The Curious Case of the Ever-Vandalised Zlatan Ibrahimovic Statue

 Zlatan Ibrahimovic has recently signed for Milan at the age of 38. Photograph: Daniele Mascolo/Reuters
Zlatan Ibrahimovic has recently signed for Milan at the age of 38. Photograph: Daniele Mascolo/Reuters
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The Curious Case of the Ever-Vandalised Zlatan Ibrahimovic Statue

 Zlatan Ibrahimovic has recently signed for Milan at the age of 38. Photograph: Daniele Mascolo/Reuters
Zlatan Ibrahimovic has recently signed for Milan at the age of 38. Photograph: Daniele Mascolo/Reuters

Without wishing to go in hard with an exhaustive history of Swedish iconoclasm, holy artefacts have had a comparatively good time of it in that Scandinavian nation. Not too many wars on home soil has helped, as did the fact the Lutheran reformation wasn’t systematically iconoclastic in Sweden. Nothing lasts forever, alas – which brings us to the statue of Zlatan Ibrahimovic, a monument which cannot at present last more than a few days without being vandalised.

Located outside the Malmö FF stadium, in the town where Zlatan grew up, this reverential three-metre erection has been in situ since October last year. Alas, it was taken down from its plinth on Sunday after its latest run-in with sectarian despoilers. I say taken down – but in fact, the statue was already supine, having been sawn off at the ankles, and daubed with the instruction “take away”. And those are just the most recent abuses visited upon its 500 kilograms of bronze. These have included unsolicited rhinoplasty, the use of fireworks, silver paint, white paint, graffiti, the removal of a single toe (very Big Lebowski) and the amputation of one leg below the knee. I imagine Rafael van der Vaart sent flowers.

All told, the “Vandalism” section of the Zlatan statue’s dedicated Wikipedia entry is fast becoming one of my favourite sporting subheadings. One day it may even rival the “Personal Life” section of Nick Faldo’s entry. (Enjoy – though I will just take this opportunity to pass on his second wife’s deathless quote: “Socially, he was a 24-handicapper.”)

Is the latest horror tackle likely to be career-ending for the Ibrahimovic statue? That remains unclear. Officially, it is in for repairs, though at this rate of degeneration it is difficult to see how it can keep realistically rising again. Perhaps they could do something for it at one of the Italian clubs, with their special gyms and so on.

Needless to say, meanwhile, desecration of statues happens in contemporary societies for a variety of reasons. News cuttings for the very day on which the Zlatan statue was removed reveal that a Gandhi statue in Gujarat was also vandalised. Though the Indian independence leader is widely accepted to be a less significant cultural figure than the current Milan striker, I am sure Zlatan would take comfort from the fact that this sort of impudence is also happening lower down the international statuary leagues.

As for the trigger of the Ibrahimovic statue’s ongoing woes, it seems to go beyond matters of mere style and taste. After all, the Zlatan rendition is relatively lifelike and aesthetically inoffensive compared with many notable modern football statues, which aim to make even the heavily disguised waxworks of Madame Tussauds look like those they are apparently supposed to resemble. Players insulted in bronze of late include Cristiano Ronaldo, of whom a comically misshapen image was unveiled at Madeira airport, and Mo Salah, who has for some reason been immortalised as a sort of homunculus Art Garfunkel in his hometown.

Given that Zlatan is presented as arrogantly shirtless in his statue, you could really only fault the medium for its inability to replicate the subject’s body art. You can’t do tattoos in bronze. (Even so, let’s take a moment to agree that the “Only God Can Judge Me” tattoo – sported by Zlatan and countless other true originals – is one of the absolute cast-iron signs you’re in the presence of a certain type. On the off-chance there is a heaven, I imagine it would contain a vast daily queue of people waiting for God to judge their Only God Can Judge Me tattoos. The Almighty’s verdict would be communicated by a bored angel, going: “Cliched, lame, and only acceptable on Tupac. Otherwise, one of the leading international signs of the shit. Could the next tattooee step forward to the celestial throne, please!”)

