Louie Anderson, Comic, Emmy Winner for 'Baskets,' Dies at 68

Louie Anderson arrives at the 68th Primetime Emmy Awards on Sunday, Sept. 18, 2016, in Los Angeles. (AP)
Louie Anderson arrives at the 68th Primetime Emmy Awards on Sunday, Sept. 18, 2016, in Los Angeles. (AP)
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Louie Anderson, Comic, Emmy Winner for 'Baskets,' Dies at 68

Louie Anderson arrives at the 68th Primetime Emmy Awards on Sunday, Sept. 18, 2016, in Los Angeles. (AP)
Louie Anderson arrives at the 68th Primetime Emmy Awards on Sunday, Sept. 18, 2016, in Los Angeles. (AP)

Louie Anderson, whose four-decade career as a comedian and actor included his unlikely, Emmy-winning performance as mom to twin adult sons in the TV series “Baskets,” died Friday. He was 68.

Anderson died at a hospital in Las Vegas of complications from cancer, said Glenn Schwartz, his longtime publicist. Anderson had a type of non-Hodgkin lymphoma, Schwartz said previously.

“‘Baskets’ was such a phenomenal ‘second act’ for Louie Anderson. I wish he’d gotten a third,” Michael McKean said on Twitter. George Wallace wrote: “You’ll be missed, Louie. What an awesome friend. One in a million.” Gilbert Gottfried posted a photo of himself, Anderson and Bob Saget, who died Jan. 9, with the caption: “Both good friends that will be missed.”

The portly, round-faced Anderson used his girth and a checkered childhood in Saint Paul, Minnesota, as fodder for his early stand-up routines.

In a 1987 interview with The Associated Press, Anderson compared himself to another comedian who mined his childhood for humor.

“Bill Cosby and I had similar goals,” Anderson told AP. “I wanted parents to be able to bring their children and children to be able to bring their parents to my concerts. I feel a family that can laugh about family problems is better off. The difference between Cosby and myself is that he sees it from an adult perspective and I tell it from a child’s viewpoint.”

He had a life-long battle with weight, but said in 1987 that he’d put a stop to using his size as stage material.

“I’ve always been big,” he said. “But I don’t do fat jokes anymore.”

In later years, his life as one of 11 children in a family headed by a troubled father and devoted mother was a deeper source of reflection and inspiration for Anderson, both in his screen work and in his best-selling books.

His latest book, 2018′s “Hey Mom,” was a tribute in letters to the lessons he learned from her and how-to tips on facing life’s challenges. He also gave the late Ora Zella Anderson a shout-out for the “Baskets” role.

“I just started writing with one letter, saying, ’Hey Mom, I’m playing you on TV. I hope you see it. I hope you’re a part of it...” Anderson told AP that year.

He won the best supporting actor Emmy in 2016 for his portrayal of Christine Baskets, mother to twins played by Zach Galifianakis, in FX’s “Baskets.” Anderson, who received three consecutive Emmy nods for the role, played it with restraint and with specific touches he credits to his mom.

“Nuance is what I go for, tiny rather than bigger things. Mom did things with her eyes or her grimace or her disappointed lips — or her passive-aggressiveness,” he told the AP in 2015, laughing. “Rolling eyes were big in our family.”

Anderson, born March 24, 1953, was the 10th child for Ora and William Anderson. His father played trumpet with musical great Hoagy Carmichael and, Anderson has said, was an alcoholic.

After his father’s death, Anderson learned of how difficult his childhood had been and forgave him, he told People magazine in 2018.

Louie Anderson’s early jobs included counseling troubled children. He changed course after winning a 1981 Midwest comedy competition, where he was spotted by veteran comic Henny Youngman, who hosted the contest, according to Schwartz.

Anderson worked as a writer for Youngman and then gained onstage experience while crisscrossing the United States. His big break came in 1984 when Johnny Carson, known for showcasing promising comedians on “The Tonight Show,” brought him on to perform.

He was a familiar face elsewhere on TV, including as host of a revival of the game show “Family Feud” from 1999 to 2002, and on comedy specials and in frequent late-night talk show appearances. He continued his stand-up appearances, in Las Vegas where he lived and on the road.

Anderson voiced an animated version of himself as a kid in “Life With Louie.” He created the Humanitas Prize-winning cartoon series, which first aired in prime time in late 1994 before moving to Saturday morning for its 1995-98 run. Anderson won two Daytime Emmy Awards for the role.

He made guest appearances in several TV series, including “Scrubs” and “Touched by an Angel,” and was on the big screen in 1988′s “Coming to America” and in last year’s sequel to the Eddie Murphy comedy.

In a magazine interview, Anderson recounted getting the role after he spotted Murphy, who he knew from working in comedy clubs, at a Los Angeles restaurant. Anderson said hello, then made a costly decision that paid off.

″Take Eddie Murphy’s check and put it on my credit card, but don’t tell him until after I leave,″ Anderson recalled telling a waiter. He ended up with a $600 charge, but Murphy called to thank him and offered to write a part for him in “Coming to America,” Anderson said.

His books included “Dear Dad – Letters From An Adult Child, ” a collection of letters from Anderson to his late father; “Good-bye Jumbo… Hello Cruel World,” a self-help book, and “The F Word, How To Survive Your Family.”

Fellow performers recalled his gentleness. “You were as gracious and kind as you were funny. Rest well!! Keep ’em laughing in Heaven,” Viola Davis said on Twitter.

Rita Rudner, a longtime friend who worked on stage with Anderson, said in a statement: “He was a kind, generous, talented man who leaves behind a legacy of laughter, love and french fries.”

“Oh dear. Another great comedian. Another great Vegas star. Such a sweetheart. We will miss you #LouieAnderson,” Penn Jillette said on Twitter. “Rest now, Louie. You done good,” Jane Lynch tweeted.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.