Get on Your Bike: Coldplay Hopes to Lead with a Green Tour

Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
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Get on Your Bike: Coldplay Hopes to Lead with a Green Tour

Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)
Chris Martin of Coldplay performs during the band's Music of the Spheres world tour on Thursday, May 12, 2022, at State Farm Stadium in Glendale, Ariz. (AP)

It’s often said that fans at live concerts give the band a jolt of electricity. Coldplay wants to literally harness that.

The pop superstars have added kinetic dance floors and energy-storing stationary bikes to their latest world tour, encouraging fans to help power the show as they dance or spin.

It’s part of a larger push to make the tour more environmentally friendly. The band — whose songs include the appropriately titled “Higher Power” — has pledged to be as sustainable and low-carbon as possible, hoping to cut their CO2 emissions by 50%.

“You don’t want to come across as being overly earnest. This stuff is really good fun as well,” said bassist Guy Berryman. “That’s the way it will bed in, if people see it less as a sort of onerous responsibility and more as a kind of opportunity to do something fun and it’s a benefit to the environment and to the whole concert experience.”

Each kinetic dance floor can hold dozens of people, with electricity created when movement is made on them. The band has pre-show contests to see which group of fans can generate the most power, fueled by “Jump Around” by House of Pain.

And each of the bikes — a minimum of 15 but can be scaled up depending on the venue size — can generate an average of 200 watts of energy, captured in batteries that run elements of the show.

Coldplay is just one music act working to reduce effects of the climate footprints of their tours, a list that includes Billie Eilish, Harry Styles, The Lumineers, Dave Matthews Band, Shawn Mendes, Maroon 5, John Mayer, Lorde, The Chicks, Jason Isbell and The 1975.

“The relationship that musicians have with millions of their fans is unlike any other relationship of any other public figure. It can be a walking, talking example,” said Adam Gardner, founder and co-executive director of Reverb, a nonprofit that helps bands make their concerts greener.

The artists are reflecting an overall push in the entertainment sphere — from sports teams to toy manufacturers — to reduce their carbon footprints. A study by Live Nation found 82% of live musicgoers said they strive to maintain an environmentally sustainable lifestyle.

“Being green is not a charitable sort of self-flagellating, holier-than-thou exercise. It’s a good business model. That’s what we’d like to show,” said Coldplay lead singer Chris Martin. Added guitarist Jonny Buckland: “It has to work.”

The efforts involve everything from providing more plant-based food options at concessions and eliminating single-use plastic to rethinking transportation — the most environmentally taxing aspect of tours — for both musicians and fans.

Eilish has pledged to eliminate an estimated 35,000 single-use water bottles from her tour and only serves vegetarian food backstage. The band Massive Attack is traveling by train, and Olivia Rodrigo’s “Sour” merchandise is sustainably dyed and 100% organic cotton.

Mendes has pledged to reduce his tour’s environmental impact and emissions by 50% per show, employing sustainable fabrics in tour hoodies and T-shirts, staying at hotels that commit to net zero emissions, eliminating plastic and using sustainable aviation fuel. Styles’ recent tour had battery recycling centers, and it donated unused hotel toiletries to shelters.

Coldplay plans to minimize air travel — but when flights are necessary, the band will opt for commercial over charter — and will use trains and electric vehicles whenever possible. Trucks will use alternative fuels like hydrotreated vegetable oil.

“We’ve looked at every aspect of the show because there isn’t one thing that you can do which makes an overall significant difference. It’s just basically all of these changes that you make add up to something overall more impressive,” said Berryman. “Hopefully it will have this ripple effect throughout our industry.”

The “Music of the Spheres” tour stage uses recycled steel, and the band hopes to deploy the world’s first tour battery system, made from 40 repurposed and recyclable BMW electric car batteries. The hope is to power the entire show from batteries, never needing the grid or diesel generators.

“We are very blessed that we have the resources to be able to do it because it’s very expensive to try these things for the first time,” said Martin. “We’re so privileged that we’re in a position where we can change.”

There’s also biodegradable confetti, compostable wristbands for the audience, the use of solar panels and the backstage generator is powered by vegetable oil. All band merchandise is sustainably and ethically sourced and 10% of the tour’s net revenue will go to environmental organizations like The Ocean Cleanup and One Tree Planted.

