Why Old-Fashioned Tools Remain Key for Reporting

Emily Steel, a media reporter, relies on a 19th-century technological marvel — the telephone — to build trust with sources. Credit Hilary Swift for The New York Times
Emily Steel, a media reporter, relies on a 19th-century technological marvel — the telephone — to build trust with sources. Credit Hilary Swift for The New York Times
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Why Old-Fashioned Tools Remain Key for Reporting

Emily Steel, a media reporter, relies on a 19th-century technological marvel — the telephone — to build trust with sources. Credit Hilary Swift for The New York Times
Emily Steel, a media reporter, relies on a 19th-century technological marvel — the telephone — to build trust with sources. Credit Hilary Swift for The New York Times

How do New York Times journalists use technology in their jobs and in their personal lives? Emily Steel, a media reporter for The Times in New York, discussed the tech she is using.

You’ve done a lot of investigative reporting, including stories that uncovered sexual harassment allegations against Bill O’Reilly at Fox. What has been your most important tech tool or resource for your work?

This sounds completely old-fashioned, but the most important tech tool for all of my reporting really has been the telephone. I’ve spoken with dozens upon dozens of sources, many of whom are hesitant to talk about their experiences or may even be barred from sharing information with me. I’ve found that talking over the phone — and even better meeting in person — helps to build trust and establish a relationship.

For more 21st-century technology, I’ve relied heavily on the encrypted messaging app Signal. The app stores almost no information from users, including messages and contacts. It also allows users to make encrypted calls and set messages to disappear after they have been seen.

What do you like about Signal, and what could be better?

I love how easy the app is to use. It is very similar to chatting via iMessage. You basically download and go.

That being said, a couple of areas could use some improvement. The calling function is sometimes spotty. And it also would be nice to know whether someone has taken a screenshot of a message if it is set to disappear after viewing.

Legacy media companies like HBO are increasingly competing with streaming services and tech companies that are producing original content, like Amazon, Netflix, Hulu and, soon, Apple. How do you see this playing out?

Right now, we’re seeing a very competitive race among the streaming services as they all attempt to distinguish themselves to consumers. One way to do that is through opening up their checkbooks and ramping up the investment in original programming. The money is flowing!

My colleague John Koblin reported in October on Netflix’s plans to spend $8 billion on content in the coming year. Apple already has signaled that it will spend more than $1 billion. That surge in spending has ushered in a new era of creativity, with acclaimed programs like “The Handmaid’s Tale” on Hulu and “Stranger Things” on Netflix. It certainly will be interesting to see how this all shakes out.

Beyond your job, what tech product are you currently obsessed with using in your daily life?

I’m getting married next year, so during breaks in reporting I am deep in the world of wedding planning. I’ve found that a lot of the wedding websites and apps are completely overwhelming. I’m signed into one that put more than 100 items on my to-do list!

But my fiancé, Dan, and I also have managed to find some cool sites and apps that have streamlined the process and allowed us to add some of our own personal touches.

One was a site called Postable, which allowed us to quickly collect our guests’ addresses and update our address book before sending out our save-the-dates. It was much easier than a series of emails and texts requesting people’s details.

After a bit of research, we also used the site Minted to turn a photo of Dan’s artwork into a save-the-date postcard. It turned out great! (We also built a wedding website with Minted.)

Like many brides, I’ve also spent an extraordinary amount of time on Pinterest, collecting and curating ideas. Our amazing florist has created a special board to help us brainstorm flowers for the big day.

And my other favorite technology of the moment is the app called 1 Second Everyday, which creates a video diary out of one-second video clips. Dan and I thought it would be a special way to track the year before our wedding.

Before I worked at The Times, I wrote pretty extensively about the pervasiveness of online tracking technologies. As a result, I’m fairly cautious about what technologies, apps and services I use. Even though Amazon’s Echo and Google Home have taken off in the past year, I don’t want a device that can listen to me all the time in my home. But I did want to be able to turn the lights on and off on command, so I bought an old-fashioned Clapper. It’s a little temperamental, but I still love it!

As a media reporter, what is your media setup at home? Are you a cord cutter?

I am a cord cutter, but I’ve still managed to watch all the programming I want to see with the mix of a digital antenna and a rotating mix of streaming services, including HBO, Netflix, Amazon and Hulu.

Because I’m in front of a screen all day, I try to unplug a bit when I’m at home. I love to read books, listen to music and leave my phone at home when I go for a run.

(The New York Times)



Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
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Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)

A row over the disappearance of a famous river surfing wave in Munich escalated on Sunday as authorities removed a beam inserted over Christmas to recreate the attraction.

The Eisbach wave on a side branch of the Isar River had been a landmark in the Bavarian city since the 1980s but it vanished in October after annual cleanup work along the riverbed.

Activists had placed a beam in the water early on December 25 to partially recreate the wave, according to German media reports, and hung a banner above the water that read "Merry Christmas".

But a spokesman for the Munich fire service told AFP the "installation was removed" on Sunday at the request of city authorities.

Activists have made several attempts to reinstate the wave in the city's Englischer Garten park since October -- only to see them reversed.

The local surfers' association IGSM on Thursday posted a statement on its website saying it had abandoned its campaign to save the wave, accusing city authorities of dragging their feet.

The Eisbach wave was considered the largest and most consistent river wave in the heart of a major city and had become a tourist attraction in Bavaria's state capital.

