Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook
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Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook

In his latest movie "Barra El Manhag” that took part in the first edition of Saudi Arabia's Red Sea International Film Festival, Egyptian director Amr Salama recalls childhood memories with the story of a 13-year-old orphan who wins his peers' respect when he courageously enters an abandoned house nearby his school. There, he meets an old man hiding, and the two build a friendship that takes them on a journey of self-exploration.

Maged El-Kedwany, Ahmed Amine, Ahmed Khaled Saleh, and child Omar Sherif starred in the movie.

In an interview with Asharq Al-Awsat, Salama said his movie "is an emotional story." "I hope it could please the audience. It’s inspired by true events that I lived, and always wanted to tell."

Speaking about his childhood interests, Salama says: "I think it's mainly related to psychological reasons. I believe childhood is characterized by an innocence that ensures easy communication. I also love the maturity theme, during which a person grows and turns from a child into a man."

The Egyptian director chose Majed al-Kadwani to star in “Barra El Mahag” alongside the kid Omar Sherif. "I thought about Majed for this role since I had the idea of the movie 10 years ago. And after I wrote the script, I realized he was the best fit for the character, but choosing the child was challenging, but after seeing many kids I eventually settled on Omar Sherif," explains Salama.

Although he wrote the script of his film, Salama denies his bias to the "screenwriter cinema," saying: "It doesn't necessarily mean that I support the scriptwriter cinema, it's just a coincidence. I might have many ideas that I would like to write and direct, but that doesn't mean I won't direct works of other screenwriters. I am an open-minded person, and I directed many productions by other screenwriters like 'Taye'’ and ‘Bimbo,’ scheduled to screen soon on Shahid platform."

The young director said he was delighted to partake in the Red Sea Film Festival, noting that "a film festival held in Saudi Arabia is a major step for cinema in the Arab world in general.

"This will lead to a significant boost in the Arabic cinematic and cultural scene. Saudi Arabia has a great cinema audience and I expect a new generation of young Saudi filmmakers who will uplift the Arabic cinema industry within the few coming years."

Salama has recently entered a production partnership with screenwriter and producer Mohamed Hefzi, however, he said his works won’t be exclusively produced by his company. "This doesn't mean I will be working exclusively with this company, and it won't necessarily produce all my works. Yes, the production experience is tough, and I am not sure I can handle it perfectly, but I am learning a lot from it, as it makes me see the direction from a different perspective. This will be a good experience even if it seemed challenging in the beginning."

Many of Salama's works have been streamed on digital platforms including "Paranormal" on Netflix, and Bimbo, scheduled to be aired son on Shahid. The young director does not fear the streaming platforms' experience, stressing that "such platforms will never replace cinema.

"The same thing was said when the television emerged, and then with the satellite and digital streaming outlets. The charm of cinema will never fade, but the digital platforms offer a different experience. Some stories are better seen on these platforms, others fit the cinema theater, while others are television material. The choices are many and this would contribute to the prosperity of the cinema industry."



Indie Horror Flicks ‘Obsession’ and ‘Backrooms’ Draw Gen Z to Cinema

 This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
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Indie Horror Flicks ‘Obsession’ and ‘Backrooms’ Draw Gen Z to Cinema

 This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)
This image released by A24 shows Chiwetel Ejiofor in a scene from "Backrooms." (A24 via AP)

The multi-million-dollar openings of indie horror flicks "Obsession" and "Backrooms" have Hollywood buzzing about the 20-something YouTuber directors who are driving Generation Z audiences to the theater in droves.

The endless yellow hallways of A24's "Backrooms," directed by 20-year-old Kane Parsons, terrified tens of thousands of people in its opening weekend to rack up $118 million at the box office.

And Focus Features film "Obsession," directed by 26-year-old Curry Barker, has taken in $148 million worldwide in two weeks -- a smash hit for a production that cost $750,000.

"It's a huge, huge success and a real turning point for the industry, potentially," said associate editor Matthew Frank of The Ankler, a digital media company that covers Hollywood.