No, in terms of motive, the Zlatan tale is thought to fall strictly into the damnatio memoriae – condemnation of memory – category, which saw statues of Lenin and so on purged across former Soviet territories. Zlatan’s offence has been to buy a large stake in Malmö’s rivals, Hammarby, and promise to make them “the best in Scandinavia”.

That said, I am extremely open to other theories. One of mine is that the Zlatan statue is involved in some kind of modern realisation of the Oscar Wilde story The Happy Prince. Did you ever read this one? Basically there’s a statue of a prince in a poor town, and the prince can’t bear to see the suffering, so with the help of a swallow, he sacrifices bits of himself – a sapphire eye, some surface gilding, and so on – to alleviate poverty. So this, but with a footballer’s bronze nose, toe, and lower leg. Is Malmö being regenerated via these valuable Zlatan relics? We daren’t rule it out.

Speaking of ruling things out, perhaps all this has the distinct air of a dark Scandi crime drama. It’s not just that celebrated show The Bridge is set partly in Malmö – more that there have now been a series of grotesque attacks, which presumably someone will have to solve. A review of the evidence sparks my own hunch. Broken legs, broken noses, a little serial ultraviolence – is the villain’s MO not redolent of a man whose own arsenal of threats and injurings was famously vast and baroque? Think about it. Who, in all honesty, could inflict this amount of damage on the Zlatan statue other than … Zlatan Ibrahimovic himself? Far be it from me to give pointers to the Malmö police department – but could there yet be the ultimate twist in this tale?

The Guardian Sport



‘Timid’ Keys Makes Shaky Start to Australian Open Title Defense

Madison Keys of USA celebrates winning her match against Oleksandra Oliynykova of Ukraine in their Women's Singles first round match on day 3 of the Australian Open tennis tournament at KIA Arena in Melbourne, Australia, 20 January 2026. (EPA)
Madison Keys of USA celebrates winning her match against Oleksandra Oliynykova of Ukraine in their Women's Singles first round match on day 3 of the Australian Open tennis tournament at KIA Arena in Melbourne, Australia, 20 January 2026. (EPA)
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‘Timid’ Keys Makes Shaky Start to Australian Open Title Defense

Madison Keys of USA celebrates winning her match against Oleksandra Oliynykova of Ukraine in their Women's Singles first round match on day 3 of the Australian Open tennis tournament at KIA Arena in Melbourne, Australia, 20 January 2026. (EPA)
Madison Keys of USA celebrates winning her match against Oleksandra Oliynykova of Ukraine in their Women's Singles first round match on day 3 of the Australian Open tennis tournament at KIA Arena in Melbourne, Australia, 20 January 2026. (EPA)

A jittery Madison Keys said Tuesday she was "too timid" after getting the defense of her Australian Open crown off to a stuttering start, losing the first four games before rallying to stay in the title hunt.

The American ninth seed was a bundle of nerves on Rod Laver Arena, but calmed down to clinch a 7-6 (8/6), 6-1 win over Ukraine's Oleksandra Oliynykova.

Keys stunned Aryna Sabalenka 12 months ago in a three-set epic to win her first major crown at the age of 29, but she failed to push on in 2025, winning no more titles.

She started her season with quarter-final exits at Brisbane and Adelaide, admitting before the Grand Slam to being nervous as defending champion.

"I think at the start I just felt like I was playing just a little timid and not really trusting my first instinct," she said.

"I kind of kept changing my mind on what I actually wanted to do.

"That was really slowing down my footwork as well. I was reacting instead of having a plan of what I wanted to do."

Playing at her 50th Grand Slam, in contrast to Oliynykova who was at her first, Keys sent down three double faults and was broken on her first service game.

The Ukrainian, ranked 92 and facing a player inside the top 50 for the first time, consolidated with a hold after six deuces in the second game to take charge.

Showing no nerves, she stunned the American by breaking again and raced 4-0 clear before Keys finally woke up and battled back.

She cut down on the errors and found her range on serve to win the next five games.

But Keys was broken again and it went to a tiebreak, where she slumped 4-0 behind and had to save two set points before converting for the set with a blistering crosscourt winner.

The gritty comeback was the catalyst for a far more convincing second set, breaking straight away and racing into a 4-0 lead before sealing the match with ease after 1hr 40min.

