How Swansea City Went from Model Club to Desperate Cautionary Tale

 Swansea City’s Jay Fulton looks downcast after a missed chance against Birmingham. Photograph: John Sibley/Action Images
Swansea City’s Jay Fulton looks downcast after a missed chance against Birmingham. Photograph: John Sibley/Action Images
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How Swansea City Went from Model Club to Desperate Cautionary Tale

 Swansea City’s Jay Fulton looks downcast after a missed chance against Birmingham. Photograph: John Sibley/Action Images
Swansea City’s Jay Fulton looks downcast after a missed chance against Birmingham. Photograph: John Sibley/Action Images

As the clock ticked down on transfer deadline day last month, and chaos reigned behind the scenes at Swansea City, Connor Roberts tweeted a gif showing Milhouse, a character from The Simpsons, throwing a frisbee to himself in the park. The Wales international removed the post not long afterwards but the inference was clear: Swansea’s players were feeling every bit as disillusioned as the supporters.

Swansea were doing what Swansea now have a reputation for doing on deadline day – shifting everything they possibly can. The same happened last August, when four players departed in the final 24 hours of business. On that occasion it was the turn of the top scorer, Oli McBurnie, to post a soon-to-be-deleted message on Twitter expressing his bemusement.

Plenty of others felt the same. Privately, players are dismayed at the way the club is being run and feel disappointed for the manager, Graham Potter, as much as themselves. Leroy Fer, the captain, was so frustrated with the prospect of Daniel James leaving in January that – and this was before the deadline-day fiasco when the plug was pulled on the winger’s move to Leeds at the last minute – he telephoned Swansea’s American owners, Steve Kaplan and Jason Levien, to ask what was going on.

Perhaps at this stage it is worth pointing out to anyone who has taken a break from football for the past three years that Swansea, who host Brentford in the FA Cup fifth round on Sunday, are no longer the model club they once were. Huw Jenkins, who was a hero when he presided over Swansea’s rise through the leagues, was cast as a villain by the time he resigned as chairman a fortnight ago, and the supporters trust is engaged in a bitter legal dispute with those who sold their shares to the Americans in 2016.

As for Kaplan and Levien, it has been a disastrous two and a half seasons under their watch and the harsh reality is that the wording on the cover of the latest edition of the Swansea Oh Swansea fanzine probably sums up how the vast majority of supporters feel about them: “Get out of our club”.

Physically, they are rarely in it. Decisions are made from the other side of the Atlantic and apart from appointing Potter, who had previously guided Ostersund from the fourth to the top tier of Swedish football, it is hard to think of much else Kaplan and Levien have got right.

The strategy since relegation has been cuts, cuts and more cuts. Or, to borrow the Americans’ phrase, “hard medicine”. Sixteen senior players have left and only five have arrived. When the summer transfer window closed, Potter was left with one senior central defender after two were sold on deadline day.

Backed into a corner, Potter has relied on youngsters to such an extent that Swansea, who spent seven seasons in the top flight and were relegated from the Premier League nine months ago, are fielding a team in the Championship that, in terms of the age of their players, resembles that of a club operating on a shoestring in League Two.

Before this weekend’s matches – and this is an extraordinary statistic – players aged 23 and under had racked up 17,357 minutes for Swansea in the Championship this season – the third-highest total by the 72 Football League clubs, behind Yeovil and Swindon with Crewe fourth on the list. The two other clubs relegated from the Premier League last season, West Brom and Stoke, are 65th (5,101 minutes) and 71st (2,717 minutes) respectively.

The primary factor in all of this is that Swansea are in a dire position financially, paying the price for a wage bill that was allowed to spiral out of control over the course of several years and a series of calamitous signings during their last season in the Premier League in particular. Each party will cite mitigating circumstances but the reality is that Jenkins and the owners – not one or the other – have their fingerprints on that mess.

It is sobering to think that the best part of £45m was wasted on Sam Clucas, Wilfried Bony and André Ayew last season, and £25m on wages, loan fees and transfer fees for Renato Sanches, Tammy Abraham and Roque Mesa. Swansea wrote off millions when they sold Clucas to Stoke in that deadline day fire sale in August. Bony was earning £4.5m a year in the Championship until a heavily subsidised loan move was agreed in January – the Ivorian had no relegation clause in his contract – while no permanent buyer could be found for Ayew last summer.

Bony and Ayew, incidentally, were August and January deadline-day signings last season. For an image of Swansea’s approach to transfers during that turbulent campaign, picture a bloke dashing down Oxford Street as the shops prepare to close on Christmas Eve, buying the wrong present for his wife and overpaying at the same time. Then later finding out nobody else wants it.

