'I Feel So Blessed': Mo Eisa on His Journey from Sudan to the Football League

 Mo Eisa left Sudan for London as a child. He remembers playing in Khartoum on ‘grass pitches with not a lot of grass on. But that was home.’ Photograph: Adrian Sherratt for the Guardian
Mo Eisa left Sudan for London as a child. He remembers playing in Khartoum on ‘grass pitches with not a lot of grass on. But that was home.’ Photograph: Adrian Sherratt for the Guardian
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'I Feel So Blessed': Mo Eisa on His Journey from Sudan to the Football League

 Mo Eisa left Sudan for London as a child. He remembers playing in Khartoum on ‘grass pitches with not a lot of grass on. But that was home.’ Photograph: Adrian Sherratt for the Guardian
Mo Eisa left Sudan for London as a child. He remembers playing in Khartoum on ‘grass pitches with not a lot of grass on. But that was home.’ Photograph: Adrian Sherratt for the Guardian

On the edge of the Cotswolds there is another Mohamed making waves in red and white. Unlike Mo Salah, though, this is Mo Eisa’s first taste of professional football after swapping the Ryman South for League Two with Cheltenham Town last summer. Eisa is making history in his maiden season, all the more impressive given that 12 months ago he was at eighth-tier Greenwich Borough, giving Godalming Town the runaround in front of 156 spectators.

Finding the net is in the family; Eisa’s younger brother, Abobaker, signed for Shrewsbury Town in January after impressing at Wealdstone. At 3.13pm last Saturday Mo and Abo scored in the same minute, the latter getting his first for the club, an eerie oddity and another step on an extraordinary journey for brothers who left Khartoum, the capital of Sudan, for Camden at the age of nine.

“Some people may not have got out of that situation that I was in, so I feel blessed,” Mo Eisa says. “They have obviously had a few issues and civil wars. My family was there last summer actually but now it is more settled down and everything’s better in a way. Coming to London and to do what I am doing now compared with a few years ago, I wouldn’t have thought it was possible.

“Growing up, from a young age I was playing football with just friends, not for a proper team and that’s a different experience. We used to play every day and I got a couple of skills from one of my cousins because he was pretty good. The facilities were way different; it’s not like how it is here. When we moved to London we had astroturfs and in Sudan we didn’t really have that. It was just normal pitches, grass pitches with not a lot of grass on. But that was home.”

He joined ProTouch, an academy based in Islington, at 14 and had trials at Norwich City and Southend United before joining Oxford United as an apprentice. But via Dartford, Corinthian and a loan spell at Leatherhead, it was at Greenwich, managed by the former Millwall striker Gary Alexander, that his prolific form – 57 goals across two seasons – more than pricked the ears of Pete Johnson, Cheltenham’s chief scout and the manager Gary’s brother, who offered Eisa a day’s trial. Not that it went to plan. “I was probably just trying too hard,” Eisa says at the club’s training pavilion. “Everything was going wrong; I didn’t score, I didn’t do anything. I was nervous but luckily they invited me back for three days and I did well.”

Eisa earned a 12-month contract but after four goals in his first three games he signed fresh terms until 2020. His 22 Football League goals this season are a club record in a Football League campaign.

On leaving Greenwich in search of full-time football he was rejected by league clubs worried about his strength and slender frame. He trained with Boreham Wood and says he would “probably have played in the Conference with them this season” if Cheltenham had not come calling.

Twenty-four goals later it has been a fairytale first season for Eisa, who lives round the corner from the training ground with three of his team-mates, Jamie Grimes, Jaanai Gordon and Emmanuel Onariase, in a flat owned by the chairman, Paul Baker.

His success has not gone unnoticed by supporters at Cheltenham Lido either. “I went to the pool after a game with Nige [Atangana] and Ilias [Chatzitheodoridis] for a recovery session and we saw a bunch of kids shouting: ‘Mo, Mo, Mo!’ I like all of that interaction. It was good. It’s a totally new thing for me but it’s a nice feeling to have, people recognising you on the streets and stuff like that.”