"They're breaking out with these films that are appealing to a younger demographic," Frank said, adding that the vast majority of ticket buyers the past couple weekends "have been under 35 and even, you know, under 25. So it's appealing to this demographic (that) normally doesn't really get spoken to."

In recent years multiplexes have faced a multi-fold decline, fueled by the rise of streaming, a lag in recovery in ticket sales since Covid, and the strikes that halted production in Hollywood in 2023.

But this year's numbers are drumming up optimism for the best year since the pandemic.

This is thanks in part to Generation Z, which boosted the box office by 25 percent last year, according to a report from the National Research Group.

Theater owners are "ecstatic about these weekends," said Ronnie Yount, owner of the Phoenix Theaters chain in the midwest.

Yount compared both films to "Lilo & Stitch" for driving box office -- which seemed unthinkable.

- Franchise fails -

The trick to tapping into the younger market is to "deliver the right films," Frank said.

"Hollywood's problem, for a while, was saying, 'oh, it's young people,' when in fact it was because they were making the 10th (installment in) pre-existing franchises that were popular for their parents."

The safe bets from studios that hoped to cash in on an endless slate of summer action hero movies turned off younger audiences.

"When you make something that's for that audience, that's when they'll come out," Frank said.

Parsons, who is known to his 3.2 million subscribers as Kane Pixels on YouTube, has racked up more than 300 million views.

The inspiration for "Backrooms" came from a photo posted to an internet forum in 2019 showing, without context, a yellow space.

Parsons, then a teenager, told AFP that he saw the image as a "vaguely nostalgic and vaguely dreamlike but also very tangible science-fiction concept."

His YouTube video of a young man lost in terrifying corridors amassed millions of views in a matter of days, and led to a contract with A24.

His endless nightmare is now on the big screen, starring Oscar-nominated actors Chiwetel Ejiofor and Renate Reinsve.

Barker went from an audience of 1.1 million subscribers on his channel "That's a Bad Idea" to premiering "Obsession" at the Toronto International Film Festival in 2025.

The movie follows the horrifying consequences after a young man's wish comes true, and the target of his romantic attention begins to love him more than anything else in the world.

Frank said very production company and studio in Hollywood right now is asking: "How can we replicate this?"

"Not just because they're huge successes, but they're also made for these limited budgets."

But he warned it's not just about finding successful YouTubers.

"It still requires just finding the great filmmakers, which can come anywhere."


Jason Momoa Says Having Best Year of His Career

Jason Momoa. (Getty Images)
Jason Momoa. (Getty Images)
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Jason Momoa Says Having Best Year of His Career

Jason Momoa. (Getty Images)
Jason Momoa. (Getty Images)

With several films yet to be released, and riding his success from the global hit "A Minecraft Movie," Hawaiian actor Jason Momoa says he is living a unique moment.

"It's probably my biggest year of my career," Momoa, 46, told AFP in an interview.

The actor said he's enjoying playing a range of roles, including Lobo, the intergalactic bounty hunter in the upcoming "Supergirl" film, which he described as "a childhood dream."

The star also appears in the film adaptation of "Street Fighter" and in the "Dune" trilogy, whose final installment hits theaters in December.

Momoa, who rose to fame thanks to "Game of Thrones," had the opportunity to work with Julian Schnabel, whom he described as his favorite director, in "In the Hand of Dante," which premieres this month on Netflix.

The actor is feeling like he's on a roll after playing a comedic role in last year's box office hit, "A Minecraft Movie," which he starred in with Jack Black.

"Minecraft really was huge, you know?" he said. "We didn't see that coming."

"I always wanted to do comedy. I mean, I've always done action my whole life," where playing superheroes felt "inevitable." But he enjoyed the opportunity to "make people laugh."

The actor said that comedic roles like those in "The LEGO Movie 2: The Second Part," in which he voices a parody of Aquaman, a character he has portrayed in several productions, also allowed him to connect with a very special audience: his family.

