Lebanon's Fairouz: The Arab World's Most Celebrated Living Voice

Lebanese icon Fairouz. (AFP)
Lebanese icon Fairouz. (AFP)
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Lebanon's Fairouz: The Arab World's Most Celebrated Living Voice

Lebanese icon Fairouz. (AFP)
Lebanese icon Fairouz. (AFP)

The Arab world's last living music legend Fairouz, who French president Emmanuel Macron is to visit Monday in Beirut, is a rare symbol of national unity in crisis-hit Lebanon.

Since the death of Egyptian diva Umm Kulthum in 1975, no Arab singer has been so profoundly venerated as 85-year-old Fairouz -- a stage name that means "turquoise" in Arabic.

For decades, she captivated audiences everywhere from her native Beirut to Las Vegas, including the grand Olympia in Paris and the Royal Albert Hall in London.

She has sung of love, Lebanon and the Palestinian cause, in ballads that have revolutionized Middle Eastern music.

Fairouz is "certainly one of the greatest Arab singers of the 20th century," expert in Middle Eastern music Virginia Danielson told the New York Times in 1999.

When she sang, she appeared as if in a trance: eyes glazed over, expression stoic, small smiles flashing quickly across her face.

"If you look at my face while I am singing, you will see that I am not there, I am not in the place," she told the New York Times in a rare interview.

"I feel art is like prayer."

Fairouz has been dubbed "our ambassador to the stars" by her compatriots -- not just for her celestial voice, but because she is a rare symbol of unity for a country bitterly divided by a 15-year civil war.

‘I love you, oh Lebanon’
Born Nouhad Haddad in 1934 to a working class family, she studied at the national music conservatory as a teenager.

During her time with the Lebanese state radio choir, composer Halim al-Roumi nicknamed her Fairouz and introduced her to composer Assi Rahbani, whom she married in 1955.

Fairouz, Assi, and his brother Mansour revolutionized traditional Arabic music by merging classical Western, Russian and Latin elements with eastern rhythms and a modern orchestra.

Fairouz shot to fame after her first performance at the Baalbek International Festival in 1957.

Her reign as the queen of Arabic music was partly thanks to her championing the Palestinian cause, including "Sanarjaou Yawman" or "We Shall Return One Day", an elegy to Palestinians exiled by the creation of Israel in 1948.

The star is an immortal icon in her native Lebanon.

Many of her most popular songs are nostalgic odes to pastoral times. Others are poems by the likes of Lebanese legends Gibran Khalil Gibran and Said Aql that are set to music.

She has largely disappeared from public life in recent years, but her soaring voice remains ubiquitous, blaring every morning from radios in street cafes and taxis.

"When you look at Lebanon now, you see that it bears no resemblance to the Lebanon I sing about, so when we miss it, we look for it through the songs," the diva told the New York Times.

Fairouz also won national acclaim for remaining in Lebanon throughout the country's civil war from 1975 to 1990, and for refusing to side with one faction over another.

Tens of thousands of people swarmed her first post-war concert, in 1994 in Beirut's downtown.

"I love you, oh Lebanon, my country, I love you. Your north, your south, your valley, I love you," she croons in one of her most well-known songs.

Political, family controversies
Fairouz is famously protective of her personal life.

"When she wants to, she can be really funny. She's also a distinguished chef. Very humble, she loves serving her guests herself," journalist Doha Chams, her press officer, told AFP.

But she hates "the invasion of her private life".

Fairouz had four children with husband Assi Rahbani, who died in 1986.

Their daughter Layal died at a young age of a brain hemorrhage, their son Hali is disabled, and Rima, the youngest, films and produces her mother's concerts.

Her eldest son, Ziad, followed in the footsteps of his father and uncle as a musician and composer.

Fairouz worked closely with Ziad – an iconic artist in Lebanon in his own right -- to compose songs with a jazz influence.

The Lebanese star's recent past has been marked by a string of family and political controversies.

