Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
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Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)

Some are newcomers. Some are former child stars reintroducing themselves in adult roles. And one is a comedian making a leap to big screen. These are just a few of the actors poised to make a splash this summer at the movies:

Austin Butler in “Elvis”

How familiar you are with Austin Butler will likely have a lot to do with your age. For a certain demographic, Butler, who starred in Disney Channel, Nickelodeon, CW and ABC Family shows between 2007 and 2012, is one of the most recognizable faces on the planet.

But Butler is about to hit a different level this summer when audiences get a glimpse of the 30-year-old as Elvis Presley in the new Baz Luhrmann production hitting theaters June 24. To say his preparation was intense is an understatement: He spent five months just workshopping with Luhrmann before he was even officially offered the role (which, incidentally, was the day before the premiere of “Once Upon a Time in Hollywood,” where he steals several scenes as a Manson follower).

“I threw my eggs in one basket,” Butler said. “I told my agents not to even send me another audition. I said I can’t focus on anything else. It would have really been a bummer if I didn’t get it after investing that much.”

The film is framed around Presley’s complex relationship with his manager, Colonel Tom Parker, who is played by Tom Hanks. When Butler arrived in Australia for the shoot, waiting for him in his room was a typewriter with a note from Colonel Tom Parker (both were from Hanks). And throughout production, they sent letters to one another, in character.

“From the moment I first met him, he broke down barriers of that that thing that can happen when you meet your hero,” Butler said. “He gave me a huge hug, we talked for a bit and then he started talking about his fears, how nervous he was. He said, ‘I can only imagine how nervous you are!’ I said, ‘I’m terrified.’ And then we got to be colleagues.”

And yes, Butler kept the typewriter.

Keke Palmer in “Nope”

Keke Palmer started acting when she was 9 years old and several years later had her first big breakthrough starring in “Akeelah and the Bee.” She’s released music albums, hosted talk shows and worked pretty much non-stop since. So while she’s not a newcomer by any stretch, Palmer is also poised for a second big moment this summer as an adult actor.

The 28-year-old was hand-picked by Jordan Peele to star alongside Daniel Kaluuya in his secretive new thriller “Nope” (July 22) and voices a main role in Disney’s “Lightyear” (June 17) which she said is particularly surreal and fun since she grew up with the “Toy Story” movies.

Palmer can’t reveal, well, anything about “Nope” but she teased that her character is “a combination of a couple of different archetypes” and “a very honest character who is transitioning in front of us and coming of age.” As an aspiring writer-director herself, she relished getting the chance to learn from Peele on set and is excited for people to see the film. The spotlight of a Jordan Peele production is a new sensation for her.

“The space in my career that I’m in, which I’m totally comfortable with, is I’m the kind of entertainer where it’s like some people have grown up with me and other people are like who the hell is Keke Palmer?”, she said, laughing . “With Jordan, it just gives me the opportunity for people to see what I can do and for those that have grown up with me to see how I’ve grown, and for those that have never heard of me, get introduced to me through this and maybe have some fun going back and seeing where I do come from.”

Andrew Koji in “Bullet Train”

Andrew Koji has his mom to thank for his two biggest breaks to date. She’s the one who filmed his auditions, in the garage in England, for both the television show “Warrior” and “Bullet Train,” which opens July 29.

“Bullet Train” is one of the most anticipated releases of the summer: An action-packed thriller from director David Leitch (“Deadpool 2”) starring Brad Pitt, Joey King, Bad Bunny, Bryan Tyree Henry, Sandra Bullock and Koji.

He was already excited about the project and working with Leitch, then he heard Pitt had signed on as well.

“It felt surreal because I never really put him and me in the same world,” Koji wrote in an email. “I never thought that my career path would ever cross with his.”

Koji’s plays Kimura, one of the original characters from Kōtarō Isaka’s popular book.

“He is going through a lot when we first meet him, and it gets worse for him throughout the film. He’s a troubled beaten-down soul, who boards the train looking for redemption,” Koji said. “He is intended to be more at the dramatic core of the film to play off and balance out the more comedic lighter tones and characters.”

Though Koji has training in martial arts, he didn’t actually have to draw on those skills much for “Bullet Train.” But he did have to keep his stamina up.

“I ended up having this full-on day shooting two different scenes, side by side. I was running back and forth from the 2nd unit, working on an intense fight ... to a different scene on main unit working on an emotional scene with Hiroyuki,” Koji said. “That was a real rush, I loved that day. It was one of my favorite days of filming.”

Jo Koy in “Easter Sunday”

A Netflix comedy special is always bound to get a lot of viewers and maybe even create some new opportunities. But comedian Jo Koy never dreamed that one of those would come from Steven Spielberg.

The story, Koy said, is that Spielberg caught “Comin’ in Hot” one night and asked Koy to pitch a movie idea. Thankfully he had something in mind: A family comedy, loosely inspired by his own Filipino American family, gathering for a holiday. The result is “Easter Sunday” (Aug. 5) in which he stars alongside Lou Diamond Phillips, Tia Carrere and Tiffany Haddish.

“It’s about a family and it’s all chaos and craziness and love all on the same Easter Sunday,” Koy said. “It’s a normal family in America. It’s something that you have seen before. The only difference is my mom happens to be from the Philippines.”

Growing up without the internet, he said, he was never totally sure if someone he saw on screen was Filipino. Often they’d be playing different races and ethnicities and their names in the credits were usually little help. It’s part of the reason he wanted to show an explicitly Filipino story. And it was an emotional experience for many. Some of the actors even told him that in three decades of work, they had never played a character who was written as Filipino before, instead of just “Asian woman who can sing” for instance.

“You get to learn a little bit about our culture. You get to learn a little bit about what we eat, what we look like,” he said. “I’m not here to make fun of Filipinos. I’m not trying to make them do goofy things or be clowns. This was an opportunity to tell our story, be funny as a family and let people laugh at that.”

Cooper Raiff in “Cha Cha Real Smooth”

Writer-director-actor Cooper Raiff is only 25-years-old and already has two indie darlings under his belt. His first was made on a shoestring and got some attention on the festival circuit. But his sophomore feature “Cha Cha Real Smooth” (on Apple TV+ June 17) is poised to put him on another level. In the film, he plays a recent college graduate working as a party starter on the Bar Mitzvah circuit, where he meets and befriends a single mom played by Dakota Johnson.

“I wanted to make a movie about that feeling when you’re floating in post-grad delirium and two people helping each other get strong for two very different stages in their lives,” Raiff said. “This is a kid who is really good at starting other people’s parties but has no idea where to begin when it comes to starting his own party.”

Johnson was intimately involved in the development of the script and making of the film, which was done through her production company TeaTime Pictures.

“She really wanted to be part of things at every step and I die for that,” Raiff said. “I really felt like she wanted to work together, even when we were butting heads about blocking or where the scene should go or what it’s really saying.”

Raiff is currently at work on his next, even bigger movie. But this time, he said, he’ll likely stay behind the camera.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)