Comedy Legend Jerry Lewis Dead at 91

Jerry Lewis. (Reuters)
Jerry Lewis. (Reuters)
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Comedy Legend Jerry Lewis Dead at 91

Jerry Lewis. (Reuters)
Jerry Lewis. (Reuters)

American comedy legend Jerry Lewis passed away on Sunday at the age of 91, his family announced.

He died of end-stage heart disease Clark County Coroner John Fudenberg said on Monday.

Lewis parlayed his distinctive style of low-brow comedy into a long-running movie and stage career. He also became a fund-raising powerhouse with his annual Labor Day telethon.

He had been hospitalized for about five weeks beginning in early June for a urinary tract infection, keeping him from traveling to Toronto to appear in a film, his spokeswoman, Candi Cazau, told Reuters by telephone.

Lewis rose to fame as the goofy foil to suave partner Dean Martin. At home, he was both loved and derided, while in France, he became a comic icon.

He once summed up his career by saying "I've had great success being a total idiot" and said the key was maintaining a certain child-like quality.

He was the classic funnyman who longed to play "Hamlet." He cried as hard as he laughed. He sassed and snarled at critics and interviewers who displeased him. He pontificated on talk shows, lectured to college students and compiled his thoughts in the 1971 book "The Total Film-Maker."

"I believe, in my own way, that I say something on film. I'm getting to those who probably don't have the mentality to understand what ... 'A Man for All Seasons' is all about, plus many who did understand it," he wrote. "I am not ashamed or embarrassed at how seemingly trite or saccharine something in my films will sound. I really do make films for my great-great-grandchildren and not for my fellows at the Screen Directors Guild or for the critics."

Jim Carrey, an actor whose style owed a heavy debt to Lewis, paid tribute to the comedian soon after news of his death.

"That fool was no dummy," Carrey wrote. "Jerry Lewis was an undeniable genius an unfathomable blessing, comedy's absolute! I am because he was!"

Lewis was 87 when his last movie, "Max Rose," came out in 2013, playing a jazz pianist who questions his marriage after learning his wife of 65 years may have been unfaithful.

The son of vaudeville entertainers, Lewis became a star in the early 1950s as Martin's comic sidekick in nightclubs, on television and in 16 movies. At their height, they set off the kind of fan hysteria that once surrounded Frank Sinatra and the Beatles.

Their decade-long partnership ended with a bitter split and Lewis went on to star in his own film comedies.

Lewis' movie persona, like the character he created in the act with Martin, varied little from film to film. He was zany and manic, forever squealing, grimacing and flailing his way through situations beyond his control.

He starred in more than 45 films in a career spanning five decades. His cross-eyed antics often drew scorn from critics but he was for a time a box-office hit who commanded one of the biggest salaries in Hollywood.

Long after his celebrity faded at home, Lewis was wildly popular in France, where he was hailed as "le Roi du Crazy" (the king of crazy) and inducted into the Legion of Honor, France's highest award, in 1984. He received a similar honor in 2006.

He explained his popularity in France, by saying: "The French are very visually oriented even though they are cerebral. They enjoy what they see and laugh. Then, later, they ask why."

Lewis, born Joseph Levitch on March 16, 1926, in Newark, New Jersey, started on upstate New York's Borscht Belt comedy circuit as a singer at age 5.

He first teamed with the debonair Martin in 1946 while they were performing in an Atlantic City, New Jersey, nightclub - Martin as a singer and Lewis as a comic.

Their largely improvised act, with Lewis making wild comic forays into the audience, was an immediate hit. Their 1950 movie debut, "My Friend Irma," was followed by "My Friend Irma Goes West" the next year.

Their relationship soured, however, and by the time they made their last movie together, "Hollywood or Bust," they reportedly were not speaking. They parted after a 1956 nightclub show, 10 years to the day after they first teamed.

The split reportedly stemmed from personality conflicts and Lewis' interest in producing and directing movies. Others attributed it to Lewis' ego and need for control, as well as a desire for approval from the often-remote Martin.

They reunited in 1976 when Sinatra brought Martin onstage during the muscular dystrophy telethon and they remained friends until Martin's 1995 death.

Since Martin died, "not a day has passed that Jerry did not think of Dean," Cazau told Reuters.

In 1960, Lewis made his movie directorial debut with "The Bellboy" and starred in the storybook parody "Cinderfella." Three years later, he starred in his most popular movie, the self-directed "Nutty Professor," playing a nerdy academic who makes a potion that turns him into the obnoxiously hip Buddy Love.

Lewis became closely associated with his annual Labor Day telethon to benefit children with muscular dystrophy. He first started doing telethons for the Muscular Dystrophy Association in 1952 before retiring from the job in 2011.

His fundraising efforts won him the Jean Hersholt Humanitarian Award at the 2009 Oscar telecast, an honor he said "touches my heart and the very depth of my soul."

Cazau said that from their inception in 1966 his Labor Day telethons had raised $2.45 billion over some 45 years.

Lewis had a movie revival in 1982, winning acclaim as an arrogant talk show host kidnapped by an obsessed fan in "The King of Comedy." He scored another late-career triumph with his 1995 Broadway debut in a revival of "Damn Yankees" and appeared in the film "Funny Bones" that same year.

Lewis was beset for years by numerous ailments, including heart attacks, an inflammatory lung disorder and chronic back pain caused by pratfalls earlier in his career.

Lewis had homes in Las Vegas and San Diego. He had six sons with singer Patti Palmer, including Gary of the rock group Gary Lewis and the Playboys. After a divorce, Lewis married SanDee Pitnick in 1983, with whom he adopted a daughter.

"When the truth comes down to the truth, I am so grateful that I'm on that stage or in front of that camera," Lewis told The Associated Press in 2016. "To have a career that I had in film, I'm so grateful for it. I don't take advantage of it. I don't use it improperly. And I love the fact that there's nowhere I can go where people don't know me."



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)