The Enduring Power, Magic of Football On The Radio

 Radio commentators in the stands at Wembley in 1948. Photograph: Topical Press Agency/Getty Images
Radio commentators in the stands at Wembley in 1948. Photograph: Topical Press Agency/Getty Images
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The Enduring Power, Magic of Football On The Radio

 Radio commentators in the stands at Wembley in 1948. Photograph: Topical Press Agency/Getty Images
Radio commentators in the stands at Wembley in 1948. Photograph: Topical Press Agency/Getty Images

It was the sound that the goal made that was particularly stirring. As Mohamed Salah’s impudent chip against Manchester City arced into the net the noise it made was noticeably different to the goals that had preceded it. The crackle from the crowd had added gasps of astonishment to mark the spectacular, plus the dizzying wow-factor to signal a flurry in quick succession, mixed in with standard goal jubilation.

For those of us who somehow managed not to be watching the game of the season live on telly (or even luckier in the flesh at Anfield), it still managed to be an extraordinary radio experience. The emotional soundscape made it obvious this was no ordinary match.

“It’s the old line that the pictures are better on radio,” smiles Rob Nothman, former producer and now a broadcasting coach. “If you have a quality commentator who can take you to the ground, describe what’s going on, give you all the information, but can also paint pictures, it’s evocative, it can grip you.”

Deciphering the nuances of live football from what you can hear over the radio was a much more useful skill a generation or so ago when there was significantly less action on television. Childhood memories of having a little speaker or headphone glued to your ear as the only means to follow a crucial match remain vivid. Radio played a huge part in how we consumed the game, a major source of information on goals, formations, news, opinion, atmosphere, you name it.

It feels particularly poignant to reflect on the power of football on the radio to honour the memory of Jimmy Armfield, whose voice, warmth and experience made him a master of this art. “He had knowledge, authority and clarity,” reflects Nothman. “When he opened his jacket he had a variety of medals – great player, great manager and he was able to bring that across as a broadcaster but in a sympathetic way. Such a lovely man, we will all miss him terribly.”

In this modern media age it’s realistic to wonder what the future holds for football on the radio. The younger fan is brought up on a diet of goals broadcast in a flash over a mobile phone, instant Twitter opinions, fan TV channels and so on. With attention spans changing to suit current social media trends, watching a full game without any distraction is more of a challenge. Kids tend to prefer highlights, shorter bursts, more action and less analysis.

Mark Chapman, the broadcaster who works across various media, is a staunch defender of the special qualities of radio. It remains, he explains, a significant way to absorb football even in this quick-refresh world. “I still maintain it is the fastest way of getting the goals,” he says. “TV is on a slight delay, and we will certainly get it before an app is updated. In this fast-moving world, radio is still the most immediate way of getting your information.

“If there is a massive news story, if you think what needs to be mobilised from a TV point of view to start covering it, that takes a fair amount of time compared to radio who can have someone on the phone within 10 seconds and straight through to a presenter. Just because radio has been around for the longest time compared to the other mediums it still to me feels very modern.

“There is an immediacy of wanting to see the goal and Twitter and so on but there is still a place for live commentary on the game, for debate. The point is listening to a piece of radio might not be the same as watching it but in some ways it can be better. This commentary might be amazing! If you get the right team radio is a much better way to consume a dreadful game.

“I will give you an example: I was driving back from the FA Cup draw in Coventry a couple of weeks ago and that Monday night game was Brighton v Crystal Palace. The 5 Live commentary team was Jonathan Pearce and Steve Claridge and it was hilarious. I couldn’t tell you much about what happened in the first half but as a listen on the radio it was great.”

This week is the anniversary of the first live broadcast of a football match over the airwaves. On 22 January 1927, from a wooden hut that resembled a garden shed erected at Highbury, the top-flight clash between Arsenal and Sheffield United was broadcast over the BBC’s radio service.

A notable detail is that debate to get permission for the radio experience at sports grounds had gone on for some time as the authorities were concerned that live broadcasts would have an impact on attendances and affect ticket sales. The very first commentator was the splendidly named Henry Blyth Thornhill Wakelam – a former rugby player.

Chapman’s love for the magic of football on the radio endures. “There is still nothing better in any of the jobs that I do than saying: ‘It’s 5 o’clock, you are listening to 5 Live and this is Sports Report. You know there are two million people in cars coming back from sport ready to listen to the headlines.” Cue that music …

The Guardian Sport



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.