'Like Family': Japan's Virtual YouTubers Make Millions from Fans

Mayu Iizuka, a virtual YouTuber who voices and animates the character Yume Kotobuki, poses before livestreaming on April 7. AFP-JIJI
Mayu Iizuka, a virtual YouTuber who voices and animates the character Yume Kotobuki, poses before livestreaming on April 7. AFP-JIJI
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'Like Family': Japan's Virtual YouTubers Make Millions from Fans

Mayu Iizuka, a virtual YouTuber who voices and animates the character Yume Kotobuki, poses before livestreaming on April 7. AFP-JIJI
Mayu Iizuka, a virtual YouTuber who voices and animates the character Yume Kotobuki, poses before livestreaming on April 7. AFP-JIJI

Mayu Iizuka sheds her soft-spoken personality and starts cackling, screaming and waving wildly in a makeshift studio in Tokyo as her avatar appears on a livestream before hundreds of fans.

Virtual YouTubers like Iizuka, who voices and animates a character called Yume Kotobuki, have transformed a niche Japanese subculture into a thriving industry where top accounts can rake in more than a million dollars a year.

The videos are designed to make fans feel they are interacting directly with their favourite animated idols -- with viewers sometimes paying hundreds of dollars to have a single comment highlighted on a livestream.

"When I'm playing video games on my channel and succeed at something, my fans congratulate me" and pay tips "as a way to show their support and appreciation", Iizuka told AFP.

The 26-year-old uses a laptop, webcam and a motion sensor worn around her neck to appear on screen as Yume, whose facial expressions are controlled by a producer.

With her squeaky voice, short skirt and huge purple eyes, Iizuka's avatar follows a popular model for "VTuber" characters, which often resemble the hyper-feminine heroines of Japanese anime, AFP said.

Since emerging about five years ago, the VTuber world has grown quickly, with about 16,000 active streamers globally, according to data firm User Local, and growing fanbases on other platforms like TikTok and gaming site Twitch.

Regional governments in Japan have used them for promotion, and "The Batman" stars Robert Pattinson and Zoe Kravitz even gave a recent interview to a top Japanese VTuber.

- Super Chat -
VTubers generate money in ways similar to traditional livestreamers, including through YouTube's "Super Chat" system, where the more a fan shells out, the more attention is drawn to their comments.

In fact, the world's nine top-earning YouTube accounts for "Super Chat" last year were all VTubers.

All nine are affiliated with one Tokyo-based talent agency, and each earned between $700,000 and $1.7 million from the cash gifts, according to data analysis site Playboard.

Most fans spend only a few hundred yen ($1) per comment, but the most dedicated sometimes splurge 50,000 yen ($400) to post impassioned missives to their virtual idols.

Kazuma Murakami, a 30-year-old car parts inspector, has been known to spend 10,000 yen to get his comments highlighted in red and seen by his favorite VTuber.

"I really want her to notice I'm here again, visiting her channel," Murakami told AFP.

Another VTuber fan, who asked to be identified only by his first name, Kazumi, has adorned his tiny one-room apartment near Tokyo with posters, framed pictures and keyrings featuring his favorite character, Mio Ookami.

The 30-year-old computer engineer spends time after work and on weekends immersing himself in Mio's videos and crafting digital illustrations of the black-haired "wolf girl".

"I dedicate five, or maybe 10 hours to thinking just about her," he said.

"She is like family to me."

That devotion, and the willingness of fans to pay big money, is linked to the way other fan subcultures function in Japan, said Noriyuki Nagamatsu, a digital business specialist at advertising firm D.A. Consortium.

"Super Chat is essentially an extension of a longstanding culture where idol and anime fans try to support their 'oshi', or favorite, by splurging on their merchandise," he told AFP.

"It's also a way of winning attention from their beloved and feeling superior to fellow fans."