"It was an epic moment because my kids got to see me do the looping (voiceover)," he said. While they don't seem to care much about his other roles, "when I'm involved with Lego, I'm an all-star."

The actor reconnected with the famous brick brand by debuting this Monday as "the Playmaster," the central figure in Lego's "Never Stop Playing" campaign to encourage families to dedicate more time to playing with their children, as social media and screens gain ground.

"I grew up with Lego. My children grew up with Lego," said Momoa, who sees the colorful pieces and their infinite possibilities as a tool for developing creativity and imagination.

"It's something that makes my heart smile," he said.

The unique role came with a bonus: "Being chosen by Lego to have your own little action figures... for them to make that was pretty special."


'Backrooms', Based on YouTube Horror Series, Breaks Box Office Records

Kane Parsons, aged 20, is the youngest director with a number one feature film debut in North America. LISA O'CONNOR / AFP
Kane Parsons, aged 20, is the youngest director with a number one feature film debut in North America. LISA O'CONNOR / AFP
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'Backrooms', Based on YouTube Horror Series, Breaks Box Office Records

Kane Parsons, aged 20, is the youngest director with a number one feature film debut in North America. LISA O'CONNOR / AFP
Kane Parsons, aged 20, is the youngest director with a number one feature film debut in North America. LISA O'CONNOR / AFP

A24's "Backrooms," the big screen adaptation of a viral YouTube horror series, smashed several box office records with an $81.5 million North American debut, US media reported Sunday.

Directed by 20-year-old Kane Parsons, who created the "Backrooms" web series as a teenager, the movie's massive opening weekend haul is the largest ever for an original horror film and more than doubles A24's previous best domestic opening, according to Variety.

Parsons also becomes the youngest director ever to debut at number one with a feature film, the entertainment trade publication said.

Starring Oscar nominees Chiwetel Ejiofor and Renate Reinsve, the movie follows a furniture shop owner (Ejiofor) who discovers a mysterious, labyrinthine complex underneath his store, AFP said.

When the man goes missing, his therapist (Reinsve) steps inside the liminal space to try and find him.

The online series, which began in 2022, became part of a phenomenon known as "creepypasta" -- a short horror story reposted and modified around the web, to which other users added details such as monsters and undiscovered dimensions.

Second place went to another horror film, Focus Features' "Obsession," whose strong critic and audience reviews have seen it steadily notch higher earnings in its three weeks out.

Directed by 26-year-old Curry Baker, the film took in another $26.4 million at the domestic box office, Exhibitor Relations reported, and now has a global estimated haul of nearly $150 million on a budget of less than $1 million.

Inde Navarrette has earned particular plaudits for her role as a young woman who becomes dangerously infatuated with a man, played by Michael Johnston, after he makes a magical wish for her affection.

"Star Wars: The Mandalorian and Grogu," Disney's latest entry in the blockbuster sci-fi franchise, plummeted nearly 70 percent in its second weekend in theaters, taking in $25 million and finishing in third place.

The film is a jump to the big screen for the hit streaming series, and the first Star Wars film to be released in theaters since 2019's "The Rise of Skywalker."

Maintaining its place in the top five for a sixth weekend was Lionsgate's "Michael," the biopic about king of pop Michael Jackson, which added $11.7 million.

The film, directed by Antoine Fuqua and starring the late popstar's nephew Jaafar Jackson, has now taken in $340 million at the domestic box office and over $845 million globally, according to Exhibitor Relations.

Fifth place went to Sony's comedy "The Breadwinner," which took in $7.5 million in its debut weekend.

Comedian Nate Bergatze -- one of the highest-grossing American stand-ups with a deadpan act focusing on family life -- stars in the movie as a dad who must take care of the kids while his wife is away on business.

Rounding out the top 10 were:

"The Devil Wears Prada 2" ($5.9 million)

"Pressure" ($5.8 million)

"The Sheep Detective" ($4.6 million)

"Passenger" ($2.6 million)

"Mortal Kombat II" ($2 million)