In 2008, when Lebanese political factions were fiercely divided over support for the regime in neighboring Syria, Fairouz performed in Damascus.

Two years later, the Lebanese judiciary prevented her from singing tunes co-written by the Rahbani brothers without the authorization of the sons of her brother-in-law Mansour.

Fairouz spent several years without new material until 2017, when her daughter Rima produced her last album, "Bibali".



Palestinian Families Flee West Bank Homes in Droves as Israel Confronts Militants

Israel expanded its West Bank operation, which began last month, to Nur Shams in recent days © Zain JAAFAR / AFP
Israel expanded its West Bank operation, which began last month, to Nur Shams in recent days © Zain JAAFAR / AFP
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Palestinian Families Flee West Bank Homes in Droves as Israel Confronts Militants

Israel expanded its West Bank operation, which began last month, to Nur Shams in recent days © Zain JAAFAR / AFP
Israel expanded its West Bank operation, which began last month, to Nur Shams in recent days © Zain JAAFAR / AFP

By car and on foot, through muddy olive groves and snipers’ sight lines, tens of thousands of Palestinians in recent weeks have fled Israeli military operations across the northern West Bank — the largest displacement in the occupied territory since the 1967 Mideast war.

After announcing a widespread crackdown against West Bank militants on Jan. 21 — just two days after its ceasefire deal with Hamas in Gaza — Israeli forces descended on the restive city of Jenin, as they have dozens of times since Hamas’ Oct. 7, 2023, attack on Israel.

But unlike past operations, Israeli forces then pushed deeper and more forcefully into several other nearby towns, including Tulkarem, Far’a and Nur Shams, scattering families and stirring bitter memories of the 1948 war over Israel’s creation, The AP reported.

During that war, 700,000 Palestinians fled or were forced from their homes in what is now Israel. That Nakba, or “catastrophe,” as Palestinians call it, gave rise to the crowded West Bank towns now under assault and still known as refugee camps.

“This is our nakba,” said Abed Sabagh, 53, who bundled his seven children into the car on Feb. 9 as sound bombs blared in Nur Shams camp, where he was born to parents who fled the 1948 war.

Tactics from Gaza Humanitarian officials say they haven’t seen such displacement in the West Bank since the 1967 Mideast war, when Israel captured the territory west of the Jordan River, along with east Jerusalem and the Gaza Strip, displacing another 300,000 Palestinians.

“This is unprecedented. When you add to this the destruction of infrastructure, we’re reaching a point where the camps are becoming uninhabitable," said Roland Friedrich, director of West Bank affairs for the UN Palestinian refugee agency. More than 40,100 Palestinians have fled their homes in the ongoing military operation, according to the agency.

Experts say that Israel's tactics in the West Bank are becoming almost indistinguishable from those deployed in Gaza. Already, President Donald Trump's plan for the mass transfer of Palestinians out of Gaza has emboldened Israel's far-right to renew calls for annexation of the West Bank.

"The idea of ‘cleansing’ the land of Palestinians is more popular today than ever before," said Yagil Levy, head of the Institute for the Study of Civil-Military Relations at Britain’s Open University.

The Israeli army denies issuing evacuation orders in the West Bank. It said troops secure passages for those wanting to leave on their own accord.

Seven minutes to leave home. Over a dozen displaced Palestinians interviewed in the last week said they did not flee their homes out of fear, but on the orders of Israeli security forces. Associated Press journalists in the Nur Shams camp also heard Israeli soldiers shouting through mosque megaphones, ordering people to leave.

Some displaced families said soldiers were polite, knocking on doors and assuring them they could return when the army left. Others said they were ruthless, ransacking rooms, waving rifles and hustling residents out of their homes despite pleas for more time.

“I was sobbing, asking them, ‘Why do you want me to leave my house?’ My baby is upstairs, just let me get my baby please,’” Ayat Abdullah, 30, recalled from a shelter for displaced people in the village of Kafr al-Labd. “They gave us seven minutes. I brought my children, thank God. Nothing else."