- Human 'soul' -
VTubers usually keep the person behind the character -- often referred to as their "soul" -- out of the picture, and like many fans, Kazumi says his love is directed towards Mio the avatar, not whoever plays her.

But the line between virtual and real can become blurred.

A Japanese court recently ruled in favor of a VTuber actor who argued that online slander against her character amounted to an attack on her.

Virtual YouTubers can "transcend gender, age or physique... but what's important is that there's a real person there who is speaking and reads the comments in real life," said Kazuhito Ozawa, the plaintiff's lawyer.

For Iizuka, a professional voice actress, making the rare decision to reveal her identity after four years of making videos as Yume was nerve-wracking.

"Part of me was afraid that fans of Yume, who has these big, shiny eyes and a perfect belly, might be disappointed to find out what the 'real' person inside looks like," she said.

But "so far the response from fans has been very kind".

And the more outspoken, vivacious personality of Yume's virtual self is even gradually rubbing off on Iizuka, she said.

"I used to baulk at speaking publicly, but Yume is such an experienced livestreamer that my identity as her has been helping me speak more confidently."



US Astronaut to Take her 3-year-old's Cuddly Rabbit Into Space

FILE PHOTO: An evening launch of a SpaceX Falcon 9 rocket carrying 20 Starlink V2 Mini satellites, from Space Launch Complex at Vandenberg Space Force Base is seen over the Pacific Ocean from Encinitas, California, US, June 23, 2024. REUTERS/Mike Blake/File Photo
FILE PHOTO: An evening launch of a SpaceX Falcon 9 rocket carrying 20 Starlink V2 Mini satellites, from Space Launch Complex at Vandenberg Space Force Base is seen over the Pacific Ocean from Encinitas, California, US, June 23, 2024. REUTERS/Mike Blake/File Photo
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US Astronaut to Take her 3-year-old's Cuddly Rabbit Into Space

FILE PHOTO: An evening launch of a SpaceX Falcon 9 rocket carrying 20 Starlink V2 Mini satellites, from Space Launch Complex at Vandenberg Space Force Base is seen over the Pacific Ocean from Encinitas, California, US, June 23, 2024. REUTERS/Mike Blake/File Photo
FILE PHOTO: An evening launch of a SpaceX Falcon 9 rocket carrying 20 Starlink V2 Mini satellites, from Space Launch Complex at Vandenberg Space Force Base is seen over the Pacific Ocean from Encinitas, California, US, June 23, 2024. REUTERS/Mike Blake/File Photo

When the next mission to the International Space Station blasts off from Florida next week, a special keepsake will be hitching a ride: a small stuffed rabbit.

American astronaut and mother, Jessica Meir, one of the four-member crew, revealed Sunday that she'll take with her the cuddly toy that belongs to her three-year-old daughter.

It's customary for astronauts to go to the ISS, which orbits 250 miles (400 kilometers) above Earth, to take small personal items to keep close during their months-long stint in space.

"I do have a small stuffed rabbit that belongs to my three-year-old daughter, and she actually has two of these because one was given as a gift," Meir, 48, told an online news conference.

"So one will stay down here with her, and one will be there with us, having adventures all the time, so that we'll keep sending those photos back and forth to my family," AFP quoted her as saying.

US space agency NASA says SpaceX Crew-12 will lift off on a SpaceX Falcon 9 rocket from Cape Canaveral in Florida to the orbiting scientific laboratory early Wednesday.

The mission will be replacing Crew-11, which returned to Earth in January, a month earlier than planned, during the first medical evacuation in the space station's history.

Meir, a marine biologist and physiologist, served as flight engineer on a 2019-2020 expedition to the space station and participated in the first all-female spacewalks.

Since then, she's given birth to her daughter. She reflected Sunday on the challenges of being a parent and what is due to be an eight-month separation from her child.

"It does make it a lot difficult in preparing to leave and thinking about being away from her for that long, especially when she's so young, it's really a large chunk of her life," Meir said.

