Iran: The Challenges of History with an Attitude

A general view of Tehran in this February 22, 2010 Reuters file photo
A general view of Tehran in this February 22, 2010 Reuters file photo
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Iran: The Challenges of History with an Attitude

A general view of Tehran in this February 22, 2010 Reuters file photo
A general view of Tehran in this February 22, 2010 Reuters file photo

IRAN A MODERN HISTORY
By Abbas Amanat

Throughout the history of writing history, that is to say since Herodotus put pen to paper, Iran has always attracted and at the same time repelled those who for a variety of reasons took an interest in its complex character as a major actor in world events over millennia. Often, the interaction of that fascination and rejection made it difficult if not impossible to construct an objective narrative of the Iranian story. As a result, Iran was, and, as the author of this hefty oeuvre professor Abbas Amanat admits remains subject to a method of scrutiny that he labels “history with an attitude.” In practice, this means that those who write about Iran also write about themselves at least in the sense of how their generation or contemporary scholarship views historic events.

Let’s say it at the outset that thanks to the easy flow of its prose, Amanat’s book, focusing on Iran’s history from the establishment of the Safavid Dynasty in 1501 to the present day, is a delight to read especially for the general reader. The use of the term “modern”, however, injects some ambiguity as Amanat himself admits. Did Iran enter the modern world with the Safavids? More importantly, perhaps, are we sure Iran has entered the modern world which means different things to different people. A fruit of the Enlightenment, the concept of modernity is based on the linear vision of human history as a progressive continuum from a low point to higher and higher ones.

Amanat does not involve himself in the complexities of the question of modernity.

However, he implies that the modern world started with the emergence of the so-called “Gunpowder Empires”, new actors in history using the WMD of the day to expand through warfare. Since Iran under the Safavids became an early victim of “Gunpowder Empire” in the shape of the Ottomans under Sultan Salim, one could argue that it entered the modern times, especially since the Safavids ended up acquiring and deploying modern artillery.

Later, under the Qajars, who succeeded the Safavids after the long and bloody parenthesis of two more dynasties, continued Iran’s incursion into modernity with a number of physical and institutional reforms. Under the Pahlavis, who succeeded the Qajars, the pace of modernization accelerated with emphasis on turning Iran into a Western-style nation-state and, perhaps, a model for the entire Persianate cultural sphere.

Amanat’s narrative follows the predominant view of Western, and to some extent even Soviet, scholars of Iranian history in the past five centuries. Thus his book has the added interest of telling the reader how modern scholarship, dominated by Western academics and researchers, sees Iran. The advantage of that method is its genius for rationalization and simplification.

For example, we are told that the Safavid Dynasty, founded the young warrior Ismail, introduced Shiism to Iran and imposed it as a religion of the state by the sword. This means ignoring the fact that Shiism, in its many different versions, had always had a presence in Iran half a millennium before the Safavids.

One might also wonder how Shiite the Safavids actually were?

They produced no theological text on the subject and were obliged to import their clerics from the Shiite parts of Lebanon. The native Iranian Shiite clergy, especially in cities such as Shiraz and Isfahan, did not share Shah Ismail’s peculiar vision.

In any case, one might ask whether or not Shiism was nothing but an ideological prop for Ismail? Shah Ismail liked to call himself Kay-Khosrow, after the Iranian pre-Islamic mythological king who remains the perfect model of kingship in the Persianate sphere even today. The founder of the Safavids did not name his sons after any of the Shiite “saints” Ali, Hassan and Hussein. His son and successor was named Tahmasp, after another pre-Islamic mythological prince and warrior. Ismail’s favorite son’s name was Alqas which means “revenge.” Three of the 12 Safavid kings were named Abbas, after the Prophet’s uncle and the ancestor of Abbasid who became mortal enemies of Ali and his descendants. Only the very last of the Safavids on the throne in Isfahan was called Sultan Hussein.

Shah Ismail was proud of his Christian mother Martha, a Byzantine beauty, who refused to convert to Islam let alone Shiism.

Amanat repeats some of the old chestnuts in circulation about the Safavids, notably the claim that the Qizilbash (Red Cap), Ismail’s elite troops, boiled the corpses of Ottoman soldiers and devoured them while getting drunk.

