Get on Your Bike: Coldplay Hopes to Lead with a Green Tour

Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
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Get on Your Bike: Coldplay Hopes to Lead with a Green Tour

Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)

It’s often said that fans at live concerts give the band a jolt of electricity. Coldplay wants to literally harness that.

The pop superstars have added kinetic dance floors and energy-storing stationary bikes to their latest world tour, encouraging fans to help power the show as they dance or spin.

It’s part of a larger push to make the tour more environmentally friendly. The band — whose songs include the appropriately titled “Higher Power” — has pledged to be as sustainable and low-carbon as possible, hoping to cut their CO2 emissions by 50%.

“You don’t want to come across as being overly earnest. This stuff is really good fun as well,” said bassist Guy Berryman. “That’s the way it will bed in, if people see it less as a sort of onerous responsibility and more as a kind of opportunity to do something fun and it’s a benefit to the environment and to the whole concert experience.”

Each kinetic dance floor can hold dozens of people, with electricity created when movement is made on them. The band has pre-show contests to see which group of fans can generate the most power, fueled by “Jump Around” by House of Pain.

And each of the bikes — a minimum of 15 but can be scaled up depending on the venue size — can generate an average of 200 watts of energy, captured in batteries that run elements of the show.

Coldplay is just one music act working to reduce effects of the climate footprints of their tours, a list that includes Billie Eilish, Harry Styles, The Lumineers, Dave Matthews Band, Shawn Mendes, Maroon 5, John Mayer, Lorde, The Chicks, Jason Isbell and The 1975.

“The relationship that musicians have with millions of their fans is unlike any other relationship of any other public figure. It can be a walking, talking example,” said Adam Gardner, founder and co-executive director of Reverb, a nonprofit that helps bands make their concerts greener.

The artists are reflecting an overall push in the entertainment sphere — from sports teams to toy manufacturers — to reduce their carbon footprints. A study by Live Nation found 82% of live musicgoers said they strive to maintain an environmentally sustainable lifestyle.

“Being green is not a charitable sort of self-flagellating, holier-than-thou exercise. It’s a good business model. That’s what we’d like to show,” said Coldplay lead singer Chris Martin. Added guitarist Jonny Buckland: “It has to work.”

The efforts involve everything from providing more plant-based food options at concessions and eliminating single-use plastic to rethinking transportation — the most environmentally taxing aspect of tours — for both musicians and fans.

Eilish has pledged to eliminate an estimated 35,000 single-use water bottles from her tour and only serves vegetarian food backstage. The band Massive Attack is traveling by train, and Olivia Rodrigo’s “Sour” merchandise is sustainably dyed and 100% organic cotton.

Mendes has pledged to reduce his tour’s environmental impact and emissions by 50% per show, employing sustainable fabrics in tour hoodies and T-shirts, staying at hotels that commit to net zero emissions, eliminating plastic and using sustainable aviation fuel. Styles’ recent tour had battery recycling centers, and it donated unused hotel toiletries to shelters.

Coldplay plans to minimize air travel — but when flights are necessary, the band will opt for commercial over charter — and will use trains and electric vehicles whenever possible. Trucks will use alternative fuels like hydrotreated vegetable oil.

“We’ve looked at every aspect of the show because there isn’t one thing that you can do which makes an overall significant difference. It’s just basically all of these changes that you make add up to something overall more impressive,” said Berryman. “Hopefully it will have this ripple effect throughout our industry.”

The “Music of the Spheres” tour stage uses recycled steel, and the band hopes to deploy the world’s first tour battery system, made from 40 repurposed and recyclable BMW electric car batteries. The hope is to power the entire show from batteries, never needing the grid or diesel generators.

“We are very blessed that we have the resources to be able to do it because it’s very expensive to try these things for the first time,” said Martin. “We’re so privileged that we’re in a position where we can change.”

There’s also biodegradable confetti, compostable wristbands for the audience, the use of solar panels and the backstage generator is powered by vegetable oil. All band merchandise is sustainably and ethically sourced and 10% of the tour’s net revenue will go to environmental organizations like The Ocean Cleanup and One Tree Planted.

“We’re trying to do this in a way that’s quite pragmatic and businesslike so that we don’t get written off as kind of left-wing nutcases. But it’s quite centrist and practical,” said Martin.

Coldplay drummer Will Champion said the new green technology may be helpful to other bands just starting out on tour and hopes all musical acts can share experiences of what works and what doesn’t.

“The more this is out there and the more people are taking initiative and coming up with new ideas, the quicker it becomes industry standard,” he said. “When that tips to the point where it’s a no-brainer because it costs the same or less than traditional ways of doing it, that’s when the floodgates open and then we make significant change.”

But change hasn’t always gone smoothly. Coldplay has been accused of greenwashing because it has partnered with Neste, which bills itself as the world’s largest producer of sustainable biofuels.

Transport and Environment, a Brussels-based environmental organization, said Neste has “documented links to deforestation and dubious biofuels,” like palm oil or its byproducts. But Neste responded that “conventional palm oil” was not used as a “raw material” in the Coldplay collaboration and it hopes to end use of conventional palm oil by 2023.

“They’re trying their best,” said Transport and Environment senior director Carlos Calvo Ambel about Coldplay, “but maybe they picked the wrong consultant.”

Reverb, which has helped bands navigate the complexities of being green since 2004, offers everything from free water stations to sourcing local organic and family farm food near the venue. The nonprofit has helped avoid the use of 4 million single-use water bottles since its start, it says.

“Our philosophy is that it’s not all or nothing. I think if we force people to do everything all at once, most of them will choose nothing,” said Gardner, who is also a touring musician with his band Guster.

“Some artists that we work with are ready to jump in full-on and others are looking at the things that they’re able to change right away. And I think the most important thing is to start.”

Coldplay isn’t just pledging to reduce its own carbon footprint. It’s also building incentives for its audience to do the same on the way to the venue.

There’s a free app for fans that calculates and ranks different ways of traveling to the concert — car, public transport, taxi, bike and train, included — with rewards like discounts on merchandise for those who commit to taking more green-friendly trips. The band also hopes to make free local public transport to the gig available to fans in America and Europe.

“Everything in our show is really designed to bring everyone into the same group, singing together and wearing the wristbands. And this is just an extension of that. It makes us feel alive. It makes us feel part of a community,” said Martin.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.