Morocco's Abdulkader Al Shawi Writes a Story for Himself

Morocco's Abdulkader Al Shawi Writes a Story for Himself
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Morocco's Abdulkader Al Shawi Writes a Story for Himself

Morocco's Abdulkader Al Shawi Writes a Story for Himself

Le Fennec Publications has released a new book by Moroccan writer Abdulkader Al Shawi. The book is, as described by the writer, a self-visualization entitled “Al Tayhaa.”

On the book's back cover, Al Shawi wrote: “My guide in this book is clear. I mean I wrote it without planning or organization. There weren't any precedencies that made me chose. My incentives are so foggy. I know that the reader won't blame me if I told him that I wrote this story to myself to narrate its writing isolation. Therefore, in the final pages, I found myself totally convinced with what I wrote in the first pages – with the introduction I didn't write. The conclusion of this conviction is, and I am quoting Manuel Alberca here: ‘This is me, and not me. I resemble to myself but I am not me. But, be careful, because I might be me.’”

Commenting on the book, critic and translator Ibrahim Al Khatib noted that it is not a narrative or critical text, or a political analysis, but a “recurrence of a writing record recalling past memories, approaching the lives of some writers and examining their ups and downs, along with exploring the backgrounds of many positions and meetings. It also investigates the contexts of some of the writer's published books, or looks into the emotional resonance of various trips he had embarked on.”

“The book features a foreword, which, according to the writer, is not an introduction. But it reviews the background of writing about the past, in which the writer wonders about the connection between writing and lying and honesty, and its association with the time of writing, which is now,” added Al Khatib.

“The book features independent paragraphs with no titles or punctuations that separate their spaces. Their order is not chronological, as indicated by the dispersed dates and the non-organization of the narrated facts.”

Al Khatib noticed that the book, with its diverse material, is a “back and forth trip in the life of Abdulkader Al Shawi and its major events, that extend from his childhood in Bab Taza, his education in Tétouan then in Rabat, before starting his career in Casablanca, his pursuit of politics and writing.” It also takes “a look at the writer's relationships record, and the list of his friendships known for their geographical richness, whether in Morocco or abroad.” The book can be described as a “sequel or a narrative addition to his memories and readings.”

Al Shawi was jailed for 15 years, between 1974 and 1989, because of his political activity, before serving as the Moroccan ambassador to Chile. He wrote and published his first poetic texts, stories and literary articles in Moroccan and Arabic magazines and newspapers in 1968. Then, he published many works about literary and intellectual studies, in addition to many narrative works he debuted in 1986 with “Kan wa Akhawataha,” followed by “Dalil Al Onfowan” (1989), “Bab Taza” (1994), “Al Saha al Sharafiya” (1999), “Dalil al Mada” (2003), “Man Qal Ana” (2006), “Boustan al Sayida” (2018) and “Marabe' al Salwan” (2020).



Holy Quran Museum in Makkah Preserves, Showcases Rare Manuscripts

 The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
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Holy Quran Museum in Makkah Preserves, Showcases Rare Manuscripts

 The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA

The Holy Quran Museum in the Hira Cultural District in Makkah continues to play a leading role in preserving and exhibiting rare copies of the Holy Quran, standing as a cultural landmark that reflects the revered status of the Quran in the conscience of the Islamic nation and documents the care devoted to it across different historical eras, SPA reported.

Through its collections, the museum highlights the value of Quranic endowments, which formed one of the most significant features of Islamic civilization and contributed to safeguarding Quran manuscripts, disseminating them, facilitating their recitation, and supporting their service in mosques and centers of learning.

The museum houses one endowed copy of the Holy Quran printed in 30 pages, endowed by Prince Abdulaziz bin Mishaal bin Abdulaziz.

This initiative reflects a deep connection to the Holy Quran and embodies the continuity of the charitable endowment tradition dedicated to serving and caring for the Holy Quran.

The display of this manuscript aligns with the museum’s mission to introduce visitors to the history of the Holy Quran, highlight the efforts of individuals and institutions to preserve and serve it, and raise awareness of the cultural and humanitarian significance of Quranic endowments.

The museum offers a comprehensive cultural and knowledge-based experience that connects visitors to the history and stature of the Holy Quran, starting from Makkah, the birthplace of revelation and the direction of prayer for Muslims.


Saudi Arabia: Craft Exhibition at Kidana Track in Makkah Draws over 32,000 Visitors

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
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Saudi Arabia: Craft Exhibition at Kidana Track in Makkah Draws over 32,000 Visitors

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA

Kidana Development Company concluded its craft exhibition, held in cooperation with the Makkah Chamber at Kidana Track in Muzdalifah from December 17 to 20, where traditional crafts highlighting the authenticity of Saudi identity drew 32,362 visitors.

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans showcasing handmade products such as embroidery, knitting, carving, and pottery.

It aimed to reinforce Saudi identity and promote traditional crafts as vital to cultural heritage, fostering values among community members and future generations.

The Kidana Track serves as a comprehensive destination for Makkah residents and visitors, offering various facilities, walking paths, seating areas, and community events promoting sustainability.


Malaysian Minister of Religious Affairs Visits Hira Cultural District in Makkah

The Hira Cultural District is regarded as a prominent heritage landmark. SPA
The Hira Cultural District is regarded as a prominent heritage landmark. SPA
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Malaysian Minister of Religious Affairs Visits Hira Cultural District in Makkah

The Hira Cultural District is regarded as a prominent heritage landmark. SPA
The Hira Cultural District is regarded as a prominent heritage landmark. SPA

Malaysian Minister of Religious Affairs Dr. Muhammad Naeem bin Mukhtar visited on Sunday the Hira Cultural District in Saudi Arabia’s Makkah.

During the visit, the Malaysian minister and his accompanying delegation toured the Revelation Gallery and the Museum of the Holy Quran.

Members of the delegation expressed admiration for the historical legacy presented through the use of the latest technologies, as well as for the valuable efforts and purposeful messages aimed at enriching the religious and cultural experience. They also praised the beauty of the cultural and intellectual heritage and the distinctive presentation methods.

The Hira Cultural District is regarded as a prominent heritage landmark and a major attraction for visitors arriving in Makkah from around the world.