Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook
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Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook

In his latest movie "Barra El Manhag” that took part in the first edition of Saudi Arabia's Red Sea International Film Festival, Egyptian director Amr Salama recalls childhood memories with the story of a 13-year-old orphan who wins his peers' respect when he courageously enters an abandoned house nearby his school. There, he meets an old man hiding, and the two build a friendship that takes them on a journey of self-exploration.

Maged El-Kedwany, Ahmed Amine, Ahmed Khaled Saleh, and child Omar Sherif starred in the movie.

In an interview with Asharq Al-Awsat, Salama said his movie "is an emotional story." "I hope it could please the audience. It’s inspired by true events that I lived, and always wanted to tell."

Speaking about his childhood interests, Salama says: "I think it's mainly related to psychological reasons. I believe childhood is characterized by an innocence that ensures easy communication. I also love the maturity theme, during which a person grows and turns from a child into a man."

The Egyptian director chose Majed al-Kadwani to star in “Barra El Mahag” alongside the kid Omar Sherif. "I thought about Majed for this role since I had the idea of the movie 10 years ago. And after I wrote the script, I realized he was the best fit for the character, but choosing the child was challenging, but after seeing many kids I eventually settled on Omar Sherif," explains Salama.

Although he wrote the script of his film, Salama denies his bias to the "screenwriter cinema," saying: "It doesn't necessarily mean that I support the scriptwriter cinema, it's just a coincidence. I might have many ideas that I would like to write and direct, but that doesn't mean I won't direct works of other screenwriters. I am an open-minded person, and I directed many productions by other screenwriters like 'Taye'’ and ‘Bimbo,’ scheduled to screen soon on Shahid platform."

The young director said he was delighted to partake in the Red Sea Film Festival, noting that "a film festival held in Saudi Arabia is a major step for cinema in the Arab world in general.

"This will lead to a significant boost in the Arabic cinematic and cultural scene. Saudi Arabia has a great cinema audience and I expect a new generation of young Saudi filmmakers who will uplift the Arabic cinema industry within the few coming years."

Salama has recently entered a production partnership with screenwriter and producer Mohamed Hefzi, however, he said his works won’t be exclusively produced by his company. "This doesn't mean I will be working exclusively with this company, and it won't necessarily produce all my works. Yes, the production experience is tough, and I am not sure I can handle it perfectly, but I am learning a lot from it, as it makes me see the direction from a different perspective. This will be a good experience even if it seemed challenging in the beginning."

Many of Salama's works have been streamed on digital platforms including "Paranormal" on Netflix, and Bimbo, scheduled to be aired son on Shahid. The young director does not fear the streaming platforms' experience, stressing that "such platforms will never replace cinema.

"The same thing was said when the television emerged, and then with the satellite and digital streaming outlets. The charm of cinema will never fade, but the digital platforms offer a different experience. Some stories are better seen on these platforms, others fit the cinema theater, while others are television material. The choices are many and this would contribute to the prosperity of the cinema industry."



‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

“KPop Demon Hunters” won the Oscar for best animated feature on Sunday, capping a record-breaking run after becoming Netflix’s most-watched film ever on its 2025 debut.

"For those of you who look like me, I'm so sorry that it took us so long to see us in a movie like this, but it is here," Reuters quoted director Maggie Kang ⁠as saying on stage. ⁠She said the win was for Korea and for Koreans everywhere.

The action-packed feature was also nominated for best original song for “Golden,” written by EJAE and Mark Sonnenblick. The film follows Huntrix — Rumi, Mira and Zoey — ⁠a global KPop girl group who juggle superstardom with their secret lives as demon hunters.

The animated musical fantasy previously swept major awards, winning best animated feature and best song at the 31st Critics Choice Awards and best animated motion picture and best original song at the 83rd Golden Globes.

Animated by Sony Pictures Animation, the Netflix hit also earned a Grammy ⁠for ⁠best song written for visual media, marking the first-ever Grammy win for a KPop song.

Directed by Kang and Chris Appelhans, the film’s soundtrack has trended worldwide. In a January 2026 press its most-watched title over a six-month period with 482 million views and 32 million views for the film's lyric videos.

Other nominees in the best animated feature category included “Zootopia 2,” “Arco,” “Little Amélie or the Character of Rain" and "Elio."


With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
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With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP

At an Oscars full of nerve-shreddingly tight races, best actress was one of Sunday night's few entirely predictable categories.

Pundits were -- correctly -- unanimous that Jessie Buckley would win for her tear-jerking turn as William Shakespeare's wife in "Hamnet."

But that did not stop her rival nominees enjoying the night -- if anything, they were the life and soul of the party.

Emma Stone, a two-time best actress winner already, spent much of the ceremony happily chatting backstage with friends and admirers in the theater's most exclusive lobby.

"The bar is the place!" Stone, nominated for her role in conspiracy theory thriller "Bugonia," told AFP.

Indeed, while the Oscars are being handed out in the adjoining theater, the Dolby Theater's ground-floor bar is renowned as a free-flowing gossip, networking and champagne spot for the industry's movers and shakers.

Stone jokingly admitted she wasn't sure exactly how many Academy Awards she'd attended, but by now knew where to wait for her category to come up.

For Norwegian actress Renate Reinsve, it was a second trip to Hollywood's top awards show, but a first as an acting nominee.

She came to the Oscars four years ago for best foreign film contender "The Worst Person in the World," but was personally recognized this time for "Sentimental Value."

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.


‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)
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‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)

"Hoppers," the latest original animated film from Disney's Pixar, maintained its position atop the North American box office with $28.5 million in ticket sales in its second weekend, industry estimates showed Sunday.

The adventure comedy, which tells the story of young animal lover Mabel who uses technology to transfer her consciousness into a robotic beaver so she can better communicate and protect wildlife, has now pulled in $165 million worldwide, according to Exhibitor Relations.

The voice cast features Meryl Streep, Jon Hamm, Kathy Najimy and Piper Curda as Mabel.

Debuting at number two was Universal's romance "Reminders of Him," based on the novel by Colleen Hoover and starring Maika Monroe and Tyriq Withers. It earned $18.2 million in the United States and Canada.

"This is an excellent opening for an original romance picture, at well above average levels for the genre," wrote analyst David A. Gross of Franchise Entertainment Research.

Another new arrival, the horror flick "Undertone" distributed by A24, came in third, with $9.3 million in ticket sales.

The it's-coming-from-inside-the-house scare-fest, complete with a deeply unsettling soundscape, narrowly bested the latest in an iconic series of the genre, "Scream 7."

Paramount's new installment in the 30-year-old slasher series, featuring yet another Ghostface killer, held onto fourth position earning $8.3 million, for a global three-week total of $176.5 million.

Sony's family-friendly animated film "GOAT" -- the story of an undersized domesticated mammal who wants to join a basketball-like "roarball" team -- in its fifth week slipped one spot to fifth, at $4.7 million, and $162.5 million globally.