Told to make their own way, Abdullah trudged 10 kilometers (six miles) on a path lighted only by the glow from her phone as rain turned the ground to mud. She said she clutched her children tight, braving possible snipers that had killed a 23-year-old pregnant woman just hours earlier on Feb. 9.

Her 5-year-old son, Nidal, interrupted her story, pursing his lips together to make a loud buzzing sound.

“You’re right, my love," she replied. “That’s the sound the drones made when we left home.”

Hospitality, for now In the nearby town of Anabta, volunteers moved in and out of mosques and government buildings that have become makeshift shelters — delivering donated blankets, serving bitter coffee, distributing boiled eggs for breakfast and whipping up vats of rice and chicken for dinner.

Residents have opened their homes to families fleeing Nur Shams and Tulkarem.

“This is our duty in the current security situation,” said Thabet A’mar, the mayor of Anabta.

But he stressed that the town’s welcoming hand should not be mistaken for anything more.

“We insist that their displacement is temporary,” he said.

Staying put When the invasion started on Feb. 2, Israeli bulldozers ruptured underground pipes. Taps ran dry. Sewage gushed. Internet service was shut off. Schools closed. Food supplies dwindled. Explosions echoed.

Ahmad Sobuh could understand how his neighbors chose to flee the Far’a refugee camp during Israel's 10-day incursion. But he scavenged rainwater to drink and hunkered down in his home, swearing to himself, his family and the Israeli soldiers knocking at his door that he would stay.

The soldiers advised against that, informing Sobuh's family on Feb. 11 that, because a room had raised suspicion for containing security cameras and an object resembling a weapon, they would blow up the second floor.

The surveillance cameras, which Israeli soldiers argued could be exploited by Palestinian militants, were not unusual in the volatile neighborhood, Sobuh said, as families can observe street battles and Israeli army operations from inside.

But the second claim sent him clambering upstairs, where he found his nephew’s water pipe, shaped like a rifle.

Hours later, the explosion left his nephew's room naked to the wind and shattered most others. It was too dangerous to stay.

“They are doing everything they can to push us out,” he said of Israel's military, which, according to the UN agency for refugees, has demolished hundreds of homes across the four camps this year.

The Israeli army has described its ongoing campaign as a crucial counterterrorism effort to prevent attacks like Oct. 7, and said steps were taken to mitigate the impact on civilians.

A chilling return The first thing Doha Abu Dgheish noticed about her family's five-story home 10 days after Israeli troops forced them to leave, she said, was the smell.

Venturing inside as Israeli troops withdrew from Far'a camp, she found rotten food and toilets piled with excrement. Pet parakeets had vanished from their cages. Pages of the Quran had been defaced with graphic drawings. Israeli forces had apparently used explosives to blow every door off its hinges, even though none had been locked.

Rama, her 11-year-old daughter with Down syndrome, screamed upon finding her doll’s skirt torn and its face covered with more graphic drawings.

AP journalists visited the Abu Dgheish home on Feb. 12, hours after their return.

Nearly two dozen Palestinians interviewed across the four West Bank refugee camps this month described army units taking over civilian homes to use as a dormitories, storerooms or lookout points. The Abu Dgheish family accused Israeli soldiers of vandalizing their home, as did multiple families in Far’a.

The Israeli army blamed militants for embedding themselves in civilian infrastructure. Soldiers may be “required to operate from civilian homes for varying periods," it said, adding that the destruction of civilian property was a violation of the military's rules and does not conform to its values.

It said “any exceptional incidents that raise concerns regarding a deviation from these orders” are “thoroughly addressed,” without elaborating.

For Abu Dgheish, the mess was emblematic of the emotional whiplash of return. No one knows when they’ll have to flee again.

“It’s like they want us to feel that we’re never safe,” she said. ”That we have no control.”