An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
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An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)

He kept the beat for one of the world's most iconic bands, has fronted his supergroup for three decades, is a two-time rock hall-of-famer -- and at 80, Ringo Starr is as energetic as ever.

The pandemic has stalled his normally packed touring schedule, but the former Beatle is set to release a quarantine-developed EP as well as a photo memoir about his All Starr Band, which comes out Wednesday.

In 1989, fresh out of rehab, Starr started the band, one of history's longest running live touring groups that has featured a wide array of music luminaries.

Its first edition featured blues star Dr. John, Joe Walsh of the Eagles, and Nils Lofgren and Clarence Clemons, who played with Bruce Springsteen's E Street Band.

"I had recently cleaned up my act, but now I needed to find some way to get that act back out on the road," Starr said.

"In those days, you had those little phone books that were so civilized, and I just started calling people," the drummer and vocalist told AFP in an interview. "It worked out great."

"Ringo Rocks: 30 Years of the All Stars" -- which is being sold exclusively by Julien's Auctions -- chronicles the ever-shifting band's history through rare photos and anecdotes from Starr.

"How far out," the artist said from Los Angeles via video chat.

"Thirty years... I didn't sit there and say 'Oh man, I could do this for 30 years.' And it would've been 31 if we didn't have this pandemic!"

Starr had two 2020 tours booked that were grounded by the coronavirus crisis, and his annual birthday bash had to go virtual.

"Some days, it's miserable," the animated percussionist said.

"I would sit there some days and think, 'Oh I want to go out! I want to hug people!' -- well, the result of that could be you die. So I didn't do that either."

'Three brothers'
Instead, the octogenarian crafted a four-track EP -- "I loved EPs when I was a lad," he said -- at his home studio between April and October this year.

The mini-album entitled "Zoom In" -- "which I thought was appropriate for this day and age; that's all we do!" -- features collaborations with a laundry list of top artists.

Its single "Here's To The Nights" -- out Wednesday in conjunction with the photo memoir -- was penned by songwriter Diane Warren and features a who's who of music including Walsh, Dave Grohl, Sheryl Crow, Lenny Kravitz, and none other than Paul McCartney.

"If he's in town and I'm making a record, I always save a track if I know he's coming in," Starr said of his former bandmate. "He's just an incredible bass player and a beautiful human being."

The musician called the December 8 anniversary of John Lennon's death "a moment of reflection," saying that as an only child, "I'm blessed... I was in a band."

"I have three brothers who were very close."

"It's one of those moments," he said of the 40th anniversary of Lennon's shooting, also noting the poignancy that arrives every year on November 29, the day George Harrison died in 2001.

'Hold it down'
In his well over half-a-century in the music business, one thing has stayed constant for the Liverpool-born, Los Angeles-based artist: he loves life in a band.

"I've always done everything I've done with other musicians," Starr said.

"When I started, a lot of people were starting, so we learned together, we jammed together, we made mistakes together."

Not one for the flashy drum solos many other percussionists make their names with, Starr said he prefers to keep the rhythm for his bandmates.

"Some people have done really great solos, but it's just something that didn't appeal to me -- even when I started, when you want to really show off," he said.

"I just wanted to hold. It. Down," he added, emphasizing each syllable.

Starr said musicians involved in making his EP took the necessary health precautions.

"We were all very conscious of the fact that it's mad out there, so we wore masks and stayed quite a bit apart," he said.

"Sometimes it was only five feet, not six," the Beatle known for his quips added with a wink.

"That kept me busy and also I like to paint, so I've got a little room where I can splash paints and it doesn't bother anybody," Starr said. "I'm finding things to keep me moving."

"And so that's how we're coverin' it, you know?"



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.