An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
TT

An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)

He kept the beat for one of the world's most iconic bands, has fronted his supergroup for three decades, is a two-time rock hall-of-famer -- and at 80, Ringo Starr is as energetic as ever.

The pandemic has stalled his normally packed touring schedule, but the former Beatle is set to release a quarantine-developed EP as well as a photo memoir about his All Starr Band, which comes out Wednesday.

In 1989, fresh out of rehab, Starr started the band, one of history's longest running live touring groups that has featured a wide array of music luminaries.

Its first edition featured blues star Dr. John, Joe Walsh of the Eagles, and Nils Lofgren and Clarence Clemons, who played with Bruce Springsteen's E Street Band.

"I had recently cleaned up my act, but now I needed to find some way to get that act back out on the road," Starr said.

"In those days, you had those little phone books that were so civilized, and I just started calling people," the drummer and vocalist told AFP in an interview. "It worked out great."

"Ringo Rocks: 30 Years of the All Stars" -- which is being sold exclusively by Julien's Auctions -- chronicles the ever-shifting band's history through rare photos and anecdotes from Starr.

"How far out," the artist said from Los Angeles via video chat.

"Thirty years... I didn't sit there and say 'Oh man, I could do this for 30 years.' And it would've been 31 if we didn't have this pandemic!"

Starr had two 2020 tours booked that were grounded by the coronavirus crisis, and his annual birthday bash had to go virtual.

"Some days, it's miserable," the animated percussionist said.

"I would sit there some days and think, 'Oh I want to go out! I want to hug people!' -- well, the result of that could be you die. So I didn't do that either."

'Three brothers'
Instead, the octogenarian crafted a four-track EP -- "I loved EPs when I was a lad," he said -- at his home studio between April and October this year.

The mini-album entitled "Zoom In" -- "which I thought was appropriate for this day and age; that's all we do!" -- features collaborations with a laundry list of top artists.

Its single "Here's To The Nights" -- out Wednesday in conjunction with the photo memoir -- was penned by songwriter Diane Warren and features a who's who of music including Walsh, Dave Grohl, Sheryl Crow, Lenny Kravitz, and none other than Paul McCartney.

"If he's in town and I'm making a record, I always save a track if I know he's coming in," Starr said of his former bandmate. "He's just an incredible bass player and a beautiful human being."

The musician called the December 8 anniversary of John Lennon's death "a moment of reflection," saying that as an only child, "I'm blessed... I was in a band."

"I have three brothers who were very close."

"It's one of those moments," he said of the 40th anniversary of Lennon's shooting, also noting the poignancy that arrives every year on November 29, the day George Harrison died in 2001.

'Hold it down'
In his well over half-a-century in the music business, one thing has stayed constant for the Liverpool-born, Los Angeles-based artist: he loves life in a band.

"I've always done everything I've done with other musicians," Starr said.

"When I started, a lot of people were starting, so we learned together, we jammed together, we made mistakes together."

Not one for the flashy drum solos many other percussionists make their names with, Starr said he prefers to keep the rhythm for his bandmates.

"Some people have done really great solos, but it's just something that didn't appeal to me -- even when I started, when you want to really show off," he said.

"I just wanted to hold. It. Down," he added, emphasizing each syllable.

Starr said musicians involved in making his EP took the necessary health precautions.

"We were all very conscious of the fact that it's mad out there, so we wore masks and stayed quite a bit apart," he said.

"Sometimes it was only five feet, not six," the Beatle known for his quips added with a wink.

"That kept me busy and also I like to paint, so I've got a little room where I can splash paints and it doesn't bother anybody," Starr said. "I'm finding things to keep me moving."

"And so that's how we're coverin' it, you know?"



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
TT

Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
TT

Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
TT

'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)