‘The Offer’ Recreates Wild Drama behind ‘The Godfather’

This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
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‘The Offer’ Recreates Wild Drama behind ‘The Godfather’

This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)
This image released by Paramount+ shows David Fogler as Francis Ford Coppola in a scene from "The Offer," debuting April 28 on Paramount+. (Paramount+ via AP)

On a trip to New York in the early 1970s, Robert Evans, the former head of Paramount, discovered a dead rat in his hotel room bed. According to the new Paramount+ series " The Offer," this was not an unfortunate travel experience that today would result in a scathing Yelp review, but a warning from the mafia.

Crime boss Joseph Colombo believed Mario Puzo's book "The Godfather" was an insult to Italian Americans and did not want Paramount to adapt it for the big screen.

The scene is both horrifying and hilarious as Matthew Goode as Evans high-tails it out of town, after ordering the movie's producer, Al Ruddy (played by Miles Teller), to make it right.

What's revealed in the 10-episodes of "The Offer," debuting April 28, is that pressure from the mafia was just one of many hurdles that Ruddy, Evans and other players navigated to get the movie made.

"I couldn’t believe some of the stories," said Goode.

Adds Patrick Gallo, who plays Puzo: "If you love the film, you’re not going to believe the kinds of things that went into making it."

Although the "The Godfather" is an extreme example, Colin Hanks, who plays one of the suits at Paramount’s then owner, Gulf + Western, says "The Offer" provides a window into just how hard it is to make anything in Hollywood.

"It’s an interesting show for the people that have watched ‘The Godfather’ and love ‘The Godfather’ because obviously they’re going to know locations, they’re going to know characters, and there’s going to be some insight into the making of the film. But I think even if someone has not seen ‘The Godfather,’ I think it’s a pretty interesting examination of just how difficult it is."

It also shows how fickle Hollywood can be.

"I've talked to really acclaimed and accredited filmmakers who made an incredible film and then assumed that they would be able to make whatever they wanted to next. And they couldn’t," said Teller. "Even some true-blue movie stars, you’d be surprised how quickly the enthusiasm for them fades if they’re not coming off a hit. And somebody told me 'In this business, nobody cares what you did two years ago.' I think it’s nobody cares what you did seven months ago. It's a constant proving ground."

"The Offer" paints a heroic picture of Ruddy, who was steadfast in protecting director Francis Ford Coppola's creative vision, while taking heat from all sides. It depicts how Coppola desperately wanted to cast a then-unknown, off-Broadway actor named Al Pacino in the role of Michael Corleone, much to the initial dismay of Evans and Gulf + Western. He also thought Marlon Brando was perfect as Don Corleone, even though Brando was considered too unreliable at the time. Ruddy persisted and made it happen.

"If he believed in somebody and if he told you he had your back, he did. He had it until the very end," said Teller.

Ruddy was the film's sole producer - a rarity in today's Hollywood, but his support system included his assistant Bettye McCartt, who was at his side every step of the way.

Juno Temple plays McCartt and calls it "one of the greatest honors" of her career to bring Ruddy and McCartt's partnership to the screen, a pair who trusted each other implicitly.

"You always hear like, 'Men and women can’t be friends.' Yeah, they can. They can be best friends and they can get such incredible (expletive) done together."

Dan Fogler, who plays Coppola, says "The Offer” is a reminder of the director's genius, and he would personally love his stamp of approval.

"I wonder what he's going to think of all this. I hope he gives us his blessing," he said. (It should be noted that Coppola has dismissed the project, telling Variety in March that "The Offer" doesn't match his memory of what happened.)

And Hollywood isn't done with the story. A movie surrounding the rollercoaster to get "The Godfather" made, starring Oscar Isaac and Jake Gyllenhaal, called "Francis and the Godfather" is also in the works.



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)