In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
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In a New Series, TCM Takes a Look at ‘Problematic’ Classics

This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)
This April 11, 2019 file photo shows Jacqueline Stewart at the 2019 TCM Classic Film Festival - Opening Night Gala for "When Harry Met Sally" in Los Angeles. (AP)

Loving classic films can be a fraught pastime. Just consider the cultural firestorm over “Gone With the Wind” this past summer. No one knows this better than the film lovers at Turner Classic Movies who daily are confronted with the complicated reality that many of old Hollywood’s most celebrated films are also often a kitchen sink of stereotypes. This summer, amid the Black Lives Matter protests, the channel’s programmers and hosts decided to do something about it.

The result is a new series, “Reframed Classics,” which promises wide-ranging discussions about 18 culturally significant films from the 1920s through the 1960s that also have problematic aspects, from “Breakfast at Tiffany’s” and Mickey Rooney’s performance as Mr. Yunioshi to Fred Astaire’s blackface routine in “Swing Time.” It kicks off Thursday with none other than “Gone With the Wind.”

“We know millions of people love these films,” said TCM host Jacqueline Stewart, who is participating in many of the conversations. “We’re not saying this is how you should feel about ‘Pyscho’ or this is how you should feel about ‘Gone with the Wind.’ We’re just trying to model ways of having longer and deeper conversations and not just cutting it off to ‘I love this movie. I hate this movie.’ There’s so much space in between.”

Stewart, a University of Chicago professor who in 2019 became the channel’s first African American host, has spent her career studying classic films, particularly those in the silent era, and Black audiences. She knows first-hand the tension of loving films that also contain racial stereotypes.

“I grew up in a family of people who loved classic films. Now, how can you love these films if you know that there’s going to be a maid or mammy that shows up?” Stewart said. “Well, I grew up around people who could still love the movie. You appreciate some parts of it. You critique other parts of it. That’s something that one can do and it actually can enrich your experience of the film.”

While TCM audiences will know her as the host of Silent Sunday Nights, this past summer she was given a bigger spotlight when she was selected to introduce “Gone With the Wind” on HBO Max to provide proper context after its controversial removal from the streaming service. She remembers drafting her remarks for that while also concocting this series.

“I continue to feel a sense of urgency around these topics,” she said. “It was really important for the group to come together to think about how we can work with each other and work with our fans to deepen the conversations about these films.”

TCM hosts Ben Mankiewicz, Dave Karger, Alicia Malone and Eddie Muller will also be part of many conversations. The films that they’ve selected aren’t under the radar novelties either. As Stewart said, “they’re the classics of the classics.”

The series, which runs every Thursday through March 25, will also show “Guess Who’s Coming to Dinner,” “Gunga Din,” “The Searchers,” “My Fair Lady,” “Stagecoach,” “Woman of the Year” and “The Children’s Hour.”

During the “My Fair Lady” conversation on March 25, they talk about why the film adaptation has a less feminist ending than the stage play, and Henry Higgins’ physical and psychological abuse of Eliza Dolittle. Not feeding her and stuffing marbles in her mouth are played for cute laughs in the film. Is it a commentary on misogyny or just plain misogyny?

And on the “Guess Who’s Coming to Dinner” night, airing March 11, Stewart discusses the complex legacy of Sidney Poitier.

“His career is so important for the ways that white Americans really started to have more sympathy and understanding of Black people. But at the same time, there are aspects of his films that are clearly oriented primarily to white audiences,” Stewart said. “That opens up all kinds of complications for Black viewers who felt that he wasn’t a representative of the race as a whole.”

Companies have lately taken to adding disclaimers before shows and films depicting outdated or stereotypical characters and themes. And in some instances, films have just been made unavailable. Disney has said that it’s 1946 film “Song of the South” will never be on Disney+. The classic film podcast “You Must Remember This” has an excellent series about the controversial movie and how it came to be.

The goal of “Reframed Classics” is to help give audiences the tools to discuss films from a different era and not just dismiss or cancel them. And Stewart, for her part, doesn’t believe that you can simply remove problematic films from the culture.

“I think there’s something to be learned from any work of art,” Stewart said. “They’re all historical artifacts that tell us a lot about the industry in which they were made, the cultures that they were speaking to.”



