New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
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New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)

After growing cobwebs for nearly a year, movie theaters in New York City reopen Friday, returning film titles to Manhattan marquees that had for the last 12 months instead read messages like “Wear a mask” and “We’ll be back soon.”

Shortly after noon at the Angelika Film Center on Houston Street, Holly Stillman was already feeling emotional coming out of the first New York showing of Lee Isaac Chung’s tender family drama “Minari.” “My mask is drenched,” she said.

But she was equally overwhelmed by being back in a cinema. Though Stillman feared the experience would be too restrictive because of COVID-19 protocols, she instead found it euphoric.

“It was just you and the movie screen,” said Stillman. “It was wonderful to smell the popcorn as soon as I got into the theater — even though I don’t eat popcorn.”

Less than half of movie theaters are open nationwide, but reopenings are quickening. Theaters in many other areas reopened last summer around the release of Christopher Nolan’s “Tenet,” but that attempted comeback fizzled. Throughout, theaters remained shut in the five boroughs. For a year almost to the date, one of the world’s foremost movie capitals stayed dark.

For a theatrical business that has been punished by the pandemic, the resumption of moviegoing in New York — is a crucial first step in revival.

“It’s a symbolic moment,” said Michael Barker, co-president of the New York-based Sony Pictures Classics, which on Friday released the Oscar contenders “The Father” and “The Truffle Hunters” in Manhattan theaters. “It says that there is hope for the theatrical world to reactivate itself.”

Cinemas in the city are currently operating at only 25% capacity, with a maximum of 50 per each auditorium. As in other places, mask wearing is mandatory, seats are blocked out and air filters have been upgraded.

Many theaters were caught off guard when Gov. Andrew Cuomo said cinemas could, under those conditions, reopen. Some of the city’s prominent theaters, including the Film Forum, the Alamo Drafthouse, the Metrograph and Regal Cinemas were targeting openings in the coming weeks. Some needed more time to prepare. After sitting dormant all winter, the Cinema Village in Manhattan two weeks earlier burst a pipe, flooding the lobby — one last bit of bad luck in a grueling year.

“This was the worst horror movie. I don’t think any Hollywood director could have dreamed it up,” said Nicolas Nicolaou, owner of the Cinema Village and theaters in Queens and New York. “We didn’t realize we’d be 100% shutdown for this long.”

New York, along with Los Angeles (where theaters are still closed), is one of the top movie markets. For smaller films, it’s a vital epicenter of word-of-mouth. For blockbusters, it’s a lucrative necessity. Without New York or Los Angeles open, Hollywood studios have pushed most of their larger productions until more theaters are open, or they’ve steered films to streaming

“The New York opening is very significant to the theater business in New York, in the nation and in the globe,” says John Fithian, president of the National Association of Theater Owners. “We in the movie theater business live off of movies that play all around the country and all around the world. We keep seeing those movies leave the theatrical release schedule to move to later dates because there just haven’t been enough markets. New York is the most important of those markets.”

Lately, with President Biden’s prediction that every adult can be vaccinated by the end of May, the outlook for theaters has been brightening for the first time in a long time. Last weekend, “Tom & Jerry” overperformed at the box office with $14.1 million in ticket sales, even while it streamed on HBO Max. Though Universal Pictures pushed the “Fast & Furious” sequel “F9” from late May to late June, other movies have moved up on the calendar, reversing the postponement tide.

Sony Pictures said it will release “Peter Rabbit 2: The Runaway” in May. Paramount Pictures’ “A Quiet Place II” moved into the May 28 date vacated by “F9.” The Walt Disney Co.’s “Black Widow” currently remains slated for May 7. Adding to the optimism: Southern California theaters are expected to reopen over the next few weeks.



F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
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F1 Great Ayrton Senna’s High-Octane Life in Focus of New Netflix Series about Racing Champion

 Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)
Brazilian actor Gabriel Leone poses for photos on the red carpet for the Netflix series Senna, about the life and death of Formula 1 legend Ayrton Senna, who was killed in 1994 in a crash, in Sao Paulo, Tuesday, Nov. 26, 2024. (AP)

Thirty years after his death in a high-speed crash viewed by millions around the world, Formula One champion Ayrton Senna's high-octane life is also about to play out in front of a global audience.

The legendary Brazilian driver — who was killed when his car hit a concrete wall at the San Marino Grand Prix in 1994 — is the subject of a six-episode Netflix series that debuts on Nov. 29 and follows him from his early go-kart days to that fatal Sunday afternoon at the Imola track in Italy.