"But I hope that one day, she will really realize that this absence was a meaningful one, because it was an adventure that she got to share into and that she'll have memories about, and hopefully it will inspire her and other people around the world," Meir added.

When the astronauts finally get on board the ISS, they will be one of the last crews to live on board the football field-sized space station.

Continuously inhabited for the last quarter century, the aging ISS is scheduled to be pushed into Earth's orbit before crashing into an isolated spot in the Pacific Ocean in 2030.

The other Crew-12 astronauts are Jack Hathaway of NASA, European Space Agency astronaut Sophie Adenot, and Russian cosmonaut Andrey Fedyaev.


iRead Marathon Records over 6.5 Million Pages Read

Participants agreed that the number of pages read was not merely a numerical milestone - SPA
Participants agreed that the number of pages read was not merely a numerical milestone - SPA
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iRead Marathon Records over 6.5 Million Pages Read

Participants agreed that the number of pages read was not merely a numerical milestone - SPA
Participants agreed that the number of pages read was not merely a numerical milestone - SPA

The fifth edition of the iRead Marathon achieved a remarkable milestone, surpassing 6.5 million pages read over three consecutive days, in a cultural setting that reaffirmed reading as a collective practice with impact beyond the moment.

Hosted at the Library of the King Abdulaziz Center for World Culture (Ithra) and held in parallel with 52 libraries across 13 Arab countries, including digital libraries participating for the first time, the marathon reflected the transformation of libraries into open, inclusive spaces that transcend physical boundaries and accommodate diverse readers and formats.

Participants agreed that the number of pages read was not merely a numerical milestone, but a reflection of growing engagement and a deepening belief in reading as a daily, shared activity accessible to all, free from elitism or narrow specialization.

Pages were read in multiple languages and formats, united by a common conviction that reading remains a powerful way to build genuine connections and foster knowledge-based bonds across geographically distant yet intellectually aligned communities, SPA reported.

The marathon also underscored its humanitarian and environmental dimension, as every 100 pages read is linked to the planting of one tree, translating this edition’s outcome into a pledge of more than 65,000 trees. This simple equation connects knowledge with sustainability, turning reading into a tangible, real-world contribution.

The involvement of digital libraries marked a notable development, expanding access, strengthening engagement, and reinforcing the library’s ability to adapt to technological change without compromising its cultural role. Integrating print and digital reading added a contemporary dimension to the marathon while preserving its core spirit of gathering around the book.

With the conclusion of the iRead Marathon, the experience proved to be more than a temporary event, becoming a cultural moment that raised fundamental questions about reading’s role in shaping awareness and the capacity of cultural initiatives to create lasting impact. Three days confirmed that reading, when practiced collectively, can serve as a meeting point and the start of a longer cultural journey.


Imam Turki bin Abdullah Royal Reserve Launches Fifth Beekeeping Season

Jazan’s Annual Honey Festival - File Photo/SPA
Jazan’s Annual Honey Festival - File Photo/SPA
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Imam Turki bin Abdullah Royal Reserve Launches Fifth Beekeeping Season

Jazan’s Annual Honey Festival - File Photo/SPA
Jazan’s Annual Honey Festival - File Photo/SPA

The Imam Turki bin Abdullah Royal Nature Reserve Development Authority launched the fifth annual beekeeping season for 2026 as part of its programs to empower the local community and regulate beekeeping activities within the reserve.

The launch aligns with the authority's objectives of biodiversity conservation, the promotion of sustainable environmental practices, and the generation of economic returns for beekeepers, SPA reported.

The authority explained that this year’s beekeeping season comprises three main periods associated with spring flowers, acacia, and Sidr, with the start date of each period serving as the official deadline for submitting participation applications.

The authority encouraged all interested beekeepers to review the season details and attend the scheduled virtual meetings to ensure organized participation in accordance with the approved regulations and the specified dates for each season.