Rapper Sean 'Diddy' Combs Returns to Jail as Judge Considers Bail Bid

Family members enter the federal court in Manhattan on the day of music mogul Sean "Diddy" Combs’s hearing on his request to be released from jail pending trial in New York City, New York, US, November 22, 2024. REUTERS/Kent J. Edwards
Family members enter the federal court in Manhattan on the day of music mogul Sean "Diddy" Combs’s hearing on his request to be released from jail pending trial in New York City, New York, US, November 22, 2024. REUTERS/Kent J. Edwards
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Rapper Sean 'Diddy' Combs Returns to Jail as Judge Considers Bail Bid

Family members enter the federal court in Manhattan on the day of music mogul Sean "Diddy" Combs’s hearing on his request to be released from jail pending trial in New York City, New York, US, November 22, 2024. REUTERS/Kent J. Edwards
Family members enter the federal court in Manhattan on the day of music mogul Sean "Diddy" Combs’s hearing on his request to be released from jail pending trial in New York City, New York, US, November 22, 2024. REUTERS/Kent J. Edwards

Sean "Diddy" Combs will remain in custody for at least several more days as a US judge considers his bid to be released on $50-million bail from the Brooklyn jail where the music mogul has been held for 10 weeks.
After a nearly two-hour hearing in Manhattan federal court, US District Judge Arun Subramanian said on Friday he would rule on Combs' bid for home detention "promptly."
Combs' lawyers this month proposed a bail package backed by his $48-million Florida mansion. It also called for Combs to be monitored around the clock by security personnel and to have no contact with alleged victims or witnesses.
Combs has been denied bail three times since his arrest, with multiple judges citing a risk he might tamper with witnesses. The rapper and producer pleaded not guilty on Sept. 17 to charges he used his business empire, including his record label Bad Boy Entertainment, to sexually abuse women.
During the hearing, defense lawyer Marc Agnifilo disputed prosecutors' contention that a 2016 hotel surveillance video of Combs assaulting former girlfriend Casandra Ventura, known as Cassie, showed there was a risk he would act violently if released.
"There's a zero percent chance of that happening," Agnifilo said.
Combs apologized in May after CNN broadcast the video showing him kicking, shoving and dragging Cassie in a hotel hallway. Agnifilo said he had never denied the incident, but said the video was not evidence of sex trafficking.
"It's our defense to these charges that this was a toxic, loving 11-year relationship," Agnifilo told the court.
Earlier, prosecutor Christine Slavik said Combs tried to bribe hotel staff to delete the surveillance footage - demonstrating he was committed to concealing his crimes by illegal means.
Even from behind bars at the Metropolitan Detention Center, Combs had communicated with his lawyers through unauthorized channels, and sought to run a social-media campaign to sway potential jurors, Slavik said.
"The defendant here has demonstrated that either he cannot or will not follow rules," Slavik said. "The defendant, simply put, cannot be trusted."
Regarding Combs' attempted social-media campaign, defense lawyer Alexandra Shapiro said he had a right to respond to news coverage of the case that could paint him unfavorably for potential jurors.
Upon being led into the hearing by the US Marshals service, Combs, wearing a beige jail-issued outfit, blew kisses toward his family seated in the second row of the courtroom's audience.
COMBS DENIES WRONGDOING
Prosecutors said the abuse included having women take part in recorded sexual performances called "freak offs" with male sex workers who were sometimes transported across state lines. Combs, 55, has denied wrongdoing, and his lawyers have argued the sexual activity described by prosecutors was consensual.
Combs' lawyers questioned why jail was needed when federal prosecutors in Brooklyn last month allowed the pre-trial release on a $10-million bond of former Abercrombie and Fitch CEO Mike Jeffries, who has pleaded not guilty to sex-trafficking.
The US Attorney's office in Manhattan, which brought the charges against Combs, countered that Jeffries is 80 years old with no criminal history, whereas Combs has prior arrests.
They also said federal agents recovered rifles with defaced serial numbers from Combs' residences. This week, Subramanian ordered prosecutors to destroy their copies of handwritten notes that Combs took in jail, pending a decision on whether they were subject to attorney-client privilege.
A government investigator photographed the notes during a sweep of the Metropolitan Detention Center in Brooklyn, where Combs has been jailed.