Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.
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Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.

Lebanese singer Pascale Machaalani has released her new song “Jnan Bijnan” (Insanity over insanity), her first track for 2021. She also 30 years on the Arab music scene.

In an interview with Asharq Al-Awsat, Machaalani said that she wants to achieve great things in the coming period, including the release of an exciting new album. She stressed that she is not interested in being called “Lebanon’s top singer,” believing it would be disrespectful to be labeled as such while legendary Lebanese singers like Fairouz and Majida El Roumi are around.

What prompted you to make the song “Jnan Bijnan” your first of 2021?
I wanted my first song for the new year to carry a message of positive energy, joy and hope, as we’re currently living in times of crisis, especially with the Covid-19 pandemic and the aftermath of the August 4 Beirut port explosion. When the Egyptian poet Ramadan Mohammad wrote the lyrics for me, I liked them very much, and I immediately started recording the album in the studio of my husband, the composer Melhem Abu Shadid.

Can you tell us more about your new album?

My album has been ready for release on the market and online platforms for nearly a year and a half, but, as I have said, the conditions in the Arab world, especially in Lebanon, are not stable. However, I will release the album two weeks after Eid al-Fitr if the conditions over the next few weeks allow it. If not, then I would only release one song and postpone the rest of the album’s release until mid-summer. I collaborated with very well-known poets and composers from Egypt and Lebanon when producing my new album, which is actually a mini-album and not a complete one.

Can you tell us the differences that you have seen between the era when you first ascended onto the music scene in the 1990s and now?

Every era has its own distinctive events that define it. I first made my debut on the Arabic music scene at the end of 1992, a time when many Lebanese artists were facing many difficulties in making a name in the music industry because of the Lebanese civil war. However, what’s unique about that period is that we only had a few Arabic TV channels for publicity, so an ascending artist had to work very hard to ensure that the audiences remember their name. In my opinion, that’s the main reason why the stars of that era continue to be successful today, because they had to work hard for it and their names are engraved in stone, unlike the stars of today, who have it easy with online platforms. But their success lasting for long is not guaranteed.

What does Machaalani strive for after three decades in the music industry?

I’d like to do a large theatrical performance, similar to those of the artists Wadih El Safi and Sabah. I’d also like to produce a complete musical album, and finally, I hope I will have the opportunity to act in a film that combines romance and comedy.

Can you tell us why you’re not interested in being labeled as “Lebanon’s first singer”?

In the presence of icons like Fairouz, any other singer in the Arab world would come in second place. For me personally, I don’t care about titles because I believe that every artist has their own personality and voice that distinguishes them from the others.

Why have you been late to get into the film industry?

I think it is due to contingencies that I wasn’t able to fulfill my dream of acting. I once worked on a production that never saw the light of day because the producer and director were replaced in mid-production. I have no objections to acting, but if I decide to do it, it will be in a romantic comedy, not a drama, as I will show my true personality to the audience.

When will you consider retiring?

When my voice and my physical appearance fail me, and I’m not able to make good songs, I will announce my retirement, but so far, I have been able to continue in my career.



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)