For Eisa, who spoke little English on arrival in London, turning professional has brought many challenges. He has risen to most, referencing a shift in training intensity, learning how to deal with a nine-game goal “drought” and shaking those nerves.

“In non-league there were sometimes 50 fans maybe, and now it’s around a couple of thousand, some games even more – like against Coventry it was 7,000,” the 23-year-old says. The watershed moment was seemingly when West Ham United came to town in the EFL Cup, a month after he signed. “That was live on TV as well,” he says. “I had never been on TV. I’ve recorded that and sometimes I’ll go back and watch that again. If I am having a bad spell, I go back and remind myself of what I was doing before.”

The Eisas, like the Sessegnons or Ayews, are one of few pairs of siblings in professional football and they are immensely proud of each other’s journey. Mo went to Wembley to support Abo in the Checkatrade Trophy final this month and they often play Fifa on Xbox together. At the same time they are very different; Abo finishes his biomedical science degree at Brunel University after exams next month. “My brother’s very smart; I wasn’t smart,” he says. “He always wanted to do football but he had to do education as well and I was just focused on football.”

As kids, they shared a competitive edge. “Funnily enough every position I was, and I started off in centre midfield, he would then be in centre midfield,” he says, smiling. “I would move out to left wing, then so would he, and I’d go to striker, and he’d be a striker. But now he is a winger. On our summer breaks in London we would have kickabouts and we used to play with and against each other. He wasn’t as good then if I’m being honest but I have seen him rise up and that’s why he’s got his move. I knew I was going to get my chance eventually and he knew he was going to get his.”

The Guardian Sport



France Accuses Iran of ‘Repression’ in Sentence for Nobel Laureate

People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
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France Accuses Iran of ‘Repression’ in Sentence for Nobel Laureate

People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)

France accused Iran on Monday of "repression and intimidation" after a court handed Nobel Peace Prize laureate Narges Mohammadi a new six-year prison sentence on charges of harming national security.

Mohammadi, sentenced Saturday, was also handed a one-and-a-half-year prison sentence for "propaganda" against Iran's system, according to her foundation.

"With this sentence, the Iranian regime has, once again, chosen repression and intimidation," the French foreign ministry said in a statement, describing the 53-year-old as a "tireless defender" of human rights.

Paris is calling for the release of the activist, who was arrested before protests erupted nationwide in December after speaking out against the government at a funeral ceremony.

The movement peaked in January as authorities launched a crackdown that activists say has left thousands dead.

Over the past quarter-century, Mohammadi has been repeatedly tried and jailed for her vocal campaigning against Iran's use of capital punishment and the mandatory dress code for women.

Mohammadi has spent much of the past decade behind bars and has not seen her twin children, who live in Paris, since 2015.

Iranian authorities have arrested more than 50,000 people as part of their crackdown on protests, according to US-based Human Rights Activists News Agency (HRANA).


Mohammed bin Salman Takes Prince William on Tour of Diriyah

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
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Mohammed bin Salman Takes Prince William on Tour of Diriyah

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, took on Monday Britain’s Prince William on a tour of Diriyah in the At-Turaif UNESCO World Heritage Site 

Prince William had arrived in Saudi Arabia earlier on Monday for a first official visit, aimed at deepening economic cooperation. 

He was greeted at the airport by the deputy governor of the Riyadh region, Prince Mohammed bin Abdulrahman bin Abdulaziz, the official Saudi Press Agency reported. 

The trip, which will wrap up on Wednesday, aims to celebrate growing trade, energy and investment ties ahead of the two nations marking a century of diplomatic relations. 

William, a keen environmentalist, is also set to visit the historic city of AlUla, where he will learn about conservation efforts, according to Kensington Palace. 


Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.