The standard Western scholars’ view of the Safavids, masterfully expressed by Amanat, ignores Iran’s schizophrenia, a nation that does not feel comfortable with Islam but is, at the same time, reluctant, to abandon it. The fact that Islam, in its different versions, has been used in dynastic wars, and is today used by the Khomeinist movement, in the political arena, cannot hide the fact that religion has and still is used as an instrument of political power rather than the other way round.

The Safavids’ praetorian guards, the Qizil Bash, spoke Turkish while the king’s mullahs, imported from Lebanon, spoke Arabic. Thus the two pillars of the new state couldn’t directly communicate with the kings subjects.

The Western academia’s shortcut of “Iran became Shiite under Safavids” does not tell the whole story.

Amanat’s account of the Iranian story under the Qajars also suffers from received ideas that are hard to dispel.

The image of Qajars as a corrupt, retrograde and ultimately incompetent dynasty makes it difficult to study the impact of historic events, notably the rise of European imperialist powers, beyond their control. However, Amanat’s account has at least one welcome feature as it depicts the ups and downs of religious and political dissent in the Qajar era. Of special interest is Amanat’s account of the rise of the Babi movement and the formation of the Bahai faith and the repression meted out by the Qajars, an issue traditionally avoided by Western historians of Iran.

When we come to the Pahlavi era, Amanat tries, at times heroically, to veer away from the received ideas that have become shibboleths for many Western scholars writing about Iran. Conscious of the danger that he might be ostracized by the academic establishment that regards the Pahlavis with disdain, he raises his head from the parapet occasionally to assert that the two Pahlavis shahs did some good for Iran.

He writes: “In the Pahlavi era the Iranian population had improved in every generation [physically, hygienically, and medically, from the frail, malnourished and diseased population at the turn of the century- visible in many photographs of the period- to a relatively healthy, sanitary, and better nourished people.” Wow!

Amanat also debunks, albeit gingerly, the claim by anti-Shah Marxist and Islamist guerrillas that his regime killed “tens of thousands” of their followers. He states that the total number of Fedayeen of People executed or killed in armed action against security forces was 198 while the People’s Combatants lost 15. The killing of “tens of thousands” was to come much later, under Ayatollah Ruhollah Khomeini.

Equally gingerly, Amanat sets aside the standard claim in Western academia that whatever the Shah did was in accordance with the wishes of the Western powers. He writes: “By mid-1960s neither the United States nor Britain could hold sway over his conduct.”

In his guerrilla style attempt at escaping from received ideas concerning Iran’s recent history, Amanat hits a big hurdle in the shape of the August 1953 events that led to the end of Muhammad Mussadeq’s two-year tenure as Prime Minister. The standard narrative in Western academia is that Mussadeq’s dismissal by the Shah was a coup d’etat plotted by the CIA and carried out by the Shah and his supporters in the military. Anyone who deviates from that narrative is branded a revisionist, almost as bad as Holocaust deniers, and ostracized in scholarly circles.

So, what should Amanat do?

Well, he describes the whole thing as “the working draft of a Grahame Greene novel”, a tongue-in-cheek way of questioning the received idea without incurring the wrath of tis peddlers in the academic spheres.
Amanat then has recourse to numerous qualifiers to indicate that he doesn’t quite share the standard narrative of the Mussadeq saga.

For example he writes: That the Shah, having dismissed Mussadeq “was, perhaps, preparing for abdication and permanent exile, perhaps in the United States where he might have bought a ranch.”

Amanat also dares to criticize Mussadeq. He writes: “His disturbing autocratic conduct may be seen as a conundrum between conservativism, liberalism and radial populism.” Perhaps! In any case, Mussadeq, seen by Amanat, wasn’t the liberal democrat overthrown by earth-devouring American Imperialism.

Yet, to ensure himself against attacks by the received-ideas wolf-pack, Amanat repeats the standard narrative at top speed, a regrettable diversion in an otherwise fair account of the events. During his 37 years as sovereign, the Shah appointed and dismissed 23 prime ministers, including Mussadeq twice.

Should we regard every one of those dismissals as a coup d’état? And why didn’t Mussadeq himself ever claim that he had been victim of a coup d’état? The reason was that Mussadeq, French-educated as he was, knew that the French term meant the violent change of a nation’s regime, head of state and constitution, none of which had happened in Iran.