Worryingly for Swansea, Ayew, who is on loan at Fenerbahce, will still have two years to run on a lucrative contract when this season is over. Borja Bastón, who was the £15.5m club-record signing until Ayew rejoined from West Ham, is also out on loan – the Spaniard has started four league games for Swansea in three years – and under contract until 2020. Jordan Ayew, Jefferson Montero and Tom Carroll, on loan at Crystal Palace, West Brom and Aston Villa respectively, also have deals that run for another 16 months. The same applies to Nathan Dyer and Kyle Naughton.

All of which means that as much as Swansea want to press the reset button, they cannot leave the pain of their financial profligacy in the Premier League behind, and that has damaging ramifications for Potter. It is understood there is another £30m hole to fill in the summer, even allowing for a second parachute payment, and it is hard to see how selling the players listed above – if buyers can be found – would make much of a dent in that figure.

With Swansea’s owners unwilling or unable to put any money in themselves to cover that shortfall – “We will be relentless in our determination to continually improve this club, and we have the financial resources to do so” was the dubious claim made by Kaplan and Levien after they became majority shareholders – the concern is that Potter will have to sell one or more of the youngsters who have thrived under him and played with the sort of hunger and passion that restores the faith of supporters.

It is remarkable then that despite all this doom and gloom, the off-field distractions and the clear sense that things could get worse at Swansea before they get better, Potter continues to diligently go about his work, refusing to sound downbeat and remaining totally committed to the job that he took on last summer. He is the glue holding a broken club together.

The Guardian Sport



Sonmez Becomes Fan Favorite in Melbourne After Coming to Aid of Ball Girl

 Zeynep Sonmez of Türkiye and umpire Chase Urban help a ball kid who fainted, from the court during her first round match against Ekaterina Alexandrova of Russia at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
Zeynep Sonmez of Türkiye and umpire Chase Urban help a ball kid who fainted, from the court during her first round match against Ekaterina Alexandrova of Russia at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
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Sonmez Becomes Fan Favorite in Melbourne After Coming to Aid of Ball Girl

 Zeynep Sonmez of Türkiye and umpire Chase Urban help a ball kid who fainted, from the court during her first round match against Ekaterina Alexandrova of Russia at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
Zeynep Sonmez of Türkiye and umpire Chase Urban help a ball kid who fainted, from the court during her first round match against Ekaterina Alexandrova of Russia at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)

Zeynep Sonmez earned a place in fans' hearts as well as the second round at the Australian Open on Sunday when the Turkish qualifier rushed to the aid of a ball girl who had fainted in the punishing Melbourne heat.

The world number 112 was locked in battle with ‌11th seed ‌Ekaterina Alexandrova and waiting ‌to ⁠receive serve ‌in the second set when the girl, who was positioned beside the chair umpire, suddenly wobbled and fell on her back.

The girl picked herself up but stumbled again moments later, prompting ⁠23-year-old Sonmez to stop play and run towards ‌her.

With the crowd applauding, ‍Sonmez put the ‍girl's arm over her shoulder and ‍guided her to a seat so medical staff could provide treatment.

Sonmez went on to lose the set but she was able to secure a 7-5 4-6 6-4 win and become the ⁠first woman from Türkiye to reach the second round of the Melbourne Park Grand Slam.

Her victory comes on the back of a 2025 season in which she reached the third round at Wimbledon, marking the best Grand Slam result in the professional era for a Turkish woman.

She also reached the ‌second round of the US Open.


Fans Frustrated by Long Queues, Ticket Sales Halt on Day One of Australian Open

 Sebastian Korda of the US serves compatriot Michael Zheng during their first round match at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
Sebastian Korda of the US serves compatriot Michael Zheng during their first round match at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
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Fans Frustrated by Long Queues, Ticket Sales Halt on Day One of Australian Open

 Sebastian Korda of the US serves compatriot Michael Zheng during their first round match at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)
Sebastian Korda of the US serves compatriot Michael Zheng during their first round match at the Australian Open tennis championship in Melbourne, Australia, Sunday, Jan. 18, 2026. (AP)

Australian Open organizers came under fire on the Grand Slam's opening day on Sunday as frustrated fans sweated in long queues to the gates of Melbourne Park and complained of confusion over the suspension of ticket sales.

With heightened security at the event in the wake of the Bondi Beach shooting in Sydney last month, hundreds of spectators gathered outside the venue in hot weather before tournament officials paused sales of the cheaper "ground pass" tickets within the first hour of play due to intense demand.

Ground passes, which ‌cost A$65 ($43) ‌for adults during day sessions, allow largely unfettered ‌access ⁠to the minor ‌courts and are hugely popular at the year's first Grand Slam.

Tournament director Craig Tiley confirmed in the morning that only the more expensive tickets to the main showcourts were available, but fans were oblivious as they queued for extended periods outside the venue.

Josh Main, a visitor from the Netherlands, said the experience was a letdown during a family trip that coincided with the Grand Slam.

“We went to look for ⁠tickets but there was a big line, so I thought, are we in the right line?” he ‌told Reuters. “They told us there are no tickets ‍left, so we can’t get in.