Despite the shaky start, Keys said it was a privilege to be back as defending champion.

"I have been thinking of that moment for basically a year," she said of returning to the scene of her greatest triumph.

"I was talking to (multiple Grand Slam winner) Lindsay Davenport yesterday.

"She reminded me that not many people get to be a defending champion at a Grand Slam, so just trying to embrace it and enjoy it.

"And, as nervous as I was at the start, I'm really glad to be back and to win that match."


Morocco Refer AFCON Champions Senegal to CAF and FIFA

 Senegal's Idrissa Gueye calls players to walk off the ptich during the Africa Cup of Nations final soccer match between Senegal and Morocco, in Rabat, Morocco, Sunday, Jan. 18, 2026. (AP)
Senegal's Idrissa Gueye calls players to walk off the ptich during the Africa Cup of Nations final soccer match between Senegal and Morocco, in Rabat, Morocco, Sunday, Jan. 18, 2026. (AP)
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Morocco Refer AFCON Champions Senegal to CAF and FIFA

 Senegal's Idrissa Gueye calls players to walk off the ptich during the Africa Cup of Nations final soccer match between Senegal and Morocco, in Rabat, Morocco, Sunday, Jan. 18, 2026. (AP)
Senegal's Idrissa Gueye calls players to walk off the ptich during the Africa Cup of Nations final soccer match between Senegal and Morocco, in Rabat, Morocco, Sunday, Jan. 18, 2026. (AP)

The Moroccan Football Federation said Monday it has formally referred to the Confederation of African Football (CAF) and FIFA incidents involving Senegalese players and supporters protesting a penalty to Morocco in the Africa Cup of Nations final.

Senegal's protest in added time of normal play during Sunday night's clash in Rabat led to the match being paused for nearly 20 minutes as the players walked off the pitch in anger.

Some Senegalese fans at the opposite end of the stadium threw chairs and other objects and attempted to get onto the field of play.

The AFCON hosts' football federation said these acts "had a significant impact on the normal course of the match and on the players' performance", with Morocco then missing the penalty that could have granted them their first African title in 50 years.

The federation said "it will resort to legal procedures" with CAF, the tournament's organizing body, and FIFA "in order to rule on the withdrawal of the Senegalese national team from the field"... "as well as on the events that accompanied this decision".

It said the referee's decision to grant the Atlas Lions a penalty was "deemed correct by unanimous opinion of specialists".

FIFA president Gianni Infantino condemned "some Senegal players" for the "unacceptable scenes".

Senegal scored the game's only goal just four minutes into extra time after the players returned to the pitch following an appeal from star forward Sadio Mane.

Several Moroccan media outlets on Monday criticized Senegal for a lack of fair play and unsporting behavior.


Man City Announce Signing of Defender Marc Guehi

Soccer Football - Premier League - Crystal Palace v Sunderland - Selhurst Park, London, Britain - September 13, 2025 Crystal Palace's Marc Guehi applauds fans after the match Action Images via Reuters/Andrew Couldridge
Soccer Football - Premier League - Crystal Palace v Sunderland - Selhurst Park, London, Britain - September 13, 2025 Crystal Palace's Marc Guehi applauds fans after the match Action Images via Reuters/Andrew Couldridge
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Man City Announce Signing of Defender Marc Guehi

Soccer Football - Premier League - Crystal Palace v Sunderland - Selhurst Park, London, Britain - September 13, 2025 Crystal Palace's Marc Guehi applauds fans after the match Action Images via Reuters/Andrew Couldridge
Soccer Football - Premier League - Crystal Palace v Sunderland - Selhurst Park, London, Britain - September 13, 2025 Crystal Palace's Marc Guehi applauds fans after the match Action Images via Reuters/Andrew Couldridge

England defender Marc Guehi has signed for Manchester City from Crystal Palace on a five-and-a-half year contract, the Premier League club announced on Monday, AFP reported.

City stepped up their pursuit of Guehi in a deal reportedly worth £20 million ($27 million) after suffering an acute injury crisis at centre-half and confirmation of the move had been widely expected.