Sudan Cinema Takes Inspiration From Revolution

Many cinemas were shut and homegrown filmmaking languished in Sudan under Omar al-Bashir's regime- AFP
Many cinemas were shut and homegrown filmmaking languished in Sudan under Omar al-Bashir's regime- AFP
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Sudan Cinema Takes Inspiration From Revolution

Many cinemas were shut and homegrown filmmaking languished in Sudan under Omar al-Bashir's regime- AFP
Many cinemas were shut and homegrown filmmaking languished in Sudan under Omar al-Bashir's regime- AFP

Sudanese filmmakers who celebrated the end of stifling restrictions following the ouster of autocrat Omar al-Bashir have won multiple international awards but are yet to enjoy the same recognition at home.

Cinema languished in the North African country through three decades of authoritarian rule by Bashir.

But Sudanese took to the streets to demand freedom, peace and social justice, and Bashir's ironfisted rule came to an end in a palace coup by the army in April 2019.

"We started realizing how much our society needs our dreams," said director Amjad Abou Alala, AFP reported.

His 2019 film "You Will Die at Twenty" was both Sudan's first Oscar entry and the first Sudanese film broadcast on Netflix, winning prizes at international film festivals including Italy's Venice and Egypt's El Gouna.

The film tells the story of a young man a mystic predicts will die at age 20.

As Sudan undergoes a precarious political transition, the country's filmmakers have found more space to operate, Alala said.

Young filmmakers act "without the complexes, the lack of self-confidence or the frustration that we suffered in previous generations", he added.

Talal Afifi, director of the Khartoum-based Sudan Film Factory program, has trained hundreds of young people in filmmaking.

Afifi began work long before the 2019 revolution, with advances in digital camera technology making filmmaking far more accessible.

The filmmaker attended a 2008 short film festival in Munich, where the winning film -- an Iraqi documentary shot on a handy-cam -- inspired him to return home and set up a training center and production house.

In the past decades, the Film Factory has organized some 30 screenwriting, directing and editing workshops -- and produced more than 60 short films, honored in international festivals from Brazil to Japan.

Afifi says the roots of Sudan's innovative cinema was born from the "hard work dating from before" Bashir's overthrow, when many cinemas were closed.

Today, cinemas are allowed -- big budget Hollywood films, as well as Indian and Egyptian movies are popular -- but moves to reopen them have been frustrated by restrictions to stem the spread of the novel coronavirus.

The Sudanese National Museum organized screenings of films, including "You Will Die at Twenty", but they were not screened in large theaters.

Filmmakers still face challenges. Hajooj Kuka, director of the acclaimed 2014 "Beats of the Antonov" was jailed for two months last year for causing a "public nuisance" -- for what he said was an acting workshop.

Other Sudanese films have also garnered international attention, including the 2019 documentary "Talking About Trees" by Suhaib Gasmelbari, which tells the story of four elderly Sudanese filmmakers with a passion for movies.

The quartet and their "Sudanese Film Club" work to reopen an open-air cinema in Omdurman, the city across the Nile from the capital Khartoum.

It won prizes ranging from the Berlin International Film Festival to awards from Istanbul, Athens and Mumbai.

Another film, director Marwa Zein's award-winning 2019 documentary "Khartoum Offside", tackles sexism in the conservative country through the story of young female footballers determined to play professionally.

Many leading Sudanese directors have lived abroad for years, some shuttling between the Egyptian capital Cairo and Khartoum, like Zein and Gasmelbari.

"We are children of the diaspora, which is why our analysis of the affairs of the Sudanese is critical," said Dubai-based Alala.

But if international recognition is seen as a sign of success, Alala fears the new boom in Sudanese cinema will amount to a "leap into the void" because it has not benefited from "any official support or suitable infrastructure".

He understands that this is in part due to the many challenges facing Sudan, as it struggles with a dire economic crisis and seeks to implement a recent peace deal with rebels to end decades of civil war.

While Alala says government support is necessary for the film industry to flourish, he admits that it "would be unfair to ask the new government to shoulder this burden when the economy is devastated".



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.