'New World Order': Asia's Virtual Influencers Offer Metaverse Glimpse

Blurring the lines between fantasy and reality, virtual influencers are hugely popular with teenagers and will yield increasing power as interest grows in the 'metaverse', industry experts say. Lillian SUWANRUMPHA AFP
Blurring the lines between fantasy and reality, virtual influencers are hugely popular with teenagers and will yield increasing power as interest grows in the 'metaverse', industry experts say. Lillian SUWANRUMPHA AFP
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'New World Order': Asia's Virtual Influencers Offer Metaverse Glimpse

Blurring the lines between fantasy and reality, virtual influencers are hugely popular with teenagers and will yield increasing power as interest grows in the 'metaverse', industry experts say. Lillian SUWANRUMPHA AFP
Blurring the lines between fantasy and reality, virtual influencers are hugely popular with teenagers and will yield increasing power as interest grows in the 'metaverse', industry experts say. Lillian SUWANRUMPHA AFP

Sporting neon hair and flawless skin, Bangkok Naughty Boo is one of a new generation of influencers in Asia promising to stay forever young, on-trend, and scandal-free -- because they are computer generated.

Blurring the lines between fantasy and reality, these stars are hugely popular with teenagers in the region and will yield increasing power as interest grows in the "metaverse", industry experts say.

"I'm 17 forever, non-binary, with a dream of becoming a pop star," Bangkok Naughty Boo -- who uses they/them pronouns -- said in an introductory video sent to AFP.

Created by fashion designer Adisak Jirasakkasem and his friends, who envisioned a gender-fluid persona to hang the ideals of the artist community, the character is one of a tribe of "Made in Thailand" virtual influencers borne from COVID-19 pressures, AFP said.

In September, Ai-Ailynn made her debut -- she was created after her agency became frustrated by the "limitations on human influencers" during COVID-19 lockdowns.

Artificial intelligence creations are establishing a foothold worldwide in the lucrative influencer market, which is expected to be worth $13.8 billion in 2021, according to data giant Statista.

But industry analysts say Asia is where the industry will really boom in the coming decade.

"We think Asia will be an area of rapid growth in the sector of virtual influencers. Generation Z is the largest group of internet users in Asia, and it is a digitally adept generation that is highly familiar with social media and all things virtual," explained Nick Baklanov, a marketing specialist with Hype Auditor.

'First metaverse inhabitants'
The number of virtual influencers has more than tripled to 130 in two years, according to Baklanov, who predicted Facebook's investment in the metaverse -- dubbed a VR version of the internet -- will mean an industry boom.

"Virtual influencers are better suited to the role of the first inhabitants of the metaverse than anyone else," he added.

The biggest virtual earner is believed to be Lil Miquela, the LA-based "robot It-Girl" who has worked with Prada and Calvin Klein, and makes an estimated $7,000 per post.

The World Health Organization recruited Knox Frost, a 21-year-old AI "universal adapter" from Atlanta, to spread coronavirus safety messages to his 700,000 followers.

In Asia, computer-generated pop stars including Japan's Hatsune Miku and Luo Tianyi from China, as well as virtual K-Pop groups Eternity and K/DA, have paved the way for newer "stars" as technology improves.

To create Bangkok Naughty Boo, Adisak photographed a model in different locations across the Thai capital before creating the character's face online.

He merged the computer-generated face and the real life model's body to make his virtual idol.

Bangkok Naughty Boo has already been signed to a leading Thai -- human -- modelling agency, while Ai-Ailynn has already secured a deal to be the face of a major mobile operator.

"Influencers yield more power in the East and provide more lucrative brand and engagement opportunities, as the idol and fandom concepts are more rooted in culture," Saisangeeth Daswani, a fashion and beauty industry analyst at market intelligence company Stylus, explained.

Scandal-free, controlled lives
With trouble-free pasts, a round-the-clock work ethic, and easily controlled public personas, the fictional avatars are also respite for companies weary of reputational damage.

"Some brands enjoy the safety of associating with (virtual) influencers who have a pre-defined backstory and future," commented Christopher Travers, the founder of Virtual Humans, a website tracking the industry.

And with authorities in some Asian nations policing freedom of expression, businesses may prefer the ability to control everything.

"The Chinese government's recent crackdown on exorbitantly paid, 'vulgar' and 'immoral' influencers is likely to further boost the appeal of virtual influencers," explained Chen May Yee, APAC director for Wunderman Thompson Intelligence.

"They won’t make impolitic comments or be embroiled in sex scandals."

SIA Bangkok say there has been huge interest in Ai-Ailynn with businesses in pandemic-ravaged Asia looking to "innovation and a new world order".

A shake-up of the status quo may have some flesh-and-blood content creators worried, but human influencer Mutchima Wachirakomain welcomes the newcomers.

"They are freaking cool," exclaimed the 25-year-old, who shares glamour shots alongside "no filter" makeup-free looks to her 21,100 followers on Instagram.

"People still yearn for authenticity, the realness of a real-life influencer," she said as she prepped for a shoot at an avocado-themed cafe.

"The characters can't replace the intimate connections humans have with each other."

But Bangkok Naughty Boo is prepared to try.

Their Instagram is a mix of cheeky ensembles shot against the backdrop of Thailand's concrete jungle capital as well as daily life snippets like getting a first vaccine shot and spilling bubble milk tea.

"I hope I can meet you all in person one day. Love you!" they told AFP, signing off with a kiss.



It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
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It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)

Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the UK and Ireland with $19.7 million.

The animated sequel is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the US and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $29.8 million, bringing its domestic total to $216.3 million.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about an engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five.


Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
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Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)

Yup, she wore something blue.

Zendaya, surprising precisely nobody on the planet, showed up in dazzling blue at Thursday’s New York premiere of “The Drama,” after teasing the bridal theme for weeks by wearing something old, then something new, then something borrowed.

Her strapless Schiaparelli Haute Couture ball gown, accompanied by sapphire earrings, completed the sartorial series just in time for the opening of her movie — a film that has attracted considerable controversy and mixed reviews. Zendaya and Robert Pattinson play a couple whose wedding plans go seriously awry following a dark revelation.

The high-fashion appearances have also echoed the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to partner Tom Holland.

The actor and her stylist, Law Roach, saved the most spectacular outfit for last. Schiaparelli posted on its own Instagram that the gown, which took some 8,000 hours of work, was made of blue and black raw silk “feathers” in satin stitch embroidery, and contained 27 shades of blue.

“Something old” came in Los Angeles on March 17, where Zendaya wore the same white, off-the-shoulder Vivienne Westwood Bridal gown that she’d worn to the 2015 Oscars.

She transitioned to “something new” at the March 24 Paris premiere — a white custom Louis Vuitton gown with a huge black bow and train.

“Something borrowed” came two days later in Rome, a black Armani Privé dress previously worn by Cate Blanchett, with a plunging neckline framed with stones.

Finally on Thursday, Zendaya completed the circle. “SomethingBlue,” posted Roach.

In case nobody had noticed.


Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.