Cinema ElHoush Champions Independent Films

Cinema ElHoush aims to revive the forgotten archive of classic cinema.
Cinema ElHoush aims to revive the forgotten archive of classic cinema.
TT

Cinema ElHoush Champions Independent Films

Cinema ElHoush aims to revive the forgotten archive of classic cinema.
Cinema ElHoush aims to revive the forgotten archive of classic cinema.

Saudi Arabia's firs art house, Cinema ElHoush is championing independent movies, which veer away from mainstream commercial film-making. Independent films are often described as the cinema of the elite, given that they target an audience of refined taste and they do not make major revenues at the box office. They do, however, reap major global cinema awards.

Located in the Al Jadida neighborhood in AlUla, Cinema ElHoush is celebrating films that were screened at the 2021 Cannes Film Festival.

Cinema ElHoush is seeking to prove its standing as a hub for arts and cultural heritage by selecting films that back this ambition. Its selection of movies boasts the best productions from Japan, Norway, Italy, Thailand, the United States, Egypt, Morocco and other countries. Saudi cinema will also be highlighted as film-making in the Kingdom takes steady steps towards claiming its spot on the global scene.

Cinema ElHoush aims to revive the forgotten archive of classic cinema from the 1970s and 80s. It will screen films from Arab and global icons, such as Ingmar Bergman, Federico Fellini and Khairy Beshara.

Director Mahmoud Sabbagh described the new season at Cinema ElHoush as being three times greater than the previous one that was held in Jeddah al-Balad in 2019.

As winter grips AlUla, he said: "The weather is not our main concern as the cinema is still operating independently and temporarily without clear licenses."

"We are awaiting the necessary permits so that it can operate on a regular basis and expand its reach," he explained.

"We are the first art house in Saudi Arabia. This gives us an extraordinary drive to keep going, but also places a lot of responsibilities on our shoulders in raising the quality of the movie-going experience," he remarked.

Five days a week, Cinema ElHoush attracts movie-goers who are seeking a refined film experience. On offer is a selection of local independent movies and global productions.

Cinema ElHoush also boasts a cafe dedicated to receiving the audience before and after the screening of movies. On the menu are light meals and various drinks, such as sahlab and hot chocolate. Sabbagh recommends that moviegoers try the sweet popcorn offered at the cinema while they enjoy their movies.

This week, movie-goers will have the opportunity to watch the latest masterpieces that were screened at the Cannes Film Festival. Cinema ElHoush will screen award-winning films, such as "Memoria", by Thai director Apichatpong Weerasethakul. The film won the Jury Prize at Cannes last year.

Another selection is "Drive My Car", directed by Ryusuke Hamaguchi. The movie is an adaptation of a novel by acclaimed author Haruki Murakami. The film explores the avenues of love, loss, acceptance and peace. It won three prizes at Cannes and has since racked up a slew of awards.

"Annette", directed by Leos Carax, made its premiere at Cannes. The musical explores themes of love, passion and stardom.

Norway's "The Worst Person in the World", directed by Joachim Trier, tackles the story of a 30-year-old woman and her chaotic life.

The screenings at Cinema ElHoush will continue through March 10.

It will also feature Saudi movies, such as "Had Al Tar", "Carnaval City" and "Forty Years and One Night". It will go on to screen classics, such as the "La Dolce Vita" and "Youm Mor We Youm Helw", and later contemporary Arabic films, such as "Feathers" and "Gaza Mon Amour". Movies from Afghanistan will be also be featured, followed by documentary films.

Cinema ElHoush will conclude with a selection of movies by director Wong Kar-wai, whose works often explore themes of romance or loneliness. The art house will have the privilege of screening five of his movies for the first time in Saudi Arabia. The films have been restored for the best viewing experience.



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
TT

China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
TT

Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
TT

UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".