“We’re trying to do this in a way that’s quite pragmatic and businesslike so that we don’t get written off as kind of left-wing nutcases. But it’s quite centrist and practical,” said Martin.

Coldplay drummer Will Champion said the new green technology may be helpful to other bands just starting out on tour and hopes all musical acts can share experiences of what works and what doesn’t.

“The more this is out there and the more people are taking initiative and coming up with new ideas, the quicker it becomes industry standard,” he said. “When that tips to the point where it’s a no-brainer because it costs the same or less than traditional ways of doing it, that’s when the floodgates open and then we make significant change.”

But change hasn’t always gone smoothly. Coldplay has been accused of greenwashing because it has partnered with Neste, which bills itself as the world’s largest producer of sustainable biofuels.

Transport and Environment, a Brussels-based environmental organization, said Neste has “documented links to deforestation and dubious biofuels,” like palm oil or its byproducts. But Neste responded that “conventional palm oil” was not used as a “raw material” in the Coldplay collaboration and it hopes to end use of conventional palm oil by 2023.

“They’re trying their best,” said Transport and Environment senior director Carlos Calvo Ambel about Coldplay, “but maybe they picked the wrong consultant.”

Reverb, which has helped bands navigate the complexities of being green since 2004, offers everything from free water stations to sourcing local organic and family farm food near the venue. The nonprofit has helped avoid the use of 4 million single-use water bottles since its start, it says.

“Our philosophy is that it’s not all or nothing. I think if we force people to do everything all at once, most of them will choose nothing,” said Gardner, who is also a touring musician with his band Guster.

“Some artists that we work with are ready to jump in full-on and others are looking at the things that they’re able to change right away. And I think the most important thing is to start.”

Coldplay isn’t just pledging to reduce its own carbon footprint. It’s also building incentives for its audience to do the same on the way to the venue.

There’s a free app for fans that calculates and ranks different ways of traveling to the concert — car, public transport, taxi, bike and train, included — with rewards like discounts on merchandise for those who commit to taking more green-friendly trips. The band also hopes to make free local public transport to the gig available to fans in America and Europe.

“Everything in our show is really designed to bring everyone into the same group, singing together and wearing the wristbands. And this is just an extension of that. It makes us feel alive. It makes us feel part of a community,” said Martin.



Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.


Norway-Set Drama About Political Polarization ‘Fjord’ Wins Palme ’Or at Cannes

Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
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Norway-Set Drama About Political Polarization ‘Fjord’ Wins Palme ’Or at Cannes

Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)

Cristian Mungiu’s Norway-set drama about political polarization, "Fjord," has won the Palme d’Or, handing the Cannes Film Festival ’s top honor for the second time to Mungiu, the Romanian director of "4 Months, 3 Weeks and 2 Days."

At a 79th Cannes Film Festival that saw few films cause a stir, "Fjord" found wide admiration for its engrossing tale of what Mungiu called "left-wing fundamentalism." It stars Sebastian Stan and Renate Reinsve as Romanian Evangelicals who move to Norway, but soon after have their children taken from them by child services for spanking them.

"Today the society is split. It’s divided. It’s radicalized," said Mungiu. "This film is a pledge against any type of fundamentalism. It's a pledge for these things we quote very often, like trauma and inclusion and empathy. These are lovely words but we need to apply them more often."

Mungiu becomes just the 10th filmmaker to win the Palme d’Or twice. His "4 Months, 3 Weeks and 2 Days," a Romanian abortion drama, won the award in 2007.

The win for "Fjord" extends one of the movies’ most extraordinary streaks. Neon, the specialty label, has now taken seven Palme d’Or winners in a row. "Fjord" adds to its unparalleled run, including last year’s champion, Jafar Panahi’s "It Was Just an Accident," and the 2024 winner, "Anora." The latter went on to win best picture at the Oscars.

‘Minotaur’ wins Grand Prix

The Grand Prix, or second prize, went to "Minotaur," Andrey Zvyagintsev’s domestic thriller set against Russia’s war with Ukraine. Loosely based on Claude Chabrol’s 1969 film "The Unfaithful Wife,Minotaur" is about a Russian businessman suspicious of his wife’s indiscretions. At the same time, he’s tasked with conscripting 150 of his workers for Vladimir Putin’s war machine.

"The only person who can stop this butchery is you, Mr. President of the Russian Federation," Zvyagintsev said, accepting his award. "Put an end to this slaughter. The whole world is waiting for this."

