Soviet and Russian Fashion Icon Zaitsev Dies

In this file photo taken on March 29, 2013 Russian fashion designer Vyacheslav "Slava" Zaitsev (C) walks on stage surrounded by models during the Fashion Week in Moscow. (AFP)
In this file photo taken on March 29, 2013 Russian fashion designer Vyacheslav "Slava" Zaitsev (C) walks on stage surrounded by models during the Fashion Week in Moscow. (AFP)
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Soviet and Russian Fashion Icon Zaitsev Dies

In this file photo taken on March 29, 2013 Russian fashion designer Vyacheslav "Slava" Zaitsev (C) walks on stage surrounded by models during the Fashion Week in Moscow. (AFP)
In this file photo taken on March 29, 2013 Russian fashion designer Vyacheslav "Slava" Zaitsev (C) walks on stage surrounded by models during the Fashion Week in Moscow. (AFP)

Vyacheslav "Slava" Zaitsev, the couturier behind world-famous Soviet fashion that was often adorned with colorful Russian folkloric motifs, died on Sunday at age 85, Russian news agencies reported.

Born into a working-class family in 1938, Zaitsev's first international recognition came in 1963 when the French Paris Match magazine wrote about his collection of overalls for female workers, according to a note posted on the website of his fashion house.

The RIA news agency reported that the bright, flowery jackets and skirts of the collection were rejected by the Experimental Clothing Factory for which Zaitsev worked.

The French press nicknamed him "Red Dior" in the 1960s.

In 1965, he began working as the artistic director of the experimental All-Union House of Fashion Models in Moscow, and some of his designs, which often implemented flowery traditional Russian patterns, were displayed in the West.

In 1969, the Museum of Modern Art in New York hosted a show of women's dresses based on sketches by Zaitsev, among others. After the show, Zaitsev received offers to open stores in the West, which the Soviet authorities rejected.

In 1979, Zaitsev left the All-Union House of Models for a small atelier, which by 1982 he turned into the Slava Zaitsev Moscow Fashion House, becoming the first Soviet designer allowed to label his clothing.

Among Zaitsev's Russian clients were music stars, actors, socialites and politicians.

The patronage of Raisa Gorbacheva, the wife of the last Soviet Union leader, Mikhail Gorbachev, elevated his international fame in the 1980s.

He also counted the former wife of President Vladimir Putin, Lyudmila, as his client.

"I was incredibly lucky that at the beginning of my conscious life I decided, thank God, what to strive for, who I should be," Zaitsev wrote in a note on his website. "Thank God, I found the meaning of life in search of Harmony and Perfection through means of the Highest art of clothing, art of painting and graphics, photography ... in life, poetry."



Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
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Dolce & Gabbana Evoke the Dolce Vita during Milan Fashion Week

A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER
A model presents a creation by Dolce&Gabbana during the Milan Fashion Week, in Milan, Italy, 18 January 2025. EPA/MATTEO CORNER

To bling, or not to bling is the eternal question at Dolce & Gabbana — and the designing duo had it both ways Saturday during the Milan Fashion Week menswear preview for the next cold weather season.
The elegant show invitation in winter-neutral Burgundy — suggested an understated collection and the runway silhouette was loose and effortless. Emblazoned with the word paparazzi, there was also a hint of look-at-me flash.
Evoking the Dolce Vita Domenico Dolce and Stefano Gabbana's collection for Fall/Winter 2025 evoked the Dolce Vita of easy men’s dressing with two moods: pulled-together daytime casual and red (or make that burgundy) carpet/evening formalwear.
Denim jeans provided the clean canvas for statement outerwear: star-sized faux fur jackets, a leather bomber-trench combo and a long leopard coat. Knitwear with loose cargo pants were easy to wear, functional and contemporary. Except for a bright sequined jacket, the colors palette was timelessly and reassuringly neutral.
The essence of the daywear was distilled in a dark tank top worn with loose tweed trousers and matching cap, and a tech-bro gray T-shirt secured with double-belted trousers.
For evening or formal events, elegant suiting incorporating cummerbunds, tasseled silk scarves and wide lapels were accented with crystal brooches, all the better to glisten as two risers of paparazzi snapped from the runway.
Trend Watch Watch for high-neck faux fur dickies, fastened with silken ribbons for extra warmth and luxury. Bow ties and brooches finishing suits — because why choose? Low-soled sneakers and mid-calf biker boots finish the looks. Capacious soft bags in high-end leathers suggest someplace to go. Key fobs on belt loops, reminders of home.
Paparazzi on the Inside, Fans on the Outside Risers of flashing paparazzi set the mood inside the designers’ Metropol theater.
Outside, Lucien Laviscount sprung like a gazelle over barriers and crossed tram tracks in front of the theater to greet cheering fans after the show. The “Emily in Paris” actor wore an elegant double-breasted pinstripe suit with gold neck chains, worthy of his stylish businessman character Alfie, as he signed autographs and snapped selfies.
Just as obliging but not quite as adventurous as the track-crossing Laviscount, South Korean actor Jung Hai-in, wearing a burgundy ensemble, and Thai actor Hirunkit Changkham, in black-and-white diagonally stripped knitwear and Bermuda shorts, also waved to screaming admirers before being driven away.
Front row guests also included James McAvoy, Levi Dylan and Rocco Ritchie.