Macy's Thanksgiving Parade Returns, With all the Trimmings

The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
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Macy's Thanksgiving Parade Returns, With all the Trimmings

The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)
The Tom Turkey float moves down Sixth Avenue during the Macy's Thanksgiving Day Parade in New York, Thursday, Nov. 25, 2021. The parade is returning in full, after being crimped by the coronavirus pandemic last year. (AP Photo/Jeenah Moon)

Giant balloons once again wafted through miles of Manhattan, wrangled by costumed handlers. High school and college marching bands from around the country were back, and so were the crowds at the Macy's Thanksgiving Day Parade.

After being crimped by the coronavirus pandemic last year, the holiday tradition returned in full Thursday, though with precautions, AFP said.

“It really made Thanksgiving feel very festive and full of life,” Sierra Guardiola, a 23-year-old interior design firm assistant, said after watching the spectacle in a turkey-shaped hat.

Thousands of marchers, hundreds of clowns, dozens of balloons and floats — and, of course, Santa Claus — marked the latest U.S. holiday event to make a comeback as vaccines, familiarity and sheer frustration made officials and some of the public more comfortable with big gatherings amid the ongoing pandemic.

To President Joe Biden, the parade's full-fledged return was a sign of renewal, and he called NBC broadcaster Al Roker on-air to say so.

“After two years, we’re back. America is back. There’s nothing we’re unable to overcome,” Biden said over the phone from Nantucket, Massachusetts, where he was watching the broadcast with his family.

Still, safety measures continued. Parade staffers and volunteers had to be vaccinated against COVID-19 and wear masks, though some singers and performers were allowed to shed them. There was no inoculation requirement for spectators, but Macy's and the city encouraged them to cover their faces.

Asahi Pompey said she made a point of getting her vaccine booster shot Wednesday and wore a mask while in the crowd, but COVID-19 concerns couldn't keep her away.

“It feels really phenomenal to be here. It feels like New York is on its way to recovery,” said Pompey, 49, a lawyer.

“It’s like the whole spirit of New York has come and gathered so we can be together,” added her school-age son, Sebastian Pompey-Schoelkopf.

Last Thanksgiving, with no vaccines available and the virus beginning a winter surge in the nation's biggest city, the parade was confined to one block and sometimes pre-taped. Most performers were locally based, to cut down on travel, and the giant balloons were tethered to vehicles instead of being handled by volunteers. No spectators were allowed.

Getting to watch the nearly century-old parade this year on the street, instead of a screen, was “incredible” for Katie Koth. The 26-year-old teacher was at the event for the first time.

“The energy is crazy, and the crowd was amazing,” she said.

The event came days after an SUV driver plowed through a Christmas parade in suburban Milwaukee, killing six people and injuring over 60. Authorities said the driver, who has been charged with intentional homicide, was speeding away from police after a domestic dispute.

Mayor Bill de Blasio said Wednesday there was no credible, specific threat to the Thanksgiving parade, but security was extensive, as usual. It involved thousands of police officers, as well as sand-filled garbage trucks and concrete barriers blocking cars from the parade route, bomb-detecting dogs, heavy-weapons teams, radiation and chemical sensors and over 300 extra cameras.

Inside the barricades, new balloon giants joined the lineup, including the title character from the Netflix series “Ada Twist, Scientist”; the Pokémon characters Pikachu and Eevee on a sled (Pikachu has appeared before, in different form), and Grogu, aka “Baby Yoda,” from the television show “The Mandalorian." New floats came from entities ranging from condiment maker Heinz to NBCUniversal's Peacock streaming service to the Louisiana Office of Tourism.

Entertainers and celebrities included Carrie Underwood, Jon Batiste, Nelly, Kelly Rowland, Miss America Camille Schrier, the band Foreigner, and many others. Several Broadway musical casts and the Radio City Rockettes also performed.

Sloan Brown, 6, took it all in from a sidewalk and summed up the experience in a word: “Cool.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.