Mussadeq’s dismissal may have been politically bad and morally wrong. But whatever it was, it wasn’t a coup d’état. Nor did the CIA would have been able to exert such a major influence on Iranian politics.

Amanat is refreshingly balanced in his account of the Khomeinist revolution and the record of the Islamic Republic in the past three decades. In a cool tone he relates the mass executions, the seizure of hostages and the fomenting of terror and oppression that have become key features of the Khomeinist system. At the same time, however, he notes that the Khomeinist regime has provided Iran with a measure of stability rare in today’s turbulent Middle East. To be sure, critics might claim that the stability which Amanat talks about may be stagnation or the calm of a graveyard.

One big mistake Amanat makes is his assertion that the Khomeinist revolution has brought the “Shiite clerical establishment to power.” This is certainly not the case. Khomeini was never one of the “top four ayatollahs of the time”, as Amanat asserts. Until he seized power, Khomeini was in the third-tier of the top Shiite hierarchy. To distinguish himself from the traditional hierarchy, he invented the title of Imam for himself to. In 1978, the Shiite clergy numbered around 250,000 of whom a small number took part in the revolution. Even today, none of the mullahs in senior positions in the regime can be counted among the top echelon of the clerical hierarchy.

Amanat's history with an attitude is a welcome contribution, although in some cases, attitude adjustment might improve things.



Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films
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Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

Red Sea Film Foundation Marks Record Presence in the Race for Oscars with 12 Supported Films

A record 12 Red Sea Film Foundation-supported films have entered the race for Best International Feature Film at the 99th Academy Awards, representing 12 countries across Saudi Arabia, the Arab world, Africa and Asia.

Eleven have been selected as the official submissions of their respective countries: "A Matter of Life and Death, Roqia, Soumsoum, the Night of the Stars, The Stories, Guria, Four Seasons in Java, Sink, Strawberries, Ben’Imana, We Are All Strangers, and The Other Side of the Sun."

They are joined by Angh, which won the Platform Award at the 2026 Toronto International Film Festival. Under new Academy rules introduced for the 99th Academy Awards, the Platform Award winner is among a select group of international festival prize winners eligible to submit directly for consideration in the category, according to SPA.

CEO of the Red Sea Film Foundation Faisal Baltyuor said: “The Red Sea Fund backs a broad slate of films each year, and for twelve of them to reach the Oscars race is an extraordinary moment of pride for the Red Sea Film Foundation. For eleven, being chosen by their countries as the official submission is in itself a significant recognition of the filmmakers and their work, and a testament to the talent and the stories emerging from Saudi Arabia, the Arab world, Africa and Asia. It reflects the growing impact of our commitment to empowering filmmakers and championing their creative visions, from the earliest stages of development through to the international stage. It has been a privilege to be part of their journeys, and we wish them every success as they continue in the Academy Awards race.”

The milestone caps a strong year for Foundation-supported cinema across Cannes, Venice and Toronto. At TIFF 2026 the Foundation marked its largest presence at the festival with eight supported films, culminating in Angh’s Platform Award, while Ben’Imana — now Rwanda’s official submission — won the Caméra d’Or at Cannes earlier in the year.

The shortlist for Best International Feature Film will be announced on December 15, 2026, with nominations on January 21, 2027. The 99th Academy Awards take place on March 14, 2027, in Los Angeles.


22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
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22 Private Museums in Aseer Document Region's Cultural Heritage

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA
Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total - SPA

Aseer Region had 22 licensed private museums at the end of 2025, tying Makkah Region for the highest number in the Kingdom, ahead of Riyadh Region with 20 and Eastern Region with 17, according to the Ministry of Culture's State of Culture in Saudi Arabia 2025 report.

Established by individuals dedicated to collecting and preserving heritage, the museums hold agricultural tools, cooking and storage vessels, traditional weapons, coins, documents, attire, jewelry, and craft equipment, SPA reported.

Together they document the lives of people across the region's varied environments, from the Sarawat highlands to the Tihama foothills and the coast, each of which shaped distinct styles of housing, dress, tools, and crafts.

The museums also enrich Aseer's tourism offering, complementing its historical sites, heritage villages, and folk arts, and can be built into travel and cultural itineraries.

