Milan Fashion Gives Small Opening to Black Lives Matter

Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
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Milan Fashion Gives Small Opening to Black Lives Matter

Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)
Models wear creations part of the Joy 2021 women's spring-summer collection at the "We are Made in Italy - Black Lives Matter in Italian fashion Collection" event during Milan fashion week, Italy, Sept. 17, 2020. (AP)

When asked why there aren’t more people of color in the Italian fashion industry, officials have cited a lack of candidates in homogeneous Italy. Five African-born designers in Italy want to put that view to rest with their inclusion on the official Milan Fashion Week calendar Sunday.

Fabiola Manirakiza came to Italy after her parents were killed in her native Burundi in 1972. For her Made-in-Italy Kiza label, she incorporates patterns from her Bantu tribe, as taught by an elder sister, into her Western tailored silhouette, the influence of the Italian family who raised her.

“It is not just Italy that needs to see, it is the whole world,” said Manikrazia, whose creations were among those featured in the video presentation titled “We are Made in Italy. Italy is Made of Us."

The official Black Lives Matter in Italian fashion event is a first step in a process that Stella Jean, the only Black designer belonging to Italy’s prestigious fashion council, hopes will bring real diversity to the creative and decision-making centers of Italian fashion to combat racism in the industry.

Another critical step was the launch of a think tank last week bringing together top fashion houses on the council with Black creatives. But Jean said there remains resistance to the campaign she has launched with US designer Edward Buchanan and Michelle Ngomo, founder of Afro Fashion Week Milano, with pressure on them to abandon it.

Italy’s relatively small African-origin population, which government statistics put at around 1.2 million, has rendered it mostly invisible in the country of some 60 million, with no well-known faces in the political class or on television — and few behind the closed doors of Italian fashion.

Jean and her colleagues began pushing the industry to make concrete moves toward diversifying Italian fashion after major houses showed social media support for the Black Lives Matter protests over racial equality and police brutality during the summer. After many racially charged gaffes in recent years, they also are asking for an accounting of the numbers of people of color working inside the system.

“No one is looking to stand back and blame you for the current situation,” Jean said in introductory remarks to the think tank, made available to The Associated Press. “Instead we are asking you to be part of the solution starting today. Racism in Italy ... is a very unique case study. It doesn’t resemble the type that exists with our European neighbors and it also differs greatly from the American kind. This however doesn’t render it less harmful or discriminative, only different.”

Jean told The Associated Press that the few companies whose representatives spoke discussed activities to support Black minorities in the United States and other causes “but completely avoiding the point of our discussion: Black minority in Italy.”

“I must say with all sincerity that the silence of the representatives of the colossal Made-in-Italy brands left a lasting bitter and embarrassing impression,” Jean said. “In total astonishment, it struck me that greatness and global commercial authority does not always correspond to an equally grand sense of responsibility to humanity.”

On a positive note, the fashion council had agreed to implement six reform points by February, she said. The council also agreed to provide scholarships and mentorships to fashion students of color. And she hopes that the time spent listening will lead to greater participation next time.

The head of Italy’s fashion council, Carlo Capasa, called the meeting “interesting and instructive,” and that the brand representatives were there to mostly listen. “There was no reason for friction,” he said.

Calling the meeting, “a beginning,” he told the AP the council will continue to work on diversity points of its nearly year-old diversity manifesto, including the commitment that diversity is an asset. He confirmed that the think tank would continue to meet periodically.

The brands participating were Armani, Zegna, Bottega Veneta, Etro, Gucci, Prada, Valentino and Ferragamo. The Kering conglomerate, which owns Gucci and Bottega Veneta, and the OTB group, which owns Marni and Diesel also participated.

A planned closing statement was never issued.

But Miuccia Prada, during the video presentation of next spring’s collection, emphasized the importance of inclusivity, along with sustainability. She acknowledged the need to “really embrace it,” adding “which is what I decided to do, not only declaring it, but trying, little by little, to be better.”

The participants in the Black Lives Matter event have worked in other trades or professions before following their fashion dreams. Most have submitted resumes to fashion companies, with no response, and some have seen professional doors fail to open after promising meetings, without explanation.

Joy Meribe, born in Nigeria and with an Italian Masters in business, studied fashion in Italy so she could alter garments she was selling through her blog on African fashion designers, and realized she had the knack herself. Her collection, Modaf Designs, uses African prints on silk and cotton instead of the traditional wax cloth, making them easier to wear and integrate into a Western wardrobe.

Claudia Gisele Ntsama, originally from Cameroon, has supported herself cleaning houses to pursue her dream of becoming a fashion designer, unveiling in Milan fantastical swirling pieces made mostly of raw hemp.

Ngomo, who discovered the five designers, said she feels a great responsibility also to young people of color in Italy who have been inspired by the initiatives.

“Many kids are writing to thank me, saying they have rediscovered their trust, and they had hope,” Ngomo said. “I know we are trendy now. I am not sure next year we will have all this light on the project. I want to be positive and believe this is a next step.”



Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
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Ralph Lauren’s Fall 2026 Collection a Mix of Romantic Adventure with Metallic Flair 

A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)
A model walks the runway during the Ralph Lauren Fall 2026 Collection fashion show in New York, on February 10, 2026. (AFP)

With more than 50 years in fashion, Ralph Lauren is still looking for adventure. Lauren took his celebrity guests on an adventure into the English countryside Tuesday for his fall 2026 runway show.

Set amid the beaux arts architecture of the Clock Tower building in Manhattan, Lauren delivered a stylish take on softness and strength, pairing luxurious earth-toned rich fabrics with metallic detailing for his latest collection.

Lauren’s ethereal models with their hair flowing behind them strutted on opulent rugs as celebrity guests including actor Anne Hathaway, singer Lana Del Rey and actor Lili Reinhart looked on from antique style chairs; a romantic painted landscape canvas filled the walls surrounding them.

In his show notes, Lauren described his muse as a woman whose style is not defined by time.

“I love the adventure of fashion,” Ralph Lauren wrote, adding his fall collection “is inspired by that kind of renegade spirit and the confidence of the woman who will wear it in her own personal way — to tell her own story.”

The 86-year-old designer has never been one to follow trends but drive them. At Tuesday’s show, accessories added a modern flair from leather gloves paired with a knit off-the-shoulder dress to shimmering silver detailing.

Supermodel Gigi Hadid opened the show in a wool corseted top and maxi skirt accentuated with a silver waist chain. Other models walked the runway with silver belt chains and metallic brooches that stood in an edgy contrast to Lauren’s romantic Victorian tops and tailored jackets. Lauren pinned metallic glimmering brooches to lush wool cloaks that were elegantly draped over models’ shoulders in a show of strength.

In a modern twist on Joan of Arc, Lauren designed a chain mail top that delicately peeked out from underneath one model’s tweed jacket. Lauren complemented the look with a printed scarf and leather pants.

“There were several looks that had this beautiful chain mail kind of detailing,” actor Ariana DeBose told The Associated Press. “What a way to give a woman beautiful armor.”

Even with his contemporary additions, Lauren’s collection still included his signature touches from his riding boots, exquisite tailoring and elegant high neck blouses.

Lauren’s brand is an American staple that continues to prevail in an ever-changing industry. As part of his enduring legacy, Lauren was once again tapped to design the uniforms for Team USA at the Olympic Winter Games in Milan, marking his sixth time designing for the games.

“From being in Italy with the greatest athletes in the world and then coming here to New York City to put on a fashion show that’s so elegant, it’s two different sides of Ralph Lauren and two different sides of what an American company can do to reach the world,” David Lauren, the company's chief branding and innovation officer, said.


Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
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Kering’s Fourth-Quarter Sales Fall Less Than Expected as Gucci Slide Continues

The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)
The logo of French luxury group Kering is seen at Kering headquarters in Paris, France, February 13, 2023. (Reuters)

Kering reported on Tuesday a slightly smaller-than-expected drop in fourth-quarter sales, as investors await details of CEO Luca de Meo's plans ​to revive the Gucci owner's flagging fortunes.

Sales reached 3.9 billion euros ($4.64 billion), down 3% from the previous year when adjusted for currency swings. That beat analysts' consensus forecast for a 5% drop, according to Visible Alpha.

The revenue drop was 10% at Italian flagship label Gucci, which accounts for most of Kering's profits, versus analyst expectations of a 12% decline.

It ‌was the brand's ‌10th straight quarter of revenue ‌decline.

Finance ⁠Chief ​Armelle ‌Poulou told journalists Gucci saw some improvement at the end of last year in "almost all regions", helped by newly introduced products and handbag sales.

Grappling with weak sales since the maximalist styles of Gucci's former star designer Alessandro Michele fell out of fashion in 2022, Kering has faced heightened investor scrutiny over its high ⁠debt and declining profitability.

Free cash from operations fell by 35% last year ‌when excluding one-off payments from real estate ‍sales, reaching 2.3 billion euros, Kering ‍said.

"For Kering, it's really about (restoring) the broad desirability globally," said ‍JPMorgan analyst Chiara Battistini.

Facing an uncertain business outlook, the group, which also owns Gucci Balenciaga, Bottega Veneta and Yves Saint Laurent, further reduced its store network by 75 boutiques with further closures planned, Poulou said.

The ​earnings underscored the steep challenges Kering faces to catch up with peers even though its shares have ⁠risen around 50% since de Meo's appointment was announced last June.

"2025 did not reflect Kering's true potential or the strength of our brands, but it enabled us to lay the foundations for our future recovery," said Poulou.

Kering's annual operating income reached 1.63 billion euros, less than a third of its 2022 level. Kering's operating profit margin fell to 11% group-wide and 16% at Gucci, down from 28% and 36% three years earlier.

By contrast, LVMH delivered a 22% margin last year amid ‌a broader luxury slowdown, with its leather and fashion division - home to Louis Vuitton and Dior - hitting 35%.


Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.