Even three decades after that accident, few F1 figures evoke as much emotion and passion among fans and fellow drivers as Senna, who won three championship titles before his death at the age of 34.

Senna’s complex personality — he was a saint to his millions of Brazilian fans and a sinner to some critics who deemed his driving style too aggressive — comes to life through Brazilian actor Gabriel Leone, who embraced the challenge of portraying such a popular figure.

"He was much more than an F1 driver for us, he became an icon, much beyond his technique and his driving," Leone told The Associated Press in an interview in Sao Paulo. "He had this humanity, this honesty. The things he said, his values, it all made him closer to people."

Senna's life and career had no shortage of made-for-TV moments.

This was a driver who once won a race with his car stuck in sixth gear in front of thousands of raucous fans at the Interlagos track. And who went from fifth position to first in one lap at the 1993 European Grand Prix. And who jumped out of his car during a training session to save the life of a French driver who had crashed.

On the track, his rivalry with French driver Alain Prost was one of the most intense that F1 has ever seen. Off the track, he had some high-profile relationships as well and dated several models, including Elle Macpherson.

"For me as an actor, the more complex the character is, the better. It is more interesting to build him and live him. And this is quite a character, the biggest hero in Brazil, not only in sport," Leone said. "Ayrton was transcendent, he was more than an F1 driver. That’s a guy who is the hero of great drivers in history, like (Michael) Schumacher and (Lewis) Hamilton."

Senna won the drivers’ championship in 1988, 1990 and 1991 with the McLaren team and moved to Williams in the year he died as the favorite to lift the title again.

For Leone, though, it was also important to portray him as a person who understood his role as a national hero, who advocated for the poor and proudly waved a Brazilian flag from his cockpit during every victory lap.

"He was not distant, he was close," said Leone, who attended a red carpet premiere in Sao Paulo on Tuesday with several other cast members and director Vicente Amorim. "That’s for Brazilians and non-Brazilians. It was like this, and it still is like this."

To many international fans, Senna was simply an exceptional talent who was born to be a driver. Even former rival Martin Brundle, now a TV pundit, once likened Senna's ability to find grip on some corners to a dance seemingly innate to a Brazilian.

"It is a different kind of samba that I could not do," Brundle has said.

The Netflix series, however, shows some of the hard work and attention to detail that went into Senna becoming a wet-weather master.

The streaming giant — which reportedly invested more than $170 million in its production — also takes a bit of liberty with the truth when it comes to building up the animosity between Senna and one of his other real-life antagonists, Jean-Marie Balestre, the French former president of F1's governing body FIA.

Balestre is often accused by fans of aiding his countryman Prost in his rivalry with Senna, including at the 1984 Monaco Grand Prix by stopping the race early before the Brazilian driver could overtake his French rival in the heavy rain. And at the 1989 Japanese Grand Prix, when Senna was disqualified in a decision that handed the championship title to Prost.

The Netflix series goes a step further by making Balestre (played by Arnaud Viard) the man responsible for Senna also losing a go-kart title as a youngster, long before he even entered F1.

"If that was true it would be news to every reporter covering Senna’s story over the last decades," said Ernesto Rodrigues, who wrote a biography on the three-time F1 champion. "Yes, Senna had Balestre working against him many times. But Balestre was an autocrat with other drivers, too. It wasn’t exclusive."

Prost, played by Matt Mella, goes from being a racing foe to a friend after his retirement in the series just like in real life. The friction between the two as McLaren teammates and then in the title-deciding races in the 1989 and 1990 seasons create some of the best moments of the series for racing fans.

Three of the women in Senna’s life also appear in the series.

Scenes with Lílian de Vasconcellos Souza, who married Senna in 1981 and divorced him the next year, help show how the Brazilian was driven to go into F1 early in his career. Xuxa Meneghel, a wildly popular TV host, is featured for a full episode as the driver’s most important girlfriend. Adriane Galisteu, who was the champion’s girlfriend when he died, appears for less than three minutes.

Senna's importance to today's F1 drivers was on full display at the Brazilian Grand Prix this month, when Hamilton — the British seven-time F1 champion — drove one of Senna's old cars around the track as part of the tributes marking the 30th anniversary of his death.

"This is the greatest honor of my life," Hamilton said on Nov. 3. "I hope I made Senna proud."