Franz Fasel, head of the IGSM, told AFP in July that 3,000 to 5,000 local surfers were using it.

Access to the wave was cut off for several months earlier this year after the death of a 33-year-old Munich woman who became trapped under the surface while surfing at night.


New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
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New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)

When the MetroCard replaced the New York City subway token in 1994, the swipeable plastic card infused much-needed modernity into one of the world’s oldest and largest transit systems.

Now, more than three decades later, the gold-hued fare card and its notoriously finicky magnetic strip are following the token into retirement, The Associated Press reported.

The last day to buy or refill a MetroCard is Dec. 31, 2025, as the transit system fully transitions to OMNY, a contactless payment system that allows riders to tap their credit card, phone or other smart device to pay fares, much like they do for other everyday purchases.

Transit officials say more than 90% of subway and bus trips are now paid using the tap-and-go system, introduced in 2019.

Major cities around the world, including London and Singapore, have long used similar contactless systems. In the US, San Francisco launched a pay-go system earlier this year, joining Chicago and others.

MetroCards upended how New Yorkers commute The humble MetroCard may have outlasted its useful life, but in its day it was revolutionary, says Jodi Shapiro, curator at the New York Transit Museum in Brooklyn, which opened an exhibit earlier this month reflecting on the MetroCard’s legacy.

Before MetroCards, bus and subway riders relied on tokens, the brass-colored coins introduced in 1953 that were purchased from station booths. When the subway opened in 1904, paper tickets cost just a nickel, or about $1.82 in today’s dollars.

“There was a resistance to change from tokens to something else because tokens work,” Shapiro said on a recent visit to the museum, housed underground in a decommissioned subway station. “MetroCards introduced a whole other level of thinking for New Yorkers.”

The Metropolitan Transportation Authority launched public campaigns to teach commuters how to swipe the originally blue-colored cards correctly, hoping to avoid the dreaded error message or lost fares. Officials even briefly toyed with the idea of a quirky mascot, the Cardvaark, before coming to their senses.

The cards quickly became collectors items as the transit system rolled out special commemorative editions marking major events, such as the “Subway Series” between baseball’s New York Mets and the New York Yankees in the 2000 World Series. At the time, a fare cost $1.50.

Artists from David Bowie and Olivia Rodrigo to seminal New York hip hop acts, such as the Wu-Tang Clan, the Notorious B.I.G. and LL Cool J, have also graced the plastic card over the years, as have iconic New York shows like Seinfeld and Law & Order.

“For me, the most special cards are cards which present New York City to the world,” said Lev Radin, a collector in the Bronx. “Not only photos of landmarks, skylines, but also about people who live and make New York special.”

Perfecting the correct angle and velocity of the MetroCard swipe also became something of a point of pride separating real New Yorkers from those just visiting.

During her failed 2016 presidential campaign, Hillary Clinton, a former US Senator from New York, took an excruciating five swipes at a Bronx turnstile. In fairness, her chief Democratic opponent at the time, US Sen. Bernie Sanders of Vermont, a native Brooklynite, didn't even appear to realize tokens had been discontinued.

Cost savings and lingering concerns Unlike the MetroCard rollout, OMNY has required little adjustment.

Riders reluctant to use a credit card or smart device can purchase an OMNY card they can reload, similar to a MetroCard. Existing MetroCards will also continue to work into 2026, allowing riders to use remaining balances.

MTA spokespersons declined to comment, pointing instead to their many public statements as the deadline approaches.

The agency has said the changeover saves at least $20 million annually in MetroCard-related costs.

The new system also allows unlimited free rides within a seven-day period because the fare is capped after 12 rides. It'll max out at $35 a week once the fare rises to $3 in January.

Still, new changes come with tradeoffs, with some critics raising concerns about data collection and surveillance.

Near Times Square on a recent morning, Ronald Minor was among the dwindling group of "straphangers" still swiping MetroCards.

The 70-year-old Manhattan resident said he's sad to see them go. He has an OMNY card but found the vending machines to reload it more cumbersome.

“It’s hard for the elders,” Minor said as he caught a train to Brooklyn. “Don’t push us aside and make it like we don’t count. You push these machines away, you push us away.”

John Sacchetti, another MetroCard user at the Port Authority stop, said he likes being able to see his balance as he swipes through a turnstile so he knows how much he’s been spending on rides.

“It’s just like everything else, just something to get used to," he said as he headed uptown. "Once I get used to it, I think it’ll be okay.”


French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
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French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa

French film legend Brigitte Bardot, a cinema icon of the 1950s and sixties who walked away from global stardom to become an animal rights protector, has died aged 91, her foundation said Sunday.

Bardot had rarely been seen in public in recent months but was hospitalized in October and in November released a statement denying rumors that she had died. The foundation did not say when or where she died.

"The Brigitte Bardot Foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actress and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation," it said in a statement sent to AFP.

Bardot became a global star after appearing in "And God created Woman" in 1956, and went on to appear in about 50 more movies before giving up acting.

She retired from film to settle permanently near the Riviera resort of Saint-Tropez where she devoted herself to fighting for animals.

Her calling apparently came when she encountered a goat on the set of her final film, "The Edifying and Joyous Story of Colinot.”

To save it from being killed, she bought the animal and kept it in her hotel room.