Young Pianists Vie for Glory in Poland's Chopin Competition

Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
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Young Pianists Vie for Glory in Poland's Chopin Competition

Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews
Yulianna Avdeeva of Russia acknowledges applause after performing with the The Symphonic Orchestra of the National Philharmonic conducted by Antoni Wit (R) during auditions of the finals of the 16th International Fryderyk Chopin Piano Competition in Warsaw October 19, 2010. REUTERS/Peter Andrews

For South Korean pianist Su Yeon Kim, the music of Frederic Chopin is a way of life and competing in the world's most prestigious event bearing the French-Polish composer's name is a dream come true.

She says the first piece by the 19th-century composer and piano virtuoso -- who was born in 1810 and died in 1849 -- that she learned to play as a child was his Minute Waltz, AFP reported.

"Coming here was my dream because Chopin is my favorite composer. I never tire" of his music, the 27-year-old told AFP in Warsaw where she is hoping to secure a spot in the finals of the 18th Frederic Chopin International Piano Competition later this month.

Held every five years since 1927, the Chopin competition would normally have been held last year, but was postponed because of the coronavirus pandemic -- a first since World War II.

"It was challenging to get all the competitors into Poland," says Artur Szklener, director of the National Institute of Frederic Chopin.

Running from October 2 to 23, the event has drawn 87 pianists from across the globe, including 22 from China, 16 from Poland and 14 from Japan.

Competitors must be aged between 16 and 30.

"It's the most prestigious competition that can open the doors to a great career," says fellow competitor Eva Gevorgyan, a 17-year-old Russian-Armenian.

Previous winners include some of the greatest names in classical music, such as Maurizio Pollini, Martha Argerich and Krystian Zimerman.

- 'Not loud enough' -
Unlike Kim, Gevorgyan hails from a family of musicians.

"I used to take Eva to all my rehearsals and that made her want to play," says her mother, Ksenia Cherenkova, who studied viola at the Tchaikovsky Conservatory in Moscow.

"When she was three years old, she was given a violin. She broke it because the sound wasn't loud enough for her. That's when we thought of the piano," Cherenkova chuckles.

But she admits to having had misgivings about her daughter becoming a musician: "I know how difficult it can be."

The two young pianists have trodden similar paths: music school with four to eight hours of practice every day that left little time for sports or reading.

Kim now studies at the Mozarteum University Salzburg in Austria, while Gevorgyan is finishing high school and hopes to enter the Moscow Conservatory.

Both are already making their mark in the music world.

Kim won first prize at this year's Montreal International Music Competition.

Gevorgyan has already won prizes in more than 40 international competitions.

This week, both qualified for the third stage of the Chopin competition alongside 21 other candidates. Ten of them will go on to perform in the October 18-20 final.

- 'Surpassing ourselves' -
One of the 17 jury members, Argentinian concert pianist Nelson Goerner, believes that pandemic-related lockdowns have helped raise the level of this year's competition.

Faced with an unusually rich pool of talent, the jury bent the rules to admit seven more competitors than the 80 normally allowed.

"I was on the jury for the previous edition, but the level this year is remarkable," Goerner told AFP.

"The pianists have had more time to prepare and I think the pandemic has awakened in all of us a desire to go further, to surpass ourselves," he said.

"You can hear it in how these young pianists are playing."

Broadcast live on YouTube and via the Chopin Competition mobile app, the contest has attracted record online interest, the organizers say.

Some 45,000 people logged on the internet to listen to the second stage held this week at the Warsaw Philharmonic.

The jury will announce a winner on October 20 and finalists will perform in gala concerts until October 23.

"When I'm on stage, I don't think about winning. I want to perform and connect with the audience. That's my greatest pleasure," says Kim.



Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.


'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
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'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)

James Van Der Beek, a heartthrob who starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in “Dawson’s Creek” and in later years mocking his own hunky persona, has died. He was 48.

“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come,” said a statement from the actor's family posted on Instagram.

“For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”

Van Der Beek revealed in 2024 that he was being treated for colorectal cancer.

Van Der Beek made a surprise video appearance in September at a “Dawson's Creek” reunion charity event in New York City after previously dropping out due to illness.

He appeared projected onstage at the Richard Rodgers Theatre during a live reading of the show’s pilot episode to benefit F Cancer and Van Der Beek. Lin-Manuel Miranda subbed for him on stage.

"Thank you to every single person here,” The Associated Press quoted Van Der Beek as saying.

A one-time theater kid, Van Der Beek would star in the movie “Varsity Blues” and on TV in “CSI: Cyber” as FBI Special Agent Elijah Mundo, but was forever connected to “Dawson’s Creek,” which ran from 1998 to 2003 on The WB.

The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.


How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.