Notorious B.I.G Crown Fetches $600,000 at Sotheby's First Hip-Hop Auction

The plastic gold colored crown that rapper Notorious B.I.G wore on the last photo shoot before his death fetched $600,000 at auction. (AFP)
The plastic gold colored crown that rapper Notorious B.I.G wore on the last photo shoot before his death fetched $600,000 at auction. (AFP)
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Notorious B.I.G Crown Fetches $600,000 at Sotheby's First Hip-Hop Auction

The plastic gold colored crown that rapper Notorious B.I.G wore on the last photo shoot before his death fetched $600,000 at auction. (AFP)
The plastic gold colored crown that rapper Notorious B.I.G wore on the last photo shoot before his death fetched $600,000 at auction. (AFP)

The plastic gold colored crown that American rapper Notorious B.I.G wore on the last photo shoot before his death fetched $600,000 at the first-ever hip-hop auction held by an international house, Sotheby's said on Wednesday.

The auction was a celebration of the history and cultural impact hip-hop has had on art and culture from the late 1970s through mid-1990s, and up to the present, Sotheby's said.

After highlighting sneakers and handbags in recent years, Sotheby's in New York dedicated its September auction to hip-hop culture, featuring some 120 lots that included boomboxes, photos of Snoop Dogg and Louis Vuitton luggage.

The auction house has said it was the first auction staged by an international house anywhere devoted entirely to hip-hop.

The signed crown, which was just a plastic prop from a party shop, worn by the rapper in the 1997 "King of New York"

photograph was offered on sale for the first time, and was expected to fetch $200,000 -$300,000 at the Sept. 15 auction, Sotheby's had said earlier.

The New York rapper, also known as Biggie Smalls, was shot dead in Los Angeles at the age of 24 three days after the photo shoot as part of a feud between east and west coast rappers that also took the life of Tupac Shakur, 25, in 1996. Both crimes remain unsolved.

In the auction, a series of 22 love letters written by a 16-year-old Shakur to his high school sweetheart Kathy Loy between 1987-1988, were sold for $75,600.

The sale comprised of unique artifacts, contemporary art, photography, vintage and modern fashion, historic and newly designed jewelry and luxury items, rare ephemera including flyers and posters.

This follows the 270-year-old auction house's recent forays into collectible sneakers, space memorabilia, pop music lyrics and designer handbags.



EU Clears Universal's $775-mn Downtown Bid

FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
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EU Clears Universal's $775-mn Downtown Bid

FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo

The EU on Friday approved Universal Music Group's $775-million acquisition of global music services company Downtown, subject to conditions.

The European Commission said the deal could go through if there is a "full divestment of Downtown's royalty accounting platform Curve".

This would "prevent UMG from obtaining access to the commercially sensitive data of its rivals stored on Curve", said the commission, the EU's antitrust regulator.

It had warned in November the deal could restrict competition because Universal could gain access to such data via Curve that belongs to other music labels.

On Friday the commission said the divestment "would fully address the competition concerns" raised last year.

Headquartered in the Netherlands, UMG is the world's biggest music company and is home to the likes of Taylor Swift, Billie Eilish and Kendrick Lamar.

US-based Downtown Music provides services to independent record labels and musicians, including managing copyright issues and helping artists collect royalties.

"By requiring the divestment of Curve, we are taking a decisive step to protect sensitive data and prevent it from being controlled by a large competitor," AFP quoted EU economy chief Valdis Dombrovskis as saying in a statement.

"Today's decision reflects the commission's dedication to promoting fair competition and supporting a thriving and diverse music landscape in Europe."

The European association of independent music companies Impala had previously warned that the merger posed risks because Universal's dominance would grow.


Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
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Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)

With simulated waves, animation tables, and dozens of original sketches on display, a new exhibition in the Oscars museum offers immersion into the aquatic world of "Ponyo," Hayao Miyazaki's cinematic classic.

The Academy Museum of Motion Pictures opened in 2021 with a retrospective dedicated to the grand master of Japanese animation.

Nearly five years later, dozens of drawings, storyboards and other elements created for the film and gifted to the Los Angeles institution by Miyazaki's world-famous Studio Ghibli are going on display.

"It's such a treasure to have, we should share it with our visitors," the exhibit's curator, Jessica Niebel, told AFP.

The museum has dedicated over 350 square meters (nearly 3,800 square feet) to the magical 2008 movie.

Inspired by the Hans Christian Andersen fairy tale "The Little Mermaid," Miyazaki's story centers around a goldfish with a girl's face who is rescued by a five-year-old boy, Sosuke.

Despite the reluctance of her father, the underwater wizard Fujimoto, little Ponyo falls in love with her new friend and gives up her magical powers to become human.

Entirely hand drawn, the film was hailed as a visual masterpiece marking Miyazaki's return to the traditional animation of his early career, after incorporating computer generated images in "Spirited Away" and "Howl's Moving Castle."

"What's really special about 'Ponyo' is he instructed his team right from the beginning that everything in this movie needs to move," said Niebel, recalling how the artists created a lush aquatic world, with swirling colors underwater and waves that shifted with the weather.

Animation enthusiasts will find sketches of some of the film's key sequences, drawn in pencil, and projections of its most majestic moments.

But the immersive exhibition is above all "geared towards children," the film's primary audience, Niebel said.

Younger kids can romp around on rolling blue installations that mimic waves, slide a "Ponyo" figure across an ocean wall, or hide in a replica of Sosuke's green bucket which he used to collect goldfish.

Children and their parents are urged to sit at animation tables to position sharks, jellyfish and crabs, taking photos frame by frame to create their own animated sequence -- all under the benevolent eyes of the film's elders at a retirement home threatened by rising waters.

Niebel said she hopes the exhibit might "invite the younger generation to maybe think about becoming a filmmaker" or a creative artist.

The exhibit opens Saturday and runs until January 2027. Admission is free for children under 17.


Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.