By wide consensus, it wasn’t a banner festival. Hollywood largely sat out this year’s edition. Many of the selections struggled to bowl over critics. The global buzz that Cannes typically generates was fitful at best.

But the awards handed out Saturday as the 79th Cannes drew to a close will significantly raise the international profiles of the winners. Last year's Cannes produced a long string of Oscar nominees, including "Sentimental Value" and "The Secret Agent."

The nine-member jury that decided the awards was headed by Korean filmmaker Park Chan-wook. Demi Moore, Chloé Zhao and Stellan Skarsgård were also jurors. Chan-wook, a Cannes regular including last year with his satirical thriller "No Other Choice," joked that he preferred not to give away the Palme.

"To be honest, I didn’t want to award the Palme d’Or to any of the films, because it’s an award I myself have never gotten," Chan-wook told reporters after the ceremony. "But I had no other choice."

Awards are split and shared

Virginie Efira and Tao Okamoto, the two stars of Ryusuke Hamaguchi’s "All of a Sudden" shared the best actress award. In the elegantly empathetic drama, the two play women brought together in friendship out of their mutual sense of care for others.

The jury also split the best actor prize. They chose Emmanuel Macchia and Valentin Campagne, the two stars of "Coward," Lukas Dhont’s drama about young Belgian men sent to the front lines of World War II.

The prize for best screenplay was awarded to Emmanuel Marre for "A Man of His Time," a French drama about a Nazi collaborator in Vichy France. Marre based it on the experiences of his own great-grandfather.

The jury prize, or third place, went to German filmmaker Valeska Grisebach’s "The Dreamed Adventure," a crime drama set in a Bulgarian border town.

Saturday’s ceremony was missing its tribute honoree. Barbra Streisand was to receive an honorary Palme d’Or, but a knee injury prevented her from attending. Isabelle Huppert nevertheless celebrated Streisand during the ceremony, and Streisand appeared in a taped video message.

The Camera d’Or, Cannes’ award for best first film, went to Marie Clémentine Dusabejambo’s post-genocide drama "Ben’Imana," the first Rwandan film to be officially selected for the festival.


Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
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Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)

Cannes may be best known for its A-list stars, but Yuri the rescue dog stole the spotlight on Friday, winning the most anticipated unofficial award of the festival, the Palm Dog, for her performance in Chilean drama "La Perra."

Judges praised Yuri's naturalistic performance and her central contribution to the plot when picking the pooch, whose prize was a red collar emblazoned with "Palm Dog" on it.

Director Dominga Sotomayor Castillo took to the stage overlooking the clear blue waters of ‌the French Riviera ‌with another rescue dog named Apocalypse, who humbly ‌accepted ⁠the prize on Yuri's ⁠behalf, to claps and barks of approval.

The Palm Dog, a play on the festival's top prize, the Palme d'Or, has evolved from a cheeky sideshow event to a genuinely coveted prize since film journalist Toby Rose started it in 2001.

NATURALISTIC PERFORMANCE

"La Perra," which premiered in the Directors' Fortnight independent sidebar, revolves around a woman living on a remote Chilean island who impulsively ⁠adopts a puppy named Yuri.

"It's not a dog ‌doing lots of tricks. But it (the ‌film) really shows the bond and how this woman's life improves once Yuri, the ‌dog, comes into it," judge and film journalist Wendy Mitchell, wearing a ‌hat decorated with small plush dogs, told Reuters.

Another judge, Anna Smith, film critic, broadcaster and host of "Girls On Film" podcast, said the depiction of Yuri in the film was also key in their decision.

"As a jury member, I'm always ‌looking for a story where the dog is absolutely essential to the narrative," said Smith, who was similarly decked ⁠out in ⁠a dog-themed outfit.

Yuri beat six other competitors to take the top prize.

Another rescue dog, Lola, took the Grand Jury Prize for her role in the Birmingham-set drama about the lives of five friends, "I See Buildings Fall Like Lightning," that also premiered in the Directors' Fortnight sidebar.

"We are very strict in our criteria and what is a Palm Dog winning performance. The dogs over the years have been unbelievable," organizer Rose told Reuters after the award.

Past winners include Messi, the Border collie from Justine Triet's "Anatomy of a Fall," who converted his star power into a French TV show, as well as Uggie, a Jack Russell who helped launch a wider craze for the breed with "The Artist" in 2011.