Netflix Earnings to Set the Pace for 2022 Streaming Wars

The Netflix headquarters in Los Gatos, California. (Reuters)
The Netflix headquarters in Los Gatos, California. (Reuters)
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Netflix Earnings to Set the Pace for 2022 Streaming Wars

The Netflix headquarters in Los Gatos, California. (Reuters)
The Netflix headquarters in Los Gatos, California. (Reuters)

Netflix Inc will be the first major streaming service to report earnings this week, offering investors a sign of whether companies have started to pull in enough new customers to justify big spending on online programming in 2022.

The dominant streaming service reports fourth-quarter results on Thursday. Wall Street will watch for how many customers Netflix picked up overseas as the pace of streaming growth levels off from torrid pandemic gains of 2020.

Wall Street is watching to see if the streaming wars are paying off as companies add high-profile and expensive shows such as Walt Disney Co's new reality series with the Kardashian family, a "Lord of the Rings" series on Amazon.com Inc's Prime Video and a "Game of Thrones" prequel on AT&T Inc's HBO Max.

Netflix raised prices on Friday in its biggest market, the United States and Canada, where analysts say growth is stagnating. The company went on a roller coaster ride during the pandemic, with steep growth early in 2020 when people were staying home and movie theaters were closed. The rate of new sign-ups fell in 2021 as pandemic restrictions eased and COVID slowed production of new programming. The company projected 8.5 million new streaming subscribers for October to December.

In 2022, Netflix's growth is expected to stabilize, analysts say, putting it on track to return to subscriber gains logged before the pandemic. The company has new seasons of global phenomenon "Squid Game" and Emmy winner "The Crown" in the works, plus a large slate of movies.

But the streaming pioneer is confronting stiffer competition in the US and abroad from new entrants, price promotions and heavy spending on exclusive content. As these subscription video-on-demand (SVOD) services invest heavily in content intensifying the "streaming wars," Wall Street is beginning to question the return on this investment.

"2022 should prove that no one single company has a monopoly on great content and that time spent on any one legacy SVOD platform is not guaranteed," media analyst Michael Nathanson wrote in a research note.

Nathanson trimmed his forecasts for total Netflix streaming viewers year-end to 250 million from 252 million, citing the maturation of the US, Canada and Western European markets. Growth, he estimated, would come from regions in the Asia Pacific where customers pay less for Netflix.

Evercore ISI analyst Mark Mahaney told Reuters that Netflix will likely continue to add a million subscribers a year in its home market, but that 90 percent of its gains will happen outside of the United States.

The competition for customers is most intense in the US, where the number of households subscribing to streaming service reached 78%, according to Leichtman Research, and where Deloitte estimated the churn, or rate at which people drop or subscribe to services, are averaging a relatively high 35%.

Popular Netflix shows like "Squid Game" and the star-studded disaster film "Don't Look Up" will likely add around 550,000 subscribers in the US and Canada in the fourth quarter, Nathanson predicts. NBCUniversal's Peacock and ViacomCBS's Paramount+ are likely to report the greatest gains in the US, he wrote, buoyed by National Football League and English football games, and more kids content available on Paramount+.

The contest for consumers' time and attention is also playing out across the globe, fueling aggressive spending on content. London-based researcher Ampere Analysis projects the industry-wide spending tally will exceed $230 billion this year, led by companies spending heavily on sports rights such as NBCUniversal parent Comcast Corp, at $22.7 billion, and Disney at $33 billion.

Netflix, which does not air live sports, had forecast it would it would spend $17 billion on programming in 2021. It has not disclosed spending for 2022.

The Beijing Olympics and the Super Bowl will air on NBCU's Peacock service in February. In addition to the Kardashians' new show, Disney will debut a Star Wars series about Obi-Wan Kenobi with Ewan McGregor reprising his role as the Jedi master.



Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.


'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
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'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)

James Van Der Beek, a heartthrob who starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in “Dawson’s Creek” and in later years mocking his own hunky persona, has died. He was 48.

“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come,” said a statement from the actor's family posted on Instagram.

“For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”

Van Der Beek revealed in 2024 that he was being treated for colorectal cancer.

Van Der Beek made a surprise video appearance in September at a “Dawson's Creek” reunion charity event in New York City after previously dropping out due to illness.

He appeared projected onstage at the Richard Rodgers Theatre during a live reading of the show’s pilot episode to benefit F Cancer and Van Der Beek. Lin-Manuel Miranda subbed for him on stage.

"Thank you to every single person here,” The Associated Press quoted Van Der Beek as saying.

A one-time theater kid, Van Der Beek would star in the movie “Varsity Blues” and on TV in “CSI: Cyber” as FBI Special Agent Elijah Mundo, but was forever connected to “Dawson’s Creek,” which ran from 1998 to 2003 on The WB.

The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.


How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.