Review: Kristen Wiig and Annie Mumolo Go on a Beach Romp

This image released by Lionsgate shows Phyllis Smith, left, and Vanessa Bayer in "Barb and Star Go to Vista Del Mar." (Lionsgate via AP)
This image released by Lionsgate shows Phyllis Smith, left, and Vanessa Bayer in "Barb and Star Go to Vista Del Mar." (Lionsgate via AP)
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Review: Kristen Wiig and Annie Mumolo Go on a Beach Romp

This image released by Lionsgate shows Phyllis Smith, left, and Vanessa Bayer in "Barb and Star Go to Vista Del Mar." (Lionsgate via AP)
This image released by Lionsgate shows Phyllis Smith, left, and Vanessa Bayer in "Barb and Star Go to Vista Del Mar." (Lionsgate via AP)

There's a tiny oasis on the west coast of Florida where the men wear Tommy Bahama from head to toe and women of a certain age stroll around poolside in tube tops and full jewelry.

It's a “middle-age Nirvana” where crabs talk and you can eat veal-stuffed manatee while wearing your evening culottes and sip tropical drinks served in a mini-aquarium.

This oasis is called Vista Del Mar and it's the whacky invention of Kristen Wiig and Annie Mumolo, who co-wrote and co-star in “Barb and Star Go to Vista Del Mar,” a gentle salute to women in their 40s getting their groove back.

Wiig and Mumolo, whose “Bridesmaids” was nominated for a screenwriting Oscar, are irresistible this time as two best friends who accidentally get wrapped up in a huge plot to destroy the Florida resort town.

“Barb and Star Go to Vista Del Mar” has some pleasant messages — like don't abandon a friendship over a boy, fight to keep your inner shimmer and you're never too old to grow. It's not gross or sharp, unless you find jokes about how tourists like gifts made of shells a little too close to home.

Wiig (Star) and Mumolo (Barb) play a particular caricature of a Midwestern woman — the hair is fluffy, they adore character socks and eat hot dog soup. Just a pair of very forgiving and kindly single gals from Soft Rock, Nebraska.

They are members of a Talking Club (run ruthlessly by Vanessa Bayer) and say things like, “It’s so funny to think all the racoons in the world are sleeping right now.” Somehow, the relentlessly optimistic pair don't get grating for viewers over its 100-minute run time. Director Josh Greenbaum's work is straightforward, wisely just letting these gals do their thing.

When their careers at a furniture store take a nosedive, Barb and Star decide on a Florida vacation. “Maybe something is telling us to do something different,” says Star to Barb. To which Barb replies: “Should we try those socks with individual toes?”

In Florida, they wander into a revenge plot laid by a James Bond-like villain (also Wiig) who wants to destroy her hometown of Vista Del Mar with killer mosquitos because residents were mean to her as a kid. The tip-off that's she's evil comes quickly; her lair has an elevator with a button labeled “Lair.”

There are roles for Jamie Dornan as a love interest, Damon Wayans Jr. as a bumbling spy, Reba McEntire as a water sprite and a hysterical turn by Andy García as Tommy Bahama, who delivers this line without cracking up: “It is time to mount the wind and ride it with the fierceness of a hippopotamus.”

Wiig and Mumolo are also behind many of the movie's songs, including the hotel lounge piano tune “Edgar's Prayer,” which is delivered to seagulls. Of course, there are classic beach bum songs, too, like “Cheeseburger in Paradise” and “Key Largo.”

The film nicely sends up spy capers, Broadway and buddy movies and is a lot like its two leading characters: Kindly, a little silly and as sweet as a candy-colored drink at the pool bar.



Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”