"They ‍did say there were tickets left for Rod Laver (Arena) but we’re not going ‍to sit there today and it’s expensive ... I think they said it was 300 bucks or something."

Local fans also voiced disappointment, with Melbourne resident Elton Yu surprised to find ground passes unavailable.

“Never expected to not have any tickets for the ground pass which I always do,” he told Reuters.

Susan Walsh, another Melbourne resident, said she and her group had already purchased arena tickets but hoped ⁠to enter earlier.

“We tried to buy a ground pass and they just told us it was only tickets that were $229 per person,” she said. “Didn’t want to spend that much money ... So, a bit disappointed.”

Tiley said the sales halt was just for the Sunday day session and that there were ground passes available for the evening.

“We’ve had to pause them because obviously we want people to come on site and have a great time,” he told reporters.

“There’s still the 'After 5' (o'clock) ground passes available, which is $49, come on-site for that.”

Governing body Tennis Australia (TA) said fans were encouraged to book in advance and that crowd numbers were constantly monitored at Melbourne ‌Park.

“Tickets will become available as capacity allows,” a spokeswoman said in a statement to Reuters.


Hosts Morocco Ready for Battle with Mane’s Senegal in AFCON Final

Morocco's defender #02 Achraf Hakimi celebrates after the Africa Cup of Nations (CAN) semi-final football match between Nigeria and Morocco at the Prince Moulay Abdellah stadium in Rabat on January 14, 2026. (AFP)
Morocco's defender #02 Achraf Hakimi celebrates after the Africa Cup of Nations (CAN) semi-final football match between Nigeria and Morocco at the Prince Moulay Abdellah stadium in Rabat on January 14, 2026. (AFP)
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Hosts Morocco Ready for Battle with Mane’s Senegal in AFCON Final

Morocco's defender #02 Achraf Hakimi celebrates after the Africa Cup of Nations (CAN) semi-final football match between Nigeria and Morocco at the Prince Moulay Abdellah stadium in Rabat on January 14, 2026. (AFP)
Morocco's defender #02 Achraf Hakimi celebrates after the Africa Cup of Nations (CAN) semi-final football match between Nigeria and Morocco at the Prince Moulay Abdellah stadium in Rabat on January 14, 2026. (AFP)

The Africa Cup of Nations reaches its climax on Sunday with a final showdown between the continent's two leading footballing powerhouses as hosts Morocco look to win the title for the first time in 50 years when they take on Sadio Mane's Senegal.

The match kicks off at 1900 GMT at the Prince Moulay Abdellah Stadium in Rabat, where almost all of the crowd of 69,000 will be backing a Morocco side captained by African player of the year Achraf Hakimi.

The first AFCON ever to start in one year and end in another could be the second in a row to be won by the host nation, with the Atlas Lions aiming to follow in the footsteps of Ivory Coast, crowned champions in front of their own fans in Abidjan in 2024.

Walid Regragui's Morocco have established themselves in recent years as Africa's pre-eminent national team, becoming the first from the continent to reach a World Cup semi-final, in 2022, and climbing to 11th place in the world rankings, just above Italy.

However, they have long been AFCON underachievers, with their only title to date coming in 1976. This will be their first final since 2004, when they lost to Tunisia with Regragui part of the team.

Senegal, meanwhile, are appearing in their third final in four editions and are targeting a second title to follow their 2022 triumph, when Mane scored the decisive penalty in a shoot-out win over Egypt in Yaounde.

"We dreamt of being here and now we have done it," Regragui told reporters in the Moroccan capital on Saturday.

He has been under suffocating pressure to deliver the title for the football-mad nation, and would perhaps not have kept his job through to the approaching World Cup in North America had he not at least taken the team this far.

"I hope this is just the beginning and not our last AFCON final," he added.

"Big football nations want to be up there on a regular basis. Tomorrow (Sunday) we want to try to make history."

He added: "Senegal will need to be really strong to beat us at home, although they are capable."

Morocco's success over the last four weeks has been based around the attacking inspiration of Real Madrid winger Brahim Diaz, the tournament's top scorer with five goals, as well as a defense which has conceded only once -- and that a penalty in a group-stage draw with Mali.

Being at home brings extra pressure, but can also be a huge advantage, and Senegal have complained about the conditions in which they were welcomed to Rabat ahead of the game.

The Lions of Teranga were based in the northern port city of Tangiers for the duration of the tournament before arriving in Rabat by train on Friday.

Senegal's star player Mane, a two-time winner of the African player of the year prize, said after netting the winner in the semi-final against Egypt that Sunday's game would be his last ever AFCON appearance.

Remarkably, Senegal coach Pape Thiaw insisted on the eve of the game that the former Liverpool forward may have no choice but to rethink that decision.

"I think he made his decision in the heat of the moment and the country does not agree, and I as coach of the national team do not agree," said Thiaw.

"We would like to keep him for as long as possible," added the coach, who is without center-back and captain Kalidou Koulibaly due to suspension.