Cyprus Singer Shines Spotlight on Refugees in Online Concert

Cypriot singer Alexia Vassiliou speaks during an interview with AFP in Nicosia on July 29, 2020. (Photo by Christina ASSI / AFP)
Cypriot singer Alexia Vassiliou speaks during an interview with AFP in Nicosia on July 29, 2020. (Photo by Christina ASSI / AFP)
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Cyprus Singer Shines Spotlight on Refugees in Online Concert

Cypriot singer Alexia Vassiliou speaks during an interview with AFP in Nicosia on July 29, 2020. (Photo by Christina ASSI / AFP)
Cypriot singer Alexia Vassiliou speaks during an interview with AFP in Nicosia on July 29, 2020. (Photo by Christina ASSI / AFP)

Cypriot singer Alexia Vassiliou still remembers the sound of the sirens wailing eerily over her house when she was just a child to warn of the Turkish invasion.

She and her family fled the northeastern town of Famagusta in 1974, and decades later she has never returned to live in the place she once called home.

But Alexia's experiences shaped her future, and today she uses her international acclaim as an artist to help shine a spotlight on the plight of the displaced and refugees around the world.

"I am a refugee... This is why I am here today," she says, in an online concert which is being re-streamed on Wednesday to global audiences.

"There was a moment when I did not have a home. I was 10."

The novel coronavirus pandemic upended ideas for a live concert in Nicosia as part of events to mark World Refugee Day on June 20.

But Alexia, whose career spans four decades and who has recorded with jazz great Chick Corea, was determined to move the show online, incorporating performances and messages of solidarity from artists around the world.

They include American jazz singer Madeleine Peyroux and British rock star Peter Gabriel, but also local asylum seekers and refugees.

A revamped version of the concert is being streamed on Alexia's Facebook page on Wednesday at 9:00 pm (1800 GMT).

A former British colony, Cyprus marks its 60th anniversary of independence on Sunday, August 16.

The island has been divided since 1974, when Turkey occupied its northern third in response to a coup engineered by the military junta then ruling in Athens that sought to unite the Mediterranean island with Greece.

Ankara launched another phase of the invasion on August 14, 1974, during which it seized Famagusta, Alexia's home town.

UN-backed talks on reunifying Cyprus collapsed in July 2017.

"Before the coup d'etat, we'd hear the grown-ups speak secretly and we knew something ominous... was about to happen," Alexia told AFP from her home studio outside the divided capital.

She recalled hearing a radio news flash about the coup, warning civilians to go home because if anyone was on the street "they will be shot".

"My father was not home yet," she said.

One morning, she woke up to the sound of air raid sirens.

"Our mother ran to our room and told me and my sister, 'Girls, you have to wake up, there's been a war, we have to (leave).'"

"Things like this never go away."

Alexia was part of Cyprus's first-ever Eurovision song contest participation in 1981, when she was still a teenager. She returned for a solo performance in 1987.

She has recorded numerous albums crossing genres from pop to world music and jazz, including a 1996 album featuring Chick Corea.

The shows have been organized by Alexia under the auspices of UN refugee agency UNHCR's office in Cyprus, in collaboration with the interior ministry.

On a dark stage, she opens with "Agia Marina", a traditional Cypriot song, accompanied by the soft notes of a kalimba, an African thumb piano.

She then moves into George Gershwin's "Summertime" and African-American spiritual "Motherless Child", a trio of songs blending lullaby and lament.

The re-streamed event however includes performances not seen in the previous show.

"It's not the same concert... it's better," Alexia said.

Syrian-Armenian musician Lena Chamamyan is among the artists who have sent messages of solidarity.

"I know the exact meaning of losing a homeland, a home, a country, a family, friends, a life," she says.

Young refugees and asylum seekers in Cyprus also provide testimonies.

"Living as a refugee can feel like living in a big prison," says Ferhad, a Kurdish refugee. "Music frees my imagination and my mind," he adds.

Alexia has run creative workshops in shelters for unaccompanied and separated asylum seekers and refugee children in Cyprus since 2017.

But the program's future is in doubt, amid the difficulties posed by the novel coronavirus.

UNHCR representative in Cyprus, Katja Saha, told AFP she hopes they will continue, saying about 200 children at the shelters had taken part in the workshops so far.

Wednesday's concert will also include footage of Alexia returning to Famagusta in 2013 and visiting the elderly couple living in her former home.

"My message has always been to unite people through love and through music," she told AFP.

"And through solidarity and through remembering what are the things that connect us, not divide us."



Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”