Nationwide, licensed private museums rose to 118 at the end of 2025, up 19 from 99 a year earlier, with Aseer accounting for about 18.6% of the total.

A survey of 39 private museums found that 41% hold between 100 and 5,000 items and another 41% have more than 10,000. However, about 60% have no website and 66% lack social media accounts, underscoring the need to strengthen their digital presence and widen public access.


Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
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Ghassan Salame to Asharq Al-Awsat: Lebanon’s War-Damaged Heritage Could Take a Generation to Restore

The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)
The platform was launched at the Lebanese National Library in Beirut. (Ministry of Culture)

Family photographs, home videos, letters, interviews and old songs are finding a new home in a digital archive created by Lebanon’s Culture Ministry to preserve personal memories as part of the country’s collective history.

Presented at the National Library, the “Archiving Lebanon’s Heritage” platform aims to build a global digital archive of Lebanon’s tangible and intangible heritage, including its natural and personal heritage, for future generations.

Developed by the ministry in partnership with the Heritage International Institute (HII) and other international organizations, the platform invites contributions from Lebanese at home and abroad, as well as anyone with accounts or records of the country’s past.

The initiative was unveiled in the presence of Culture Minister Ghassan Salame, Italian Ambassador Fabrizio Marcelli, HII President Sergio Iovino and Lebanon’s Director General of Antiquities Sarkis Khoury.

Salame with Italian Ambassador Fabrizio Marcelliat the launch ceremony. (Ministry of Culture)

Treasures hidden in Lebanese homes

Speaking to Asharq Al-Awsat, Salame explained that the latest war had damaged archaeological sites, historic markets and Lebanon’s tangible and intangible cultural heritage.

“I cannot put a precise figure on these losses. They certainly exceed millions of dollars, and restoring what was damaged could take an entire generation,” he noted.

The minister stressed that the war had affected all Lebanese in one way or another, describing its impact as “the theft of our intimate history, a history that is priceless.”

He stressed the importance of preserving existing heritage through modern technologies that can extend the lifespan of photographs, documents and other historical records.

Salame pointed out that private collections may contain materials more significant than those held by some public institutions.

While preparing the exhibition “Between the Lines of the Constitution” to mark the centenary of Lebanon’s Constitution, organizers discovered valuable documents preserved by families because a relative had held a particular position or worked in a field connected to them.

“These are treasures hidden in homes and within families,” Salame observed, stressing that the scale of these private collections should not be underestimated.

The platform accepts digital copies rather than originals. Contributors wishing to donate original documents can deposit them with the National Library for safekeeping. A written agreement protects contributors’ intellectual property rights, which remain exclusively theirs. They may also withdraw their materials from the platform at any time.

Lebanese Culture Minister Ghassan Salame delivers remarks at the event. (Ministry of Culture)

Contributors control access

Donors can decide how widely their submissions are shared, from keeping them in a completely private, protected archive to authorizing their publication.

Iovino described the initiative as providing the foundations for a “digital fortress” open to millions of Lebanese expatriates, as well as friends of Lebanon and people around the world.

Contributors, he stressed, retain full ownership of their memories and control over their accessibility.

Khoury urged Lebanese not to be discouraged by the heritage lost to war.

“Our story does not end with these losses or with the damage to our tangible and intangible heritage,” he told Asharq Al-Awsat. “We are the ones who create our heritage, as we have throughout history. Our memories help save what remains.”

Italy pledges continued support

Marcelli reaffirmed Italy’s commitment to preserving Lebanon’s cultural heritage, citing its involvement in restoring the Beirut National Museum and other museums damaged by the port explosion.

He also highlighted recent restoration work at the historic Mar Mikhael railway station, carried out in cooperation with UNESCO and the UN refugee agency.

Although these projects differ, they share a common goal: preserving historical evidence and making it accessible to the public. The new initiative, however, shifts the focus from monuments and institutions to the lives of individuals, families and communities.

Marcelli underscored the value of microhistory, which examines everyday experiences rather than focusing exclusively on major political events, wars, institutions and prominent figures.

The basic idea is that studying a seemingly marginal event, an ordinary person or a small community can reveal important insights into how an entire society functions, he said.