessa Paradis, Marion Cotillard and Naomi Campbell, the film delves into the intricacies of couture craftsmanship.

“At Chanel, we take a minimum of 25-30 measurements,” one seamstress revealed, showcasing how some garments require thousands of hours of meticulous handcrafting. Through intimate interviews with “les petites mains,” the film highlighted the dedication that defines Chanel as a benchmark of couture excellence.



Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
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Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)

Alessandro Michele’s Valentino couture debut was the most anticipated ticket of Paris Couture Week, and the designer didn't disappoint with a lavish spectacle at the Palais Brongniart, a fittingly historic backdrop for his past-meets-present storytelling.

Known for his “more is more” aesthetic, Michele delivered a VIP-filled show on Wednesday brimming with historical reverence, theatricality, and his signature offbeat twists.

Michele, who previously spent nearly eight years redefining Gucci with his eclectic maximalism, has long drawn inspiration from history. It's an obsession that traces back to his childhood in Rome, where he would rummage through his mother’s closet, captivated by the textures of bygone eras.

His tenure at Gucci transformed the brand into a powerhouse of layered nostalgia and offbeat opulence, making his appointment at Valentino — a house steeped in aristocratic elegance — both a natural evolution and a challenge.

His arrival was a significant shift from Valentino's former designer Pierpaolo Piccioli, who was celebrated for his pared-down romanticism.

The opening look set the tone: a harlequin-patterned gown of enormous proportions, fusing the whimsy of the circus with regal splendor.

Full skirts billowed with 18th-century grandeur against a stark black runway, while ’70s-inspired ruffles added his distinctive vintage-inflected edge. A standout floral gown, evocative of Marie Antoinette, received the New Romantics treatment, a nod to the late ‘70s and early ’80s era that has long fascinated the designer.

Though the collection largely played to Michele’s strengths, with exuberance tempered by couture-level precision, some elements felt overdone. A polka dot jacket with an oversized bow veered into twee territory, an example of how his fondness for embellishment can sometimes tip into excess. Yet, the overall balance leaned toward refinement, with a relative restraint compared to his past work at Gucci.

Michele’s couture debut reaffirmed his reputation as a designer who finds beauty in historical excavation.