Young Pianists Vie for Glory in Poland's Chopin Competition

Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
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Young Pianists Vie for Glory in Poland's Chopin Competition

Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews

For South Korean pianist Su Yeon Kim, the music of Frederic Chopin is a way of life and competing in the world's most prestigious event bearing the French-Polish composer's name is a dream come true.

She says the first piece by the 19th-century composer and piano virtuoso -- who was born in 1810 and died in 1849 -- that she learned to play as a child was his Minute Waltz, AFP reported.

"Coming here was my dream because Chopin is my favorite composer. I never tire" of his music, the 27-year-old told AFP in Warsaw where she is hoping to secure a spot in the finals of the 18th Frederic Chopin International Piano Competition later this month.

Held every five years since 1927, the Chopin competition would normally have been held last year, but was postponed because of the coronavirus pandemic -- a first since World War II.

"It was challenging to get all the competitors into Poland," says Artur Szklener, director of the National Institute of Frederic Chopin.

Running from October 2 to 23, the event has drawn 87 pianists from across the globe, including 22 from China, 16 from Poland and 14 from Japan.

Competitors must be aged between 16 and 30.

"It's the most prestigious competition that can open the doors to a great career," says fellow competitor Eva Gevorgyan, a 17-year-old Russian-Armenian.

Previous winners include some of the greatest names in classical music, such as Maurizio Pollini, Martha Argerich and Krystian Zimerman.

- 'Not loud enough' -
Unlike Kim, Gevorgyan hails from a family of musicians.

"I used to take Eva to all my rehearsals and that made her want to play," says her mother, Ksenia Cherenkova, who studied viola at the Tchaikovsky Conservatory in Moscow.

"When she was three years old, she was given a violin. She broke it because the sound wasn't loud enough for her. That's when we thought of the piano," Cherenkova chuckles.

But she admits to having had misgivings about her daughter becoming a musician: "I know how difficult it can be."

The two young pianists have trodden similar paths: music school with four to eight hours of practice every day that left little time for sports or reading.

Kim now studies at the Mozarteum University Salzburg in Austria, while Gevorgyan is finishing high school and hopes to enter the Moscow Conservatory.

Both are already making their mark in the music world.

Kim won first prize at this year's Montreal International Music Competition.

Gevorgyan has already won prizes in more than 40 international competitions.

This week, both qualified for the third stage of the Chopin competition alongside 21 other candidates. Ten of them will go on to perform in the October 18-20 final.

- 'Surpassing ourselves' -
One of the 17 jury members, Argentinian concert pianist Nelson Goerner, believes that pandemic-related lockdowns have helped raise the level of this year's competition.

Faced with an unusually rich pool of talent, the jury bent the rules to admit seven more competitors than the 80 normally allowed.

"I was on the jury for the previous edition, but the level this year is remarkable," Goerner told AFP.

"The pianists have had more time to prepare and I think the pandemic has awakened in all of us a desire to go further, to surpass ourselves," he said.

"You can hear it in how these young pianists are playing."

Broadcast live on YouTube and via the Chopin Competition mobile app, the contest has attracted record online interest, the organizers say.

Some 45,000 people logged on the internet to listen to the second stage held this week at the Warsaw Philharmonic.

The jury will announce a winner on October 20 and finalists will perform in gala concerts until October 23.

"When I'm on stage, I don't think about winning. I want to perform and connect with the audience. That's my greatest pleasure," says Kim.



Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”


Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."