Fashion Designer Thierry Mugler Dies Aged 73

French designer Thierry Mugler. Credit: Britta Pedersen/DPA/AFP/Getty Images
French designer Thierry Mugler. Credit: Britta Pedersen/DPA/AFP/Getty Images
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Fashion Designer Thierry Mugler Dies Aged 73

French designer Thierry Mugler. Credit: Britta Pedersen/DPA/AFP/Getty Images
French designer Thierry Mugler. Credit: Britta Pedersen/DPA/AFP/Getty Images

French designer Thierry Mugler, who reigned over fashion in the 1980s and died on Sunday, was as famous for his fantastical couture as for his blockbuster fashion shows. He was 73.

Mugler's daring collections came to define the decade's power dressing, with his clothes noted for their structured and sophisticated silhouettes, showcased by his extravagant shows.

"I always thought that fashion was not enough on its own and that it had to be shown in its musical and theatrical environment," he once said.

In later years, he dressed Beyonce and Lady Gaga -- and in 2019 came out of retirement to create Kim Kardashian's Met Gala look.

"We are devastated to announce the passing of Mr. Manfred Thierry Mugler on Sunday January 23rd 2022," said a post on the designer's official Facebook account.

His agent Jean-Baptiste Rougeot, who said the designer had died of "natural causes", added he had been due to announce new collaborations early this week.

Born in Strasbourg in December 1948, as a young teen Mugler joined the Opera du Rhin's ballet company before studying at the School of Decorative Arts.

From a young age he created his own clothes, adapting items bought at nearby flea markets. He moved to Paris aged 20, initially to work with another ballet company -- but was more successful with his own wardrobe.

Mugler soon became a freelance stylist and worked for various fashion houses in Paris, London and Milan.

In 1973, he took the plunge and created his own label "Café de Paris", before founding "Thierry Mugler" a year later.

His designs exacerbated and celebrated women's forms: shoulders accentuated by padding, plunging necklines, constricted waists and rounded hips.

"Dancing taught me a lot about posture, the organization of clothing, the importance of the shoulders, the head carriage, the play and rhythm of the legs," said Mugler.

A showman at heart, he organized spectacular presentations of his creations pioneering the modern spectacle of the 21st century fashion show.

"Today's fashion shows are a continuation of what Mugler invented. The collections were pretexts for fashion shows," recalled Didier Grumbach, former CEO of Thierry Mugler.

He had showmanship in his blood: for the 10th anniversary of his label in 1984, he organized the first public fashion show in Europe with 6,000 attending the rock concert-like show.

But nothing compared to the 20th anniversary celebration in 1995, staged at the Cirque d'Hiver, AFP said.

Models including Jerry Hall, Naomi Campbell, Eva Herzigova and Kate Moss paraded alongside stars such as Tippi Hedren and Julie Newmar with the spectacle culminating in a performance from James Brown.

He was also a pioneer and advocate for trans models with Connie Fleming and Teri Toye walking his shows in the nineties.

"Me being on Mugler's runway, that should have been the end of his business," she told Interview Magazine in 2020. "But his business did not go up in smoke. How does my presence and my being offend you?"

The 1992 launch of his company's first perfume "Angel" -- in collaboration with Clarins, which acquired a stake in the company before taking control in 1997 -- was a runaway success.

Clarins shuttered part of Thierry Mugler in 2003, a year after the designer reportedly left the brand, but continued the scent business with "Angel" rivalling Chanel's No.5 for the top spot in sales.

Renowned for his work with celebrities, he counted Grace Jones and Hall among his muses, and had a long-running creative collaboration with David Bowie -- even dressing him for his wedding to Iman.

Despite seemingly retiring from fashion's frontlines in the early 2000s, Mugler continued to impact culture and worked with Beyonce on her "I am..." world tour.

In later years the designer suffered a series of accidents -- crashing his jeep and motorbike -- requiring facial surgery, and rebuilt his body with intensive bodybuilding.

As news of his death broke, his former collaborators celebrated the designer.

Diana Ross tweeted that she would miss Mugler, adding, alongside an image of the two, "this was a wonderful time in our lives".

"Rest in peace," Beyonce's website posted with a photo of Mugler.

Fleming, posting on Instagram, wrote there were "no words just devastation and sadness".

Mugler's creative director Casey Cadwallader posted on Instagram the designer had "changed our perception of beauty, of confidence, of representation and self empowerment".

He added: "Your legacy is something I carry with me in everything I do. Thank you."



LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
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LVMH Sales Edge Higher Despite Fashion Slide

FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo
FILE PHOTO: A Louis Vuitton logo is seen outside a store on the Champs-Elysees avenue in Paris, France, August 3, 2025. REUTERS/Stephanie Lecocq/File Photo

LVMH, the world's leading luxury group, said Monday its sales edged higher in the third quarter despite a slowdown in China hitting its fashion and leather goods segment.

The group, whose brands include Louis Vuitton, Dior, Celine and drinks maker Hennessy, took in 18.5 billion euros ($20.6 billion) in the three months to the end of September, beating the consensus of analysts polled by Factset financial data firm.

The 1.2 percent sales gain beat the marginal 0.1 percent increase registered in the second quarter. The group's sales slumped six percent in the first three months of the year.

"Backed by its diverse range of businesses, LVMH remained very solid in an uncertain geopolitical and economic environment," AFP quoted the company as saying in a statement.

But the fashion and leather goods segment saw sales drop five percent excluding currency effects and changes to the business as it was "affected in the third quarter by the slowdown in demand in China."

Louis Vuitton saw its public image take a hit in China after pursuing a local tea company for copying its logo. While it won the case, it provoked a wave of indignation on social media and a call to boycott the brand.

The drop for fashion and leather goods follows the segment posting its first sales gain in two years in the second quarter.

But LVMH's selective retailing division, which includes the Sephora perfume and cosmetics retail chain, posted an eight percent sales increase, while the watches and jewelry and wines and spirits segments both managed six percent gains.

LVMH's share price has dropped 40 percent since the start of the year, with the group losing its place as the leading company on the Paris CAC 40 index in terms of capitalization to L'Oreal.


Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
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Saint Laurent Says Designer Anthony Vaccarello to Leave

(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)
(FILES) Belgian designer for Saint Laurent Anthony Vaccarello acknowledges the audience at the end of the women's 2018 Spring/Summer ready-to-wear collection fashion show in Paris, on September 26, 2017. (Photo by ALAIN JOCARD / AFP)

Belgian fashion designer Anthony Vaccarello will leave his post as chief designer at Saint Laurent after a decade in charge, the French house's parent company Kering announced Friday.

"Anthony Vaccarello has played a key role in Saint Laurent's development, helping to strengthen its identity and influence across the worlds of fashion and culture," Kering said in a statement, without giving any reason for Vaccarello's departure.

The designer had hinted at his potential exit at his final show for Saint Laurent on September 29.

Saint Laurent is the last major Kering brand to switch creative director as a ⁠luxury ⁠industry slowdown prompted designer changes last year at Gucci, Balenciaga and Bottega Veneta.

"The focus of the new designer will be in currently under-represented product categories, such as women's daywear and menswear, in high-end leather goods, and less penetrated regions such as China/Asia," Barclays analysts said in a note.

Industry speculation points to Chemena Kamali, currently creative director at Chloe and previously womenswear design director at Saint Laurent, as Vaccarello's likely successor.
Saint Laurent's gross revenues fell by 9% and 6% in 2024 and 2025, before largely stabilizing this year, according to Kering.


Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
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Nicole Kidman and Dua Lipa Watch Chanel’s Creative Revival at Paris Fashion Week

Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)
Models present creations for Chanel Women's Spring/Summer 2027 collection fashion show as part of the Paris Fashion Week, in Paris on October 5, 2026. (Photo by JULIEN DE ROSA / AFP)

Chanel’s artistic director Matthieu Blazy sent the fashion house's suits stretching towards sportswear and evening dresses drifting through clouds, with Nicole Kidman, Dua Lipa and Pedro Pascal in the audience as he unveiled his spring-summer 2027 collection.

The Monday night show underscored that a year into his creative revival, Blazy has made the house feel newly unpredictable.

The former Bottega Veneta designer succeeded Virginie Viard, who took over after Karl Lagerfeld ’s death in 2019. Viard’s tenure brought record sales but Blazy’s contribution has been to restore a sense that Chanel’s familiar ingredients can produce something unexpected.

That renewal is visible in his treatment of the house’s symbols: tweed can stretch; formal jackets sit against bare skin; quilted bags turn slouchy.

The appeal lies in giving established clients something recognizable, and newer ones something to reinterpret.

Beneath illuminated birds at the Grand Palais, Blazy's collection traced Gabrielle “Coco” Chanel’s passage from Edwardian constraint towards the freedom she sought in dress.

“It’s about the women within a woman,” Blazy wrote in his notes.

Across 83 looks, that meant expanding the possibilities of a Chanel wardrobe: knits that skimmed the body, masculine tailoring, airy eveningwear and sharply abbreviated skirts.

Raw-edged waistcoats and narrow skirt suits reworked men’s formal clothes. A pearl-embroidered corset top paired with black trousers brought the tension between restriction and ease into focus.

Older fashions lingered in ruffled collars, peplums and traces of corset boning.

The strongest development was Chanel’s new “smocked tweed,” designed to stretch and move with something of athleticwear’s ease. It was a useful proposition for an expensive, familiar garment: preserve its character while improving its possibilities.

Competing patterns and frothy tutus sometimes tipped towards costume. Dres

ses made from layered, printed silk were more persuasive, turning cloud formations and changing light into shifting color, The Associated Press reported.

Model Dyanira Hurbuscher opened and closed the collection — carrying Gabrielle Chanel’s own 2.55 handbag, borrowed from the famed archives.

That element neatly framed the collection’s ambition: continuity with room for change — a balance Blazy’s revitalization of Chanel rests on.

He has made Chanel's heritage feel available for play, backed by serious work in the ateliers.

Lipa wore a sleeveless skirt suit with pink heels. Kidman attended with her daughter Faith Margaret.