Pandemic Tests Shopper Loyalty for Clothing Brands

In this Jan. 2, 2019 file photo, women peer in the front door of Lord & Taylor's flagship Fifth Avenue store which closed for good, in New York. (AP)
In this Jan. 2, 2019 file photo, women peer in the front door of Lord & Taylor's flagship Fifth Avenue store which closed for good, in New York. (AP)
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Pandemic Tests Shopper Loyalty for Clothing Brands

In this Jan. 2, 2019 file photo, women peer in the front door of Lord & Taylor's flagship Fifth Avenue store which closed for good, in New York. (AP)
In this Jan. 2, 2019 file photo, women peer in the front door of Lord & Taylor's flagship Fifth Avenue store which closed for good, in New York. (AP)

When Archie Jafree heard that Lord & Taylor filed for Chapter 11 bankruptcy in early August, he was sad about the fate of the storied retailer with roots dating back to 1824.

Still, the 36-year-old northern Virginia resident acknowledged he hadn’t shopped there in months, preferring instead to go to Nordstrom and Zara, where he feels the customer service is better.

“It had good quality clothes," Jafree said of Lord & Taylor, “but they hadn’t evolved with the times.”

Many shoppers like Jafree are seeing iconic labels vanish or become mere shadows of themselves, driven in part by a pandemic that has shoved them into bankruptcy but also by changing consumer habits that put less emphasis on brand names and more emphasis on experience.

So far, more than 40 retailers have filed for Chapter 11 this year, including roughly two dozen since the pandemic. That’s more than double what was seen for all of 2019.

Lord & Taylor announced on Thursday that it was liquidating its business and closing all of its remaining stores. J.C. Penney filed for Chapter 11 in May and announced plans to permanently close nearly a third of its 846 stores.

Ann Taylor parent Ascena Retail Group said it would close all of its Catherines stores, a “significant number” of Justice stores, and a select number of Ann Taylor, Loft, Lane Bryant and Lou & Grey stores. And Brooks Brothers, which will be sold to the nation’s largest mall operator Simon Property Group and licensing firm Authentic Brands Group, will shrink to about 125 stores from more than 400.

Although loyal customers bemoan their loss, the brands have been losing favor for years because they hadn't kept up with the online buying shift and failed to stand out. The pandemic forced non-essential retailers to close this past spring in order to mitigate the spread of the coronavirus, pushing them further in peril.

Before the pandemic, shoppers were faced with an abundance of choices online and were becoming less loyal to clothing brands, particularly those that were stuck in the middle. Shoppers were also focused on getting the best deals, often waiting for merchandise to go on sale before they were willing to buy — a habit sharpened during the Great Recession.

According to a March survey by McKinsey & Co, 40% of the 2,500 shoppers polled in France, United Kingdom, Germany and US tried new brands or made new purchases with a new retailer; that number was 46% for US shoppers.

“The ability to shop and get information online taught consumers more options. Retailers have been reliant on promotions and they’ve created a monster of promiscuous shoppers,” said Steve Dennis, president and founder of SageBerry Consulting, a retail consultancy.

Now, the pandemic is testing brand loyalty even more as shoppers, worried about going to physical stores, want quicker deliveries and curbside pickup, says Robert Passikoff, president of brand research firm Brand Keys.

Amber Atherton, CEO at Zyper, which connects brands with the top 1% of their fans and enlists them to become brand ambassadors, says shoppers have been increasingly hanging out in community groups online and the pandemic just accelerated that trend. She cites Gucci’s recent collaboration with tennis mobile game Tennis Clash, where shoppers can buy exclusive Gucci outfits within the game as well as on the company's website.

To build shoppers loyalty, brands need to “create delightful experiences online,” Atherton said.

Emily McKenna, 22, a recent college graduate from Omaha, Nebraska, says she’s a big fan of Asos, an online-only clothing brand, because she likes the video feature that shows what the clothes look like on models.

She also likes shopping at the J. Crew outlet that’s about a 30-minute drive from her home, but she says she’s buying more online now because she doesn’t feel comfortable going into stores and she also sees more options for deals.

But McKenna does worry about the hallowing out of the middle-priced brands and what that means to shoppers who want quality but can’t afford luxury brands.

“I think it is sad that these brands are being wiped out, and in a way, it makes some of our dreams less attainable,” she said.

Juliana Gonzalez, 30, from Howard Beach, New York says she’s been a big fan for several years of the Loft, Ann Taylor’s lower-price division. She gets most of her clothing from the chain and is worried that they will be closing more stores as a result of the bankruptcy filing.

“It’s young and hip. And the clothes fit me,” Gonzalez said.

But even before the pandemic, she only bought the clothes at 50% off. Those discounts will be easier to come by, now that Ann Taylor's parent has declared bankruptcy.



Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
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Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)

With more than 50 years in fashion, Ralph Lauren is still looking for adventure. Lauren took his celebrity guests on an adventure into the English countryside Tuesday for his fall 2026 runway show.

Set amid the beaux arts architecture of the Clock Tower building in Manhattan, Lauren delivered a stylish take on softness and strength, pairing luxurious earth-toned rich fabrics with metallic detailing for his latest collection.

Lauren’s ethereal models with their hair flowing behind them strutted on opulent rugs as celebrity guests including actor Anne Hathaway, singer Lana Del Rey and actor Lili Reinhart looked on from antique style chairs; a romantic painted landscape canvas filled the walls surrounding them.

In his show notes, Lauren described his muse as a woman whose style is not defined by time.

“I love the adventure of fashion,” Ralph Lauren wrote, adding his fall collection “is inspired by that kind of renegade spirit and the confidence of the woman who will wear it in her own personal way — to tell her own story.”

The 86-year-old designer has never been one to follow trends but drive them. At Tuesday’s show, accessories added a modern flair from leather gloves paired with a knit off-the-shoulder dress to shimmering silver detailing.

Supermodel Gigi Hadid opened the show in a wool corseted top and maxi skirt accentuated with a silver waist chain. Other models walked the runway with silver belt chains and metallic brooches that stood in an edgy contrast to Lauren’s romantic Victorian tops and tailored jackets. Lauren pinned metallic glimmering brooches to lush wool cloaks that were elegantly draped over models’ shoulders in a show of strength.

In a modern twist on Joan of Arc, Lauren designed a chain mail top that delicately peeked out from underneath one model’s tweed jacket. Lauren complemented the look with a printed scarf and leather pants.

“There were several looks that had this beautiful chain mail kind of detailing,” actor Ariana DeBose told The Associated Press. “What a way to give a woman beautiful armor.”

Even with his contemporary additions, Lauren’s collection still included his signature touches from his riding boots, exquisite tailoring and elegant high neck blouses.

Lauren’s brand is an American staple that continues to prevail in an ever-changing industry. As part of his enduring legacy, Lauren was once again tapped to design the uniforms for Team USA at the Olympic Winter Games in Milan, marking his sixth time designing for the games.

“From being in Italy with the greatest athletes in the world and then coming here to New York City to put on a fashion show that’s so elegant, it’s two different sides of Ralph Lauren and two different sides of what an American company can do to reach the world,” David Lauren, the company's chief branding and innovation officer, said.


Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
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Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)

Kering reported on Tuesday a slightly smaller-than-expected drop in fourth-quarter sales, as investors await details of CEO Luca de Meo's plans ​to revive the Gucci owner's flagging fortunes.

Sales reached 3.9 billion euros ($4.64 billion), down 3% from the previous year when adjusted for currency swings. That beat analysts' consensus forecast for a 5% drop, according to Visible Alpha.

The revenue drop was 10% at Italian flagship label Gucci, which accounts for most of Kering's profits, versus analyst expectations of a 12% decline.

It ‌was the brand's ‌10th straight quarter of revenue ‌decline.

Finance ⁠Chief ​Armelle ‌Poulou told journalists Gucci saw some improvement at the end of last year in "almost all regions", helped by newly introduced products and handbag sales.

Grappling with weak sales since the maximalist styles of Gucci's former star designer Alessandro Michele fell out of fashion in 2022, Kering has faced heightened investor scrutiny over its high ⁠debt and declining profitability.

Free cash from operations fell by 35% last year ‌when excluding one-off payments from real estate ‍sales, reaching 2.3 billion euros, Kering ‍said.

"For Kering, it's really about (restoring) the broad desirability globally," said ‍JPMorgan analyst Chiara Battistini.

Facing an uncertain business outlook, the group, which also owns Gucci Balenciaga, Bottega Veneta and Yves Saint Laurent, further reduced its store network by 75 boutiques with further closures planned, Poulou said.

The ​earnings underscored the steep challenges Kering faces to catch up with peers even though its shares have ⁠risen around 50% since de Meo's appointment was announced last June.

"2025 did not reflect Kering's true potential or the strength of our brands, but it enabled us to lay the foundations for our future recovery," said Poulou.

Kering's annual operating income reached 1.63 billion euros, less than a third of its 2022 level. Kering's operating profit margin fell to 11% group-wide and 16% at Gucci, down from 28% and 36% three years earlier.

By contrast, LVMH delivered a 22% margin last year amid ‌a broader luxury slowdown, with its leather and fashion division - home to Louis Vuitton and Dior